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Author:
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 504
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Book Description
Author:
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 504
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Book Description
Author: Maurice de Vlaminck
Publisher: Wildenstein institute
ISBN:
Category : Art criticism
Languages : en
Pages : 612
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 86
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 956
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Book Description
Author:
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 266
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Book Description
Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
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Book Description
Author: Gillian Wilson
Publisher: Getty Publications
ISBN: 0892362545
Category : Art
Languages : fr
Pages : 225
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Book Description
Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.
Author: Timothy Wilson
Publisher:
ISBN:
Category : Majolica
Languages : it
Pages : 450
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1020
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Book Description
Author: Pierre Bonnard
Publisher: Metropolitan Museum of Art
ISBN: 1588393089
Category : Interior architecture in art
Languages : en
Pages : 210
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Book Description
"The vibrant late paintings of Pierre Bonnard (1867-1947) are considered by many to be among his finest achievements. Working in a small converted bedroom of his villa in the south of France, Bonnard suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand-usually everyday scenes taken from his immediate surroundings, such as the dining room table being set for breakfast, or a jug of flowers perched on the mantelpiece - Bonnard rarely painted from life. Instead, he preferred to make pencil sketches in small diaries and then rely on these, along with his memory, once in the studio." "This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art."--Jacket
