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Author: Georgia-Nepheli Papoutsakis
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447061124
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Boasting about one's travels through the desert was a very common topic of self-praise in early Arabic poetry (ca. 500-750). Desert crossing would attest to a man's character, providing evidence of his valour, stamina, industriousness and ambition. The book focuses on desert travel as a self-praise theme in early Arabic poetry and especially in the work of the Umayyad poet Dur-Rumma (ca. 695-735), one of the last great exponents of the Bedouin poetic tradition. It discusses the various motifs associated with desert travel in Dur-Rumma and traces their antecedents in the work of earlier poets. By analyzing the diachronic development of the travel theme and evaluating its place within the poem as a whole, it challenges the widespread view of the Arabic ode (qasida) as a tripartite composition and contributes to a better understanding of early Arabic poetics. For despite the fact that desert travel was a central theme of early poetry, it has never been studied in detail and its purport as a theme of self-praise has not been generally recognized.
Author: Georgia-Nepheli Papoutsakis
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447061124
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Boasting about one's travels through the desert was a very common topic of self-praise in early Arabic poetry (ca. 500-750). Desert crossing would attest to a man's character, providing evidence of his valour, stamina, industriousness and ambition. The book focuses on desert travel as a self-praise theme in early Arabic poetry and especially in the work of the Umayyad poet Dur-Rumma (ca. 695-735), one of the last great exponents of the Bedouin poetic tradition. It discusses the various motifs associated with desert travel in Dur-Rumma and traces their antecedents in the work of earlier poets. By analyzing the diachronic development of the travel theme and evaluating its place within the poem as a whole, it challenges the widespread view of the Arabic ode (qasida) as a tripartite composition and contributes to a better understanding of early Arabic poetics. For despite the fact that desert travel was a central theme of early poetry, it has never been studied in detail and its purport as a theme of self-praise has not been generally recognized.
Author: Chaoqun Xie
Publisher: Springer Nature
ISBN: 3030992179
Category : Language Arts & Disciplines
Languages : en
Pages : 386
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Book Description
This book explores the extent to which self-praise is acceptable in both offline and online contexts, across different genres, platforms, and cultural backgrounds. The data analyzed encompass both naturally occurring (daily conversation as well as institutional talk) and elicited (experiments and interviews) types, and are explored at both quantitative and qualitative levels to offer a relatively systematic and comprehensive inquiry into self-praise as social (inter)action. Contributors to this book not only draw on traditional politeness theories but are also informed by social psychology, interactional sociolinguistics, CMC, and (multimodal) discourse analysis. They are inspired by pragmatics but also go beyond to ground their studies within locally situated cultural contexts, most of which are under-presented in the current academic world. Their efforts substantiate the fact that self-praise is most worthy of intensive analytic attention. This book appeals to students and researchers in the field and contributes to the way communication is facilitated through different ways of deploying linguistic and interactional resources.
Author: Ḥamīdān Shuwayʻir
Publisher: NYU Press
ISBN: 1479878065
Category : Literary Collections
Languages : en
Pages : 254
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Book Description
This lively volume collects poems by Hmedan al-Shwe'ir, who lived in Najd in the Arabian Peninsula shortly before the hegemony of the Wahhabi movement in the early eighteenth century. A master of satire known for his ribald humor, self-deprecation, and invective verse (hija'), Hmedan was acerbic in his criticisms of society and its morals, voiced in in a poetic idiom that is widely referred to as “Nabati,” here a mix of Najdi vernacular and archaic vocabulary and images dating back to the origins of Arabic poetry. In Arabian Satire, Hmedan is mostly concerned with worldly matters, and addresses these in different guises: as the patriarch at the helm of the family boat and its unruly crew; as a picaresque anti-hero who revels in taking potshots at the established order, its hypocrisy, and its moral failings; as a peasant who labors over his palm trees, often to no avail and with no guarantee of success; and as a poet recording in verse how he thinks things ought to be. The poems in Arabian Satire reveal a plucky, headstrong, yet intensely socially committed figure—representative of the traditional Najdi ethos—who infuses his verse with proverbs, maxims, and words of wisdom expressed plainly and conversationally. Hmedan is accordingly quoted by historians of the Gulf region and in anthologies of popular sayings. This is the first full translation of this remarkable poet. A bilingual Arabic-English edition.
Author: Richard Serrano
Publisher: Lexington Books
ISBN: 1498520715
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
This book argues that the tension between Arabic poetry and the Qur’ān dating back to the seventh century, when the Qur’ān was first recited, is a primary generator of meaning in the Arabic Literary Tradition. Four case studies illustrate how this tension is a creative force. What, for example is the relationship between the Qur’ān, poetry and other genres of Arabic Literature? How are the figures of the prophet and the poet linked in the life and work of 10th-century al-Mutanabbī? How do the Qur’ān and Arabic poetry depend on each other for their interpretation? How do reading practices associated with the Qur’ān and Arabic Poetry inform attempts to understand the inscriptions of the Alhambra?
