Author: Eadweard Muybridge
Publisher: BoD – Books on Demand
ISBN: 3752416505
Category : Fiction
Languages : en
Pages : 57
Book Description
Reproduction of the original: Descriptive Zoopraxography by Eadweard Muybridge
Descriptive Zoopraxography
Author: Eadweard Muybridge
Publisher: BoD – Books on Demand
ISBN: 3752416505
Category : Fiction
Languages : en
Pages : 57
Book Description
Reproduction of the original: Descriptive Zoopraxography by Eadweard Muybridge
Publisher: BoD – Books on Demand
ISBN: 3752416505
Category : Fiction
Languages : en
Pages : 57
Book Description
Reproduction of the original: Descriptive Zoopraxography by Eadweard Muybridge
Descriptive Zoopraxography; or, the science of animal locomotion made popular
Author: Eadweard Muybridge
Publisher: Good Press
ISBN:
Category : Photography
Languages : en
Pages : 99
Book Description
Eadweard Muybridge's 'Descriptive Zoopraxography; or, the science of animal locomotion made popular' is a groundbreaking work that delves into the study of movement in animals through the use of photography. Muybridge, known for his pioneering work in motion studies, presents a comprehensive analysis of various animals in motion, providing detailed descriptions and visual representations. The book is written in a scientific yet engaging style, making it accessible to readers with an interest in both biology and photography. Muybridge's use of high-speed photography to capture precise moments of motion adds a unique element to the study of animal locomotion. This work is a significant contribution to the fields of science and art, bridging the gap between the two disciplines. Fans of natural history and photography will find this book to be a valuable resource, shedding light on the intricate movements of animals in a visually captivating manner.
Publisher: Good Press
ISBN:
Category : Photography
Languages : en
Pages : 99
Book Description
Eadweard Muybridge's 'Descriptive Zoopraxography; or, the science of animal locomotion made popular' is a groundbreaking work that delves into the study of movement in animals through the use of photography. Muybridge, known for his pioneering work in motion studies, presents a comprehensive analysis of various animals in motion, providing detailed descriptions and visual representations. The book is written in a scientific yet engaging style, making it accessible to readers with an interest in both biology and photography. Muybridge's use of high-speed photography to capture precise moments of motion adds a unique element to the study of animal locomotion. This work is a significant contribution to the fields of science and art, bridging the gap between the two disciplines. Fans of natural history and photography will find this book to be a valuable resource, shedding light on the intricate movements of animals in a visually captivating manner.
Descriptive zoopraxography or the science of animal locomotion made popular..
Author: Eadweard Muybridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
Book Description
The American Naturalist
Author:
Publisher:
ISBN:
Category : Biology
Languages : en
Pages : 1350
Book Description
Publisher:
ISBN:
Category : Biology
Languages : en
Pages : 1350
Book Description
Base Ball: A Journal of the Early Game, Vol. 7
Author: John Thorn
Publisher: McFarland
ISBN: 1476614369
Category : Sports & Recreation
Languages : en
Pages : 228
Book Description
BACK ISSUE Base Ball is a peer-reviewed book series published annually. Offering the best in original research and analysis, it promotes study of baseball's early history, from its protoball roots to 1920, and its rise to prominence within American popular culture. Prior to Volume 10, Base Ball was published as Base Ball: A Journal of the Early Game. This is a back issue of that journal.
Publisher: McFarland
ISBN: 1476614369
Category : Sports & Recreation
Languages : en
Pages : 228
Book Description
BACK ISSUE Base Ball is a peer-reviewed book series published annually. Offering the best in original research and analysis, it promotes study of baseball's early history, from its protoball roots to 1920, and its rise to prominence within American popular culture. Prior to Volume 10, Base Ball was published as Base Ball: A Journal of the Early Game. This is a back issue of that journal.
A Handbook to the Library
Author: Horniman Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
Book Description
Victorian Glassworlds
Author: Isobel Armstrong
Publisher: Oxford University Press
ISBN: 0199205205
Category : Art
Languages : en
Pages : 470
Book Description
Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period. The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the prefabricated glass panel, and the lens. The mirror and the window became its formative elements, both the texts and constituents of glass culture. The glassworlds of the century are heterogeneous. They manifest themselves in the technologies of the factory furnace, in the myths of Cinderella and her glass slipper circulated in print media, in the ideologies of the conservatory as building type, in the fantasia of the shopfront, in the production of chandeliers, in the Crystal Palace, and the lens-made images of the magic lantern and microscope. But they were nevertheless governed by two inescapable conditions. First, to look through glass was to look through the residues of the breath of an unknown artisan, because glass was mass produced by incorporating glassblowing into the division of labour. Second, literally a new medium, glass brought the ambiguity of transparency and the problems of mediation into the everyday. It intervened between seer and seen, incorporating a modern philosophical problem into bodily experience. Thus for poets and novelists glass took on material and ontological, political, and aesthetic meanings. Reading glass forwards into Bauhaus modernism, Walter Benjamin overlooked an early phase of glass culture where the languages of glass are different. The book charts this phase in three parts. Factory archives, trade union records, and periodicals document the individual manufacturers and artisans who founded glass culture, the industrial tourists who described it, and the systematic politics of window-breaking. Part Two, culminating in glass under glass at the Crystal Palace, reads the glassing of the environment, including the mirror, the window, and controversy round the conservatory, and their inscription in poems and novels. Part Three explores the lens, from optical toys to 'philosophical' instruments as the telescope and microscope were known. A meditation on its history and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.
