Author: Frederick A. de Armas
Publisher: University Press of Kentucky
ISBN: 0813181933
Category : Literary Criticism
Languages : en
Pages : 395
Book Description
In classical mythology Astraea, the goddess of justice, chastity, and truth, was the last of the immortals to leave Earth with the decline of the ages. Her return was to signal the dawn of a new Golden Age. This myth not only survived the Christian Middle Ages but also became a commonplace in the Renaissance when courtly poets praised their patrons and princes by claiming that Astraea guided them. The literary cult of Astraea persisted in the sixteenth century as writers saw in Elizabeth I of England the imperial Astraea who would lead mankind to peace through universal rule. This and other late flowerings of the Astraea myth should not be taken as the final phases of her history. Frederick A. de Armas documents in this book what may well be the last great rebirth of Astraea, one that is probably of greater political, religious, and literary significance than others previously described by historians and literary critics. The Return of Astraea focuses on the seventeenth-century Spanish playwright Pedro Calderón de la Barca, and analyzes the deity's presence in thirteen of his plays, including his masterpiece, La Vida es Sueho. Her popularity in this period is partially attributed to political motives, reflecting the aspirations and fears of the Spanish monarch Philip IV. In this broad study, grounded on such diverse fields as astrology, iconography, history, mythology, and philosophy, de Armas explains that Astraea adopts many guises in Calderón's dramas. Ranging from the Kabbalah to Platonic thought and from satires on Olivares to cosmogonic myths, he analyzes and reinterprets Calderón's theater from a wide range of perspectives centered on the playwright's utilization of the myth of Astraea. The book thus represents a new view of Calderón's dramaturgy and also documents the popularity and significance of this astral-imperial myth during the Spanish Golden Age.
The Return of Astraea
Author: Frederick A. de Armas
Publisher: University Press of Kentucky
ISBN: 0813181933
Category : Literary Criticism
Languages : en
Pages : 395
Book Description
In classical mythology Astraea, the goddess of justice, chastity, and truth, was the last of the immortals to leave Earth with the decline of the ages. Her return was to signal the dawn of a new Golden Age. This myth not only survived the Christian Middle Ages but also became a commonplace in the Renaissance when courtly poets praised their patrons and princes by claiming that Astraea guided them. The literary cult of Astraea persisted in the sixteenth century as writers saw in Elizabeth I of England the imperial Astraea who would lead mankind to peace through universal rule. This and other late flowerings of the Astraea myth should not be taken as the final phases of her history. Frederick A. de Armas documents in this book what may well be the last great rebirth of Astraea, one that is probably of greater political, religious, and literary significance than others previously described by historians and literary critics. The Return of Astraea focuses on the seventeenth-century Spanish playwright Pedro Calderón de la Barca, and analyzes the deity's presence in thirteen of his plays, including his masterpiece, La Vida es Sueho. Her popularity in this period is partially attributed to political motives, reflecting the aspirations and fears of the Spanish monarch Philip IV. In this broad study, grounded on such diverse fields as astrology, iconography, history, mythology, and philosophy, de Armas explains that Astraea adopts many guises in Calderón's dramas. Ranging from the Kabbalah to Platonic thought and from satires on Olivares to cosmogonic myths, he analyzes and reinterprets Calderón's theater from a wide range of perspectives centered on the playwright's utilization of the myth of Astraea. The book thus represents a new view of Calderón's dramaturgy and also documents the popularity and significance of this astral-imperial myth during the Spanish Golden Age.
Publisher: University Press of Kentucky
ISBN: 0813181933
Category : Literary Criticism
Languages : en
Pages : 395
Book Description
In classical mythology Astraea, the goddess of justice, chastity, and truth, was the last of the immortals to leave Earth with the decline of the ages. Her return was to signal the dawn of a new Golden Age. This myth not only survived the Christian Middle Ages but also became a commonplace in the Renaissance when courtly poets praised their patrons and princes by claiming that Astraea guided them. The literary cult of Astraea persisted in the sixteenth century as writers saw in Elizabeth I of England the imperial Astraea who would lead mankind to peace through universal rule. This and other late flowerings of the Astraea myth should not be taken as the final phases of her history. Frederick A. de Armas documents in this book what may well be the last great rebirth of Astraea, one that is probably of greater political, religious, and literary significance than others previously described by historians and literary critics. The Return of Astraea focuses on the seventeenth-century Spanish playwright Pedro Calderón de la Barca, and analyzes the deity's presence in thirteen of his plays, including his masterpiece, La Vida es Sueho. Her popularity in this period is partially attributed to political motives, reflecting the aspirations and fears of the Spanish monarch Philip IV. In this broad study, grounded on such diverse fields as astrology, iconography, history, mythology, and philosophy, de Armas explains that Astraea adopts many guises in Calderón's dramas. Ranging from the Kabbalah to Platonic thought and from satires on Olivares to cosmogonic myths, he analyzes and reinterprets Calderón's theater from a wide range of perspectives centered on the playwright's utilization of the myth of Astraea. The book thus represents a new view of Calderón's dramaturgy and also documents the popularity and significance of this astral-imperial myth during the Spanish Golden Age.
