Author: Richard Offner
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
Book Description
A Critical and Historical Corpus of Florentine Painting
Author: Richard Offner
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
Book Description
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
Book Description
The Fourteenth Century
Author: Klara Steinweg
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 470
Book Description
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 470
Book Description
The Fourteenth Century
Author: Miklós Boskovits
Publisher:
ISBN:
Category : Miniature painters
Languages : en
Pages : 638
Book Description
Publisher:
ISBN:
Category : Miniature painters
Languages : en
Pages : 638
Book Description
Art in France, 1900-1940
Author: Christopher Green
Publisher: Yale University Press
ISBN: 9780300099089
Category : Art
Languages : en
Pages : 352
Book Description
This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.
Publisher: Yale University Press
ISBN: 9780300099089
Category : Art
Languages : en
Pages : 352
Book Description
This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.
Metamorphoses
Author: Emanuele Coccia
Publisher: John Wiley & Sons
ISBN: 1509545689
Category : Philosophy
Languages : en
Pages : 180
Book Description
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
Publisher: John Wiley & Sons
ISBN: 1509545689
Category : Philosophy
Languages : en
Pages : 180
Book Description
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
Is Art History Global?
Author: James Elkins
Publisher: Routledge
ISBN: 1135867666
Category : Art
Languages : en
Pages : 474
Book Description
This is the third volume in The Art Seminar, James Elkin's series of conversations on art and visual studies. Is Art History Global? stages an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. Participants range from Keith Moxey of Columbia University to Cao Yiqiang, Ding Ning, Cuautemoc Medina, Oliver Debroise, Renato Gonzalez Mello, and other scholars.
Publisher: Routledge
ISBN: 1135867666
Category : Art
Languages : en
Pages : 474
Book Description
This is the third volume in The Art Seminar, James Elkin's series of conversations on art and visual studies. Is Art History Global? stages an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. Participants range from Keith Moxey of Columbia University to Cao Yiqiang, Ding Ning, Cuautemoc Medina, Oliver Debroise, Renato Gonzalez Mello, and other scholars.
The Museums of Contemporary Art
Author: J. Pedro Lorente
Publisher: Routledge
ISBN: 1317023536
Category : Art
Languages : en
Pages : 331
Book Description
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musée des Artistes Vivants in Paris and its equivalents in the rest of Europe during the nineteenth century. The second part takes the story forward from 1930 to the present, presenting New York's Museum of Modern Art as a new universal role model that found emulators or 'contramodels' in the rest of the Western world during the twentieth century. An epilogue, reviews recent museum developments in the last decades. Through its adoption of a long-term, worldwide perspective, the book not only provides a narrative of the development of museums of contemporary art, but also sets this into its international perspective. By assessing the extent to which the great museum-capitals - Paris, London and New York in particular - created their own models of museum provision, as well as acknowledging the influence of such models elsewhere, the book uncovers fascinating perspectives on the practice of museum provision, and reveals how present cultural planning initiatives have often been shaped by historical uses.
Publisher: Routledge
ISBN: 1317023536
Category : Art
Languages : en
Pages : 331
Book Description
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musée des Artistes Vivants in Paris and its equivalents in the rest of Europe during the nineteenth century. The second part takes the story forward from 1930 to the present, presenting New York's Museum of Modern Art as a new universal role model that found emulators or 'contramodels' in the rest of the Western world during the twentieth century. An epilogue, reviews recent museum developments in the last decades. Through its adoption of a long-term, worldwide perspective, the book not only provides a narrative of the development of museums of contemporary art, but also sets this into its international perspective. By assessing the extent to which the great museum-capitals - Paris, London and New York in particular - created their own models of museum provision, as well as acknowledging the influence of such models elsewhere, the book uncovers fascinating perspectives on the practice of museum provision, and reveals how present cultural planning initiatives have often been shaped by historical uses.
Estampes anciennes et modernes, dessins et tableaux anciens et du XIXe siècle, objets de vitrine, collections d'ivoires, objets d'art et d'ameublement du XVIIe au XIXe siècle
Author: Thierry de Maigret (Paris)
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Untermassfeld
Author: Ralf-Dietrich Kahlke
Publisher: British Archaeological Reports Oxford Limited
ISBN:
Category : Nature
Languages : en
Pages : 192
Book Description
The fossil site of Untermassfeld, near the town of Meiningen in Southern Thuringia, was discovered in 1978 and has been the subject of 25 field seasons. The digs have produced a stunning array of fossil vertebrate remains in stratigraphic context, making this unquestionably one of the most important Quaternary localities in Europe. In this volume the author provides the first full synthesis of the work, bringing the results up to date, and placing them in a broad context. With some 14,000 determinable vertebrate fossils, the Untermassfeld assemblage represents the most complete assemblage of the time span 1.2-0.9 Ma BP in the Western Palaearctic. Translated from German by Hans van Essen Edited by Adrian Lister
Publisher: British Archaeological Reports Oxford Limited
ISBN:
Category : Nature
Languages : en
Pages : 192
Book Description
The fossil site of Untermassfeld, near the town of Meiningen in Southern Thuringia, was discovered in 1978 and has been the subject of 25 field seasons. The digs have produced a stunning array of fossil vertebrate remains in stratigraphic context, making this unquestionably one of the most important Quaternary localities in Europe. In this volume the author provides the first full synthesis of the work, bringing the results up to date, and placing them in a broad context. With some 14,000 determinable vertebrate fossils, the Untermassfeld assemblage represents the most complete assemblage of the time span 1.2-0.9 Ma BP in the Western Palaearctic. Translated from German by Hans van Essen Edited by Adrian Lister
Japan's Love for Impressionism
Author: Beate Marks-Hanssen
Publisher: Prestel Publishing
ISBN: 9783791354965
Category : Art
Languages : en
Pages : 0
Book Description
"This volume describes--from a new angle--the mutual fascination that developed between French and Japanese culture following the political opening of the island state during the mid-nineteenth century. Large-format illustrations of Impressionist masterpieces from collections in Japan demonstrate the love of Japanese artists and collectors for French impressionism"--Page 4 of cover.
Publisher: Prestel Publishing
ISBN: 9783791354965
Category : Art
Languages : en
Pages : 0
Book Description
"This volume describes--from a new angle--the mutual fascination that developed between French and Japanese culture following the political opening of the island state during the mid-nineteenth century. Large-format illustrations of Impressionist masterpieces from collections in Japan demonstrate the love of Japanese artists and collectors for French impressionism"--Page 4 of cover.