Author: Stetkevych Suzanne P.
Publisher: BRILL
ISBN: 9004499288
Category : History
Languages : en
Pages : 398
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Book Description
In The Cooing of the Dove and the Cawing of the Crow Suzanne Pinckney Stetkevych offers original translations, close readings, and new interpretations of selected poems from the two contrasting diwans of the blind Late ʿAbbāsid master-poet, Abū al-ʿAlāʾ al-Maʿarrī (d. 449 H./1057 C.E.). The first is Saqṭ al-Zand (Sparks of the Flint), the highly esteemed collection of qaṣīdah poetry of his youth, which he later disavowed. The second is Luzūm Mā Lā Yalzam (Requiring What Is Not Required), the programmatic double-rhymed collection from his later period of withdrawal and seclusion. She argues that the contrasting ‘poetics of engagement’ and ‘poetics of disengagement’ of the two diwans reflect the transition from High Classical to Post Classical aesthetics.
Author: Ḥmēdān al-Shwēʿir
Publisher: NYU Press
ISBN: 1479840270
Category : Literary Collections
Languages : en
Pages : 206
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Book Description
Satirical verse on society and its hypocrisies A master of satire known for his ribald humor, self-deprecation, and invective verse (hijāʾ), the poet Ḥmēdān al-Shwēʿir was an acerbic critic of his society and its morals. Living in the Najd region of the Arabian Peninsula, Ḥmēdān wrote in an idiom widely referred to as “Nabaṭī,” here a mix of Najdī vernacular and archaic vocabulary and images dating to the origins of Arabic poetry. In Arabian Satire, Ḥmēdān is mostly concerned with worldly matters and addresses these in different guises: as the patriarch at the helm of the family boat and its unruly crew; as a picaresque anti-hero who revels in taking potshots at the established order, its hypocrisy, and its failings; as a peasant who labors over his palm trees, often to no avail and with no guarantee of success; and as a poet recording in verse how he thinks things ought to be. The poems in Arabian Satire reveal a plucky, headstrong, yet intensely socially committed figure—representative of the traditional Najdī ethos—who infuses his verse with proverbs, maxims, and words of wisdom expressed plainly and conversationally. Ḥmēdān is widely quoted by historians of the Gulf region and in anthologies of popular sayings. This is the first full translation of this remarkable poet. An English-only edition.
Author: Nadia Maria El Cheikh
Publisher: BRILL
ISBN: 900445909X
Category : History
Languages : en
Pages : 345
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Book Description
Literary anthology is a general category of adab that encompasses a range of compilations which has enjoyed tremendous popularity in Arabic literature, probably like no other literature of the world. The aim of this volume is to raise and discuss questions about the different approaches to the study of pre-modern Arabic anthologies from the perspectives of philology, religion, history, geography, and literature. Contributors: Lyall Armstrong, Carl Davila, Matthew L. Keegan, Boutheina Khaldi, Enass Khansa, Jeremy Kurzyniec, David Larsen, Nathaniel A. Miller, Suleiman A. Mourad, Hans-Peter Pökel, Isabel Toral
Author: Beatrice Gruendler
Publisher: Harvard University Press
ISBN: 0674987810
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
The little-known story of the sophisticated and vibrant Arabic book culture that flourished during the Middle Ages. During the thirteenth century, Europe’s largest library owned fewer than 2,000 volumes. Libraries in the Arab world at the time had exponentially larger collections. Five libraries in Baghdad alone held between 200,000 and 1,000,000 books each, including multiple copies of standard works so that their many patrons could enjoy simultaneous access. How did the Arabic codex become so popular during the Middle Ages, even as the well-established form languished in Europe? Beatrice Gruendler’s The Rise of the Arabic Book answers this question through in-depth stories of bookmakers and book collectors, stationers and librarians, scholars and poets of the ninth century. The history of the book has been written with an outsize focus on Europe. The role books played in shaping the great literary cultures of the world beyond the West has been less known—until now. An internationally renowned expert in classical Arabic literature, Gruendler corrects this oversight and takes us into the rich literary milieu of early Arabic letters.
Author: Adam Talib
Publisher: BRILL
ISBN: 9004350535
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
The qaṣīdah and the qiṭʿah are well known to scholars of classical Arabic literature, but the maqṭūʿ, a form of poetry that emerged in the thirteenth century and soon became ubiquitous, is as obscure today as it was once popular. These poems circulated across the Arabo-Islamic world for some six centuries in speech, letters, inscriptions, and, above all, anthologies. Drawing on more than a hundred unpublished and published works, How Do You Say “Epigram” in Arabic? is the first study of this highly popular and adaptable genre of Arabic poetry. By addressing this lacuna, the book models an alternative comparative literature, one in which the history of Arabic poetry has as much to tell us about epigrams as does Greek.
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Category : California
Languages : en
Pages : 1194
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