Dictionary of Women Artists: Introductory surveys ; Artists, A-I PDF Download
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Author: Delia Gaze
Publisher: Taylor & Francis
ISBN: 9781884964213
Category : Art
Languages : en
Pages : 928
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Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Delia Gaze
Publisher: Taylor & Francis
ISBN: 9781884964213
Category : Art
Languages : en
Pages : 928
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Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Jörg Becker
Publisher: Concept Publishing Company
ISBN: 9788180691720
Category : Communication
Languages : en
Pages : 384
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Book Description
Papers presented at various conferences and articles; some previously published.
Author: David Hopkins
Publisher: Oxford University Press
ISBN: 0199218455
Category : Art, American
Languages : en
Pages : 349
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Book Description
"A ... new edition of [a] study of art since 1945, focusing mainly on the relationship between American and European art [and offering] an up-to-date introduction to the major artists and movements of recent years"--
Author: David Pascoe
Publisher: Reaktion Books
ISBN: 9781861890054
Category : Antiques & Collectibles
Languages : en
Pages : 250
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Book Description
Peter Greenaway is one of the most distinctive and provocative personalities to emerge in European cinema in the last two decades. This extensively illustrated critical study examines Greenaway's vision from a number of perspectives.
Author: Slavko Kacunko
Publisher: Logos Verlag Berlin GmbH
ISBN: 3832538992
Category : Architecture
Languages : en
Pages : 383
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Book Description
By following and reproducing the cultural turn, the rhetoric of cultural mix and hybridism is disseminated today primarily in its crossing of trade barriers. Cultures reduced to their exchange value function as capital - an accumulative, speculative and, ultimately, financial affair. In some of its media and site-(un)specific manifestations, process art - which aims to encompass both old and new media art - seems to resist this pressure, despite, nonetheless, not being protected from regulations and incorporations. In the present collection of his recent essays, Slavko Kacunko discusses the process art by crossing the disciplines of art history and comparative media-, visual- and -cultural studies. As a first approximation, several historiographical remarks on closed-circuit video installations underline their importance as a core category of process art. In the second part, the problems of process art, seen as a threshold of art history, are further examined in another retroanalytical step, in which concepts and objects related to `mirror', `frame' and `immediacy' are analyzed as the triple delimitation of visual culture studies. In the third part, previously outlined manifestations of what is termed the `post-visual condition' are summarized and projected to the `coreless core' of the emerging art and research related to the coreless beings par excellence, the bacteria.
Author: Kynaston McShine
Publisher: ABRAMS
ISBN: 9780810961975
Category : Architecture
Languages : en
Pages : 304
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Book Description
Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, March 14 - June 1, 1999.
Author: Helen Westgeest
Publisher: John Wiley & Sons
ISBN: 1118475445
Category : Social Science
Languages : en
Pages : 220
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Book Description
Video Art Theory: A Comparative Approach demonstrates how video art functions on the basis of a comparative media approach, providing a crucial understanding of video as a medium in contemporary art and of the visual mediations we encounter in daily life. A critical investigation of the visual media and selected video artworks which contributes to the understanding of video as a medium in contemporary art The only study specifically devoted to theorizing the medium of video from the perspective of prominent characteristics which result from how video works deal with time, space, representation, and narrative The text has emerged out of the author’s own lectures and seminars on video art Offers a comparative approach which students find especially useful, offering new perspectives
Author: Robert Cumming
Publisher: Penguin
ISBN: 0756648440
Category : Art
Languages : en
Pages : 514
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Book Description
This title covers all of the key movements in Western art history, from Classicism to conceptual art - and profiles more than 780 of the world''s greatest artists. Specially commissioned illustrations and photographs, written by experts in each field, using the award winning design of the Eyewitness Travel Guides, Eyewitness Companions are the ultimate visual handbook to a wide range of subjects! Text previously published in ART: A Field Guide
Author: Alexander Kluge
Publisher: Verso Books
ISBN: 1784782432
Category : Philosophy
Languages : en
Pages : 352
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Book Description
The “public sphere” is a key concept in political discourse, designating a space for political action. But is this a single authoritative and universal space in which various positions compete for recognition, or does it consist of multiple local spaces spread over diverse collectivities? In Kluge and Negt’s groundbreaking book they examine the material conditions of experience in an arena that had previously figured only as an abstract term: the media of mass and consumer culture. With a new, up-to-date introduction from Alexander Kluge.
Author: Joseph D. Ketner II
Publisher: Bloomsbury Publishing USA
ISBN: 1501331183
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
Witness of Phenomenon articulates a fresh examination of the German Group Zero-Heinz Mack, Otto Piene, and Günter Uecker-and other new tendency artists, who rejected painting and introduced new art media in postwar Europe. Group ZERO evolved into a network across Europe- Amsterdam, Milan, Paris, and Zagreb. This pan-European affiliation of artists generated a continuous stream of innovative artistic statements through the 1960s, incorporating non-traditional materials and new technologies to create kinetic art, light installations, performances, immersive multimedia installations, monumental land art, and the communication media of video and television. They transformed the visual arts from the inanimate objet d'art to a sensory experience by adopting the ascendant philosophy of Phenomenology as their conceptual foundation. Drawing from a decade of research on unpublished archives of the artists and critics of this period, this publication positions Group ZERO as a catalytic art moment in the transition from modern to contemporary art.