English and Spanish
Author: Henry Neuman
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 638
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 638
Book Description
Neuman and Baretti's Dictionary of the Spanish and English Languages
Author: Henry Neuman
Publisher:
ISBN:
Category : English language
Languages : es
Pages : 620
Book Description
Publisher:
ISBN:
Category : English language
Languages : es
Pages : 620
Book Description
Point of contact
Author:
Publisher:
ISBN:
Category : Latin America
Languages : en
Pages : 342
Book Description
Publisher:
ISBN:
Category : Latin America
Languages : en
Pages : 342
Book Description
Neuman and Baretti's Dictionary of the Spanish and English Languages; Wherein the Words are Correctly Explaneid, Agreeably Tho Their Different Meanings, and a Great Variety of Terms, Relating to the Arts, Sciences, Manufactures, Merchandise, Navigation, and Trade, Elucidated
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 620
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 620
Book Description
A Dictionary of the Spanish and English Languages
Author: Mariano Velázquez de la Cadena
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 862
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 862
Book Description
A Dictionary of the Spanish and English Languages, Abridged from the Author's Larger Work
Author: Mariano Velázquez de la Cadena
Publisher:
ISBN:
Category : Spain
Languages : en
Pages : 878
Book Description
Publisher:
ISBN:
Category : Spain
Languages : en
Pages : 878
Book Description
A Dictionary of the Spanish and English Languages
Author: Mariano Velázquez de la Cadena
Publisher: BoD – Books on Demand
ISBN: 3385105188
Category : Fiction
Languages : en
Pages : 870
Book Description
Reprint of the original, first published in 1883.
Publisher: BoD – Books on Demand
ISBN: 3385105188
Category : Fiction
Languages : en
Pages : 870
Book Description
Reprint of the original, first published in 1883.
Neumann and Baretti's Dictionary of the Spanish and English Languages
Author: Henry Neumann
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 666
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 666
Book Description
Digital Apollo
Author: David A. Mindell
Publisher: MIT Press
ISBN: 0262266687
Category : Technology & Engineering
Languages : en
Pages : 377
Book Description
The incredible story of how human pilots and automated systems worked together to achieve the ultimate achievement in flight—the lunar landings of NASA’s Apollo program As Apollo 11’s Lunar Module descended toward the moon under automatic control, a program alarm in the guidance computer’s software nearly caused a mission abort. Neil Armstrong responded by switching off the automatic mode and taking direct control. He stopped monitoring the computer and began flying the spacecraft, relying on skill to land it and earning praise for a triumph of human over machine. In Digital Apollo, engineer-historian David Mindell takes this famous moment as a starting point for an exploration of the relationship between humans and computers in the Apollo program. In each of the six Apollo landings, the astronaut in command seized control from the computer and landed with his hand on the stick. Mindell recounts the story of astronauts’ desire to control their spacecraft in parallel with the history of the Apollo Guidance Computer. From the early days of aviation through the birth of spaceflight, test pilots and astronauts sought to be more than “spam in a can” despite the automatic controls, digital computers, and software developed by engineers. Digital Apollo examines the design and execution of each of the six Apollo moon landings, drawing on transcripts and data telemetry from the flights, astronaut interviews, and NASA’s extensive archives. Mindell’s exploration of how human pilots and automated systems worked together to achieve the ultimate in flight—a lunar landing—traces and reframes the debate over the future of humans and automation in space. The results have implications for any venture in which human roles seem threatened by automated systems, whether it is the work at our desktops or the future of exploration.
Publisher: MIT Press
ISBN: 0262266687
Category : Technology & Engineering
Languages : en
Pages : 377
Book Description
The incredible story of how human pilots and automated systems worked together to achieve the ultimate achievement in flight—the lunar landings of NASA’s Apollo program As Apollo 11’s Lunar Module descended toward the moon under automatic control, a program alarm in the guidance computer’s software nearly caused a mission abort. Neil Armstrong responded by switching off the automatic mode and taking direct control. He stopped monitoring the computer and began flying the spacecraft, relying on skill to land it and earning praise for a triumph of human over machine. In Digital Apollo, engineer-historian David Mindell takes this famous moment as a starting point for an exploration of the relationship between humans and computers in the Apollo program. In each of the six Apollo landings, the astronaut in command seized control from the computer and landed with his hand on the stick. Mindell recounts the story of astronauts’ desire to control their spacecraft in parallel with the history of the Apollo Guidance Computer. From the early days of aviation through the birth of spaceflight, test pilots and astronauts sought to be more than “spam in a can” despite the automatic controls, digital computers, and software developed by engineers. Digital Apollo examines the design and execution of each of the six Apollo moon landings, drawing on transcripts and data telemetry from the flights, astronaut interviews, and NASA’s extensive archives. Mindell’s exploration of how human pilots and automated systems worked together to achieve the ultimate in flight—a lunar landing—traces and reframes the debate over the future of humans and automation in space. The results have implications for any venture in which human roles seem threatened by automated systems, whether it is the work at our desktops or the future of exploration.