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Author: Jon Paul Chatlos
Publisher:
ISBN:
Category :
Languages : en
Pages : 454
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Author: Jon Paul Chatlos
Publisher:
ISBN:
Category :
Languages : en
Pages : 454
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Author:
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 1222
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Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1074
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Abstracts of dissertations available on microfilm or as xerographic reproductions.
Author: Giorgio Agamben
Publisher: Stanford University Press
ISBN: 0804730229
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
This book, by one of Italy's most important and original contemporary philosophers, represents a broad, general, and ambitious undertaking--nothing less than an attempt to rethink the nature of poetic language and to rearticulate relationships among theology, poetry, and philosophy in a tradition of literature initiated by Dante. The author presents "literature" as a set of formal or linguistic genres that discuss or develop theological issues at a certain distance from the discourse of theology. This distance begins to appear in Virgil and Ovid, but it becomes decisive in Dante and in his decision to write in the vernacular. His vernacular Italian reaches back through classical allusion to the Latin that was in his day the language of theology, but it does so with a difference. It is no accident that in the Commedia Virgil is Dante's guide. The book opens with a discussion of just how Dante's poem is a "comedy," and it concludes with a discussion of the "ends of poetry" in a variety of senses: enjambment at the ends of lines, the concluding lines of poems, and the end of poetry as a mode of writing this sort of literature. Of course, to have poetry "end" does not mean that people stop writing it, but that literature passes into a period in which it is concerned with its own ending, with its own bounds and limits, historical and otherwise. Though most of the essays make specific reference to various authors of the Italian literary tradition (including Dante, Polifilo, Pascoli, Delfini, and Caproni), they transcend the confines of Italian literature and engage several other literary and philosophical authors (Plato, Aristotle, the Stoics, Boethius, the Provençal poets, Mallarmé, and Hölderlin, among others).
Author: Andrew McAllister
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 164
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Book Description
The Objectivists were a group of left-wing, mainly Jewish American poets who formed a brief though important alliance in the 1930s, when they felt poetry needed a new identity. The guiding principles of Objectivist poetry were fresh vocabulary and musical shaping, drawing on a stripped-down but radiant language of images and perceptions. The core of the group was formed by Louis Zukofsky, George Oppen, Charles Reznikoff and Carl Rakosi, but Lorine Niedecker, Kenneth Rexroth and Muriel Rukeyser were affiliated players, as well as Basil Bunting in Britain. They are especially interesting to us today because they took up the challenge of experiment with a modern ambitious lyric poetry sharpened by their experience of the new metropolitan city. In the Objectivists' heyday, the Depression years, they laid down examples which have been picked up in turn by the Black Mountain Poets and the Beat Generation, and later by Postmodernism, and which still remain fruitful. The trademark smartness and brevity of Objectivist poetry, along with a vital commitment to the spirit of the century, make Andrew McAllister's anthology an exciting and relevant book for a new generation of poetry readers.
Author: Charles Bernstein
Publisher: Harvard University Press
ISBN: 9780674678576
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
In a wild variety of topics, polemic, and styles, Bernstein surveys the poetry scene and addresses hot issues of poststructuralist literary theory. What role should poetics play in contemporary culture? Bernstein finds the answer in dissent, in both argument and form--a poetic language that resists being absorbed into the conventions of our culture.
Author: Norma Cole
Publisher: Omnidawn
ISBN: 9781890650445
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
In one of her essays--really an insufficient word for these experimental thought-montages--Norma Cole describes translation as "a record of the encounter." What we get in To Be At Music is the record of Cole's Profound encounters with the works and lives of Oppen, Blanchot, H.D., Niedecker, Jabes, Blaser; the paintings of Stanley Whitney and Marjorie Welish; the hard facts of contemporary history. What marks all these pieces is a marvelous openness. Instead of delivering neatly packaged conclusions, Cole invites us to participate in her thought process, to become active collaborators in the making of meaning.--Raphael Rubinstein, art critic for Art in America and author of Polychrome Profusion: Selected Art Criticism 1990-2002 --Book Jacket.
Author: Craig Dworkin
Publisher: MIT Press
ISBN: 0262312719
Category : Art
Languages : en
Pages : 228
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Book Description
Close readings of ostensibly “blank” works—from unprinted pages to silent music—that point to a new understanding of media. In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orphée to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De Kooning Drawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33”, Dworkin links Cage's composition to Rauschenberg's White Paintings, Ken Friedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a “guide to further listening” that surveys more than 100 scores and recordings of “silent” music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.
Author: Pepe Karmel
Publisher: The Museum of Modern Art
ISBN: 9780870700378
Category : Art
Languages : en
Pages : 288
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Book Description
Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.
Author: Donald Wesling
Publisher: Univ of California Press
ISBN: 9780520038615
Category : Literary Criticism
Languages : en
Pages : 186
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