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Author: Michael Farr
Publisher: CUP Archive
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 472
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Book Description
Author: Michael Farr
Publisher: CUP Archive
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 472
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Book Description
Author: Angela McRobbie
Publisher: Routledge
ISBN: 113493243X
Category : Art
Languages : en
Pages : 216
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Book Description
British Fashion Design explores the tensions between fashion as art form, and the demands of a ruthlessly commercial industry. Based on interviews and research conducted over a number of years, Angela McRobbie charts the flow of art school fashion graduates into the industry; their attempts to reconcile training with practice, and their precarious position between the twin supports of the education system and the commercial sector. Stressing the social context of cultural production, McRobbie focuses on British fashion and its graduate designers as products of youth street culture, and analyses how designers from diverse backgrounds have created a labour market for themselves, remodelling `enterprise culture` to suit their own careers.
Author: Council of Industrial Design (Great Britain)
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
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Book Description
Author: British Council of Industrial Design
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Diane Bilbey
Publisher:
ISBN: 9781911300540
Category : Art
Languages : en
Pages : 0
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Book Description
This publication is a highly visual celebration of the massively popular, but now largely forgotten, Britain Can Make It exhibition. Organized by the Council of Industrial Design, it was held in empty ground-floor galleries of the Victoria & Albert Museum, from September to December 1946. A groundbreaking, morale boosting exhibition, it showcased British design and manufacturing. Despite its short run, it boasted an incredible 1.5 million visitors, and remains one of the most visited exhibitions ever held at the V&A. Long before the end of the Second World War hostilities, the government's Post War Export Trade Committee recognized the importance of promoting the country's manufacturing capabilities. Plans for an exhibition of 'National Importance' were set in place in October 1942, for an event that would illuminate the gloom of austerity, educate the public in the value of good design, and most importantly, boost much needed foreign trade. Britain's need to promote, manufacture and export its goods was urgent. The job of organizing the exhibition was given to the Council of Industrial Design on behalf of the government's Board of Trade. From its early planning stages, there was a desire to create an exhibition that was full of color, light and airy, and far removed from the browns and greens of the inter-war years. The exhibition was also intended to work as a public morale boosting exercise and it did, attracting visitors from around the country. Mile-long queues constantly formed outside the V&A. Interviewed in 1984, James Gardner, the designer of the exhibition, commented on the motivation for it: 'We'd got to get British manufacturers to produce well-designed goods quickly and to cheer the British public up. They were so depressed. Give them something to look forward to. You know, this was the dream of the future, if you like.' BCMI was not a trade show. Manufacturers had to put forward their products and only those deemed the best examples were chosen by specialist committees. An accompanying catalog detailing the manufacturers of products (and significantly, wherever possible the names of the designers of each product), could be bought by visitors from one of the bookstalls dotted around the exhibition. The catalog explained when goods would be available for the home and trade markets: 'Now, ' 'Soon' or 'Later.' Most often they were 'Later' for the home market which led to negative comments in the press, such as: 'Britain Can't Have It, ' 'Britons can't buy it, ' and 'Britain Can't Get It.' Products representing key consumer groups, including clothing, leisure, and domestic products were displayed. These were diverse, from pottery and glass, to radios, women's and men's wear, furniture, fabrics, toys, jewelry, boilers, taps, and sporting equipment. The Furnished Rooms section showcased room sets that sought to show how a range of people from different professional groups might live. By taking its structure loosely from the exhibition itself and from the accompanying Design '46 catalog, Britain Can Make It will take the reader through an eclectic range of subject areas and consumer products. The book begins with a discussion of the political climate and economic motivations that led to this exhibition of 'National Importance' taking place, and an overview of the contemporary social context. Additional essays will cover specific aspects of the exhibition itself, including the surrealist design of the exhibition, the art and artists involved, the naming, and the 'Design Quiz.' Most chapters will be in the form of short illustrated essays.
Author: Lucy Montgomery
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
The importance of design to the UK economy is widely recognised. It is one of the key pillars of the knowledge economy, it plays an important role in the innovation process, and it is one of a number of specialism's that help to set the UK apart from global competition. But despite this importance, the nature of design-intensive industries - the businesses that practice and sell design - is remarkably hard to pin down.This uncertainty renders it hard to analyse, and makes it difficult to develop clear, consistent policies to support the designers. The Hargreaves Review recommended that more research was needed to develop a clear evidence base for improving the intellectual property system for design.This report forms part of that evidence base. It examines how UK design figures in the global economy, and considers how the intellectual property system can best support its growth.
Author:
Publisher:
ISBN:
Category : Industrial design
Languages : en
Pages : 154
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Book Description
Author: Penny Sparke
Publisher: Design Books
ISBN:
Category : Art
Languages : en
Pages : 186
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Book Description
Overzicht van de ontwikkeling in de industriële vormgeving in Engeland met als uitgangspunt de tentoonstelling "Britain Can Mae It" in 1946
Author: Council of Industrial Design (Great Britain)
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 144
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Book Description
Author: Patrick Maguire
Publisher: A&C Black
ISBN: 9780718501419
Category : Art
Languages : en
Pages : 276
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Book Description
Nine essays and a collection of documents intended as a working tool for students of the post-war period and in particular of design within the period. They discuss the textiles, pottery, and furniture industries in terms of the shifts in meaning and location during the transition from highly controlled wartime production to the more market-based structure that would become characteristic after the immediate reconstruction. Among the specific topics are the place of the exhibition in the history of design; patriotism, politics, and production; adapting utility furniture to peace-time production; and aesthetic idealism and economic reality. Distributed in the US by Books International. The CiP data shows the main title as Popular Politics and Design in Post-War Britain. Annotation copyrighted by Book News, Inc., Portland, OR
