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Author: Hsu-Ming Teo
Publisher: University of Texas Press
ISBN: 0292739400
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.
Author: Hsu-Ming Teo
Publisher: University of Texas Press
ISBN: 0292739400
Category : Literary Criticism
Languages : en
Pages : 355
Get Book Here
Book Description
The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.
Author: Hsu-Ming Teo
Publisher: University of Texas Press
ISBN: 0292739389
Category : Literary Criticism
Languages : en
Pages : 355
Get Book Here
Book Description
The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.
Author: Honore de Balzac
Publisher: Sheba Blake Publishing
ISBN: 3963618019
Category : Fiction
Languages : en
Pages : 25
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Book Description
During Napoleon's campaign in Egypt, a French soldier becomes separated from his regiment and finds himself wandering lost in the desert. Just when he was about to give up all hope, he makes an unlikely friend. Honore de Balzac (20 May 1799 – 18 August 1850) was a French novelist and playwright. The novel sequence La Comedie Humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus. Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Emile Zola, Charles Dickens, Gustave Flaubert, Jack Kerouac, and Henry James, filmmakers Akira Kurosawa and Eric Rohmer as well as important philosophers such as Friedrich Engels. Many of Balzac's works have been made into films, and they continue to inspire other writers.
Author: Charles Bowden
Publisher: University of Arizona Press
ISBN: 9780816510818
Category : Literary Collections
Languages : en
Pages : 196
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Book Description
Contains essays that depict and decry the rapid growth and disappearing natural landscapes of the Sunbelt
Author: Aidan Tynan
Publisher: Edinburgh University Press
ISBN: 1474443370
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Aidan explores the ways in which Nietzsche's warning that 'the desert grows' has been taken up by Heidegger, Derrida and Deleuze in their critiques of modernity, and the desert in literature ranging from T.S Eliot to Don DeLillo; from imperial travel writing to postmodernism; and from the Old Testament to salvagepunk.
Author: Paul W. Papa
Publisher:
ISBN: 9781734405729
Category :
Languages : en
Pages :
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Book Description
On July 12, 1945 a golden Palomino was caught in the Red Desert of Wyoming by Frank "Wild Horse" Robbins. Later that same day a photographer out of Rawlins, Wyoming, named Verne Wood snapped a photo of that same horse. It would prove to be the photo of a lifetime and it's capture, like that of the horse, would change the lives of both Verne and Frank forever. When Verne saw the photo, he knew he had something special, so he entered it in the Denver Post's photo contest. It won the grand prize and soon the photo found its way to the Wyoming State Capital, the United States Senate chambers, the House of Commons in London, and the Canadian Parliament in Toronto. The likeness of the famous horse could be found in the Plains Hotel in Cheyenne, the Double Shot Bar in Rock River, the Virginian Hotel in Medicine Bow, the Desert Bar in Wamsutter, and the Saddle Grill Café in Rawlins whose Palomino Room was a homage to the horse. On top of that, nearly every postcard sales rack from Omaha, Nebraska to Reno, Nevada offered postcards with the horse's famous image. The horse would go on to be known as Desert Dust. Though the origin was never determined, both men would eventually claim to have given the horse its famous name. Recreations of Desert Dust's image were reproduced on leather purses, wallets, and belts by inmates of the Wyoming State Penitentiary and other craftsman. Desert Dust has been an inspiration for poems, prose, oil paintings, and songs. He has become the most famous horse in the state. But the story doesn't end there. Along the way Desert Dust was the subject of a Hollywood short (nominated for an Academy Award), an international travelogue, a court case with one of the strangest, cut-the-baby-in-half rulings ever issued by any judge anywhere, and a murder. Frank and Verne would eventually find themselves on opposite sides of many different controversies: the plight of wild horses; using an airplane to capture wild horses, and of course, the photo itself.
Author: Terry Tempest Williams
Publisher: Vintage
ISBN: 0307559408
Category : Nature
Languages : en
Pages : 290
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Book Description
In this potent collage of stories, essays, and testimony, Williams makes a stirring case for the preservation of America’s Redrock Wilderness in the canyon country of southern Utah. As passionate as she is persuasive, Williams, the beloved author of Refuge, is one of the country’s most eloquent and imaginative writers. The desert is her blood. Here she writes lyrically about the desert’s power and vulnerability, describing wonders that range from an ancient Puebloan sash of macaw feathers found in Canyonlands National Park to the desert tortoise–an animal that can “teach us the slow art of revolutionary patience” as it extends our notion of kinship with all life. She examines the civil war being waged in the West today over public and private uses of land–an issue that divides even her own family. With grace, humor, and compassionate intelligence, Williams reminds us that the preservation of wildness is not simply a political process but a spiritual one.
Author: Kristin Ramsdell
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 568
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Book Description
As the first encyclopedia solely devoted to the popular romance fiction genre, this resource provides a wealth of information on all aspects of the subject. Romance fiction accounts for a large share of book sales each year, and contrary to popular belief, not all of its readers are women: roughly 16 percent are men. This enormously popular genre continues to captivate people reading for pleasure, and it also commands a growing amount of academic interest. Included are alphabetically arranged reference entries on significant authors along with works, themes, and other topics. The articles are written by scholars, librarians, and industry professionals with a deep knowledge of the genre and so provide a thorough understanding of the subject. An index provides easy access to information within the entries, and bibliographies at the end of each entry, a general bibliography, and a suggested romance reading list allow for further study of the genre.
Author: John Chryssavgis
Publisher: World Wisdom, Inc
ISBN: 193331656X
Category : Religion
Languages : en
Pages : 226
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Book Description
Father John's inspiring introduction to the spirituality of the Desert Fathers and Mothers brings their words to life for the modern reader. These key figures of the early church chose lives of hardship and solitude, where they could point their hearts away from the outward world and toward an introspective path of God's calling in a deliberate and individual way. Contains a Foreword by Metropolitan Kallistos Ware, the second highest ranking Orthodox Bishop in England.
Author: Edith Maude Hull
Publisher: Lightyear Press
ISBN:
Category : Fiction
Languages : en
Pages : 312
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Book Description
Diana Mayo is young, beautiful, wealthy--and independent. Bored by the eligible bachelors and endless parties of the English aristocracy, she arranges for a horseback trek through the Algerian desert. Two days into her adventure, Diana is kidnapped by the