Publisher: Oxford University Press
ISBN: 0199205205
Category : Art
Languages : en
Pages : 470
Book Description
Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period. The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the prefabricated glass panel, and the lens. The mirror and the window became its formative elements, both the texts and constituents of glass culture. The glassworlds of the century are heterogeneous. They manifest themselves in the technologies of the factory furnace, in the myths of Cinderella and her glass slipper circulated in print media, in the ideologies of the conservatory as building type, in the fantasia of the shopfront, in the production of chandeliers, in the Crystal Palace, and the lens-made images of the magic lantern and microscope. But they were nevertheless governed by two inescapable conditions. First, to look through glass was to look through the residues of the breath of an unknown artisan, because glass was mass produced by incorporating glassblowing into the division of labour. Second, literally a new medium, glass brought the ambiguity of transparency and the problems of mediation into the everyday. It intervened between seer and seen, incorporating a modern philosophical problem into bodily experience. Thus for poets and novelists glass took on material and ontological, political, and aesthetic meanings. Reading glass forwards into Bauhaus modernism, Walter Benjamin overlooked an early phase of glass culture where the languages of glass are different. The book charts this phase in three parts. Factory archives, trade union records, and periodicals document the individual manufacturers and artisans who founded glass culture, the industrial tourists who described it, and the systematic politics of window-breaking. Part Two, culminating in glass under glass at the Crystal Palace, reads the glassing of the environment, including the mirror, the window, and controversy round the conservatory, and their inscription in poems and novels. Part Three explores the lens, from optical toys to 'philosophical' instruments as the telescope and microscope were known. A meditation on its history and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.
Equine Cultures in Transition
Author: Jonna Bornemark
Publisher: Routledge
ISBN: 1351002457
Category : Nature
Languages : en
Pages : 374
Book Description
Societal views on animals are rapidly changing and have become more diversified: can we use them for our own pleasure, and how should we understand animal agency? These questions, asked both in theoretical discourses and different practices, are also relevant for our understanding of horses and the human–horse relation. Equine Cultures in Transition stands as the first volume to bring together ethical questions of the new field of human–horse studies. For instance: what sort of ethics should be developed in relation to the horse today: an egalitarian ethics or an ethics that builds upon asymmetrical relations? How can we understand the horse as a social actor and as someone who, just like the human being, becomes through interspecies relations? Through which methods can we give the horse a stronger voice and better understand its becoming? These questions are not addressed from a medical or ethological perspective focused on natural behaviour, but rather from human acknowledgement of the horse as a sensing, feeling, acting, and relational being; and as a part of interspecies societies and relations. Providing an introductory yet theoretically advanced and broad view of the field of post humanism and human animal studies, Equine Cultures in Transition will appeal to students and researchers interested in fields such as human–animal studies, political sociology, animals and ethics, animal behaviour, anthropology, and sociology of culture. It may also appeal to riders and other practitioners within different horse traditions.
Publisher: Routledge
ISBN: 1351002457
Category : Nature
Languages : en
Pages : 374
Book Description
Societal views on animals are rapidly changing and have become more diversified: can we use them for our own pleasure, and how should we understand animal agency? These questions, asked both in theoretical discourses and different practices, are also relevant for our understanding of horses and the human–horse relation. Equine Cultures in Transition stands as the first volume to bring together ethical questions of the new field of human–horse studies. For instance: what sort of ethics should be developed in relation to the horse today: an egalitarian ethics or an ethics that builds upon asymmetrical relations? How can we understand the horse as a social actor and as someone who, just like the human being, becomes through interspecies relations? Through which methods can we give the horse a stronger voice and better understand its becoming? These questions are not addressed from a medical or ethological perspective focused on natural behaviour, but rather from human acknowledgement of the horse as a sensing, feeling, acting, and relational being; and as a part of interspecies societies and relations. Providing an introductory yet theoretically advanced and broad view of the field of post humanism and human animal studies, Equine Cultures in Transition will appeal to students and researchers interested in fields such as human–animal studies, political sociology, animals and ethics, animal behaviour, anthropology, and sociology of culture. It may also appeal to riders and other practitioners within different horse traditions.
Subject-index to the author-catalogue. 1908-10. 2 v
Author: Imperial Library, Calcutta
Publisher:
ISBN:
Category : India
Languages : en
Pages : 570
Book Description
Publisher:
ISBN:
Category : India
Languages : en
Pages : 570
Book Description
Catalogue
Author: Calcutta (India). Imperial library
Publisher:
ISBN:
Category : India
Languages : en
Pages : 568
Book Description
Publisher:
ISBN:
Category : India
Languages : en
Pages : 568
Book Description