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Author: Dennis Oppenheim
Publisher: Silvana Editoriale
ISBN: 9788836620449
Category : Art
Languages : en
Pages : 0
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Book Description
Catalog of an exhibition held at the Musee d'art moderne de Saint-Etienne Metropole, France, May 14-Aug. 21, 2011.
Author: Dennis Oppenheim
Publisher: Silvana Editoriale
ISBN: 9788836620449
Category : Art
Languages : en
Pages : 0
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Book Description
Catalog of an exhibition held at the Musee d'art moderne de Saint-Etienne Metropole, France, May 14-Aug. 21, 2011.
Author: Christopher Howard
Publisher: MIT Press
ISBN: 0262038463
Category : Art
Languages : en
Pages : 413
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Book Description
An examination of a 1970s Conceptual art project—advertisements for fictional shows by fictional artists in a fictional gallery—that hoodwinked the New York art world. From the summer of 1970 to March 1971, advertisements appeared in four leading art magazines—Artforum, Art in America, Arts Magazine, and ARTnews—for a group show and six solo exhibitions at the Jean Freeman Gallery at 26 West Fifty-Seventh Street, in the heart of Manhattan's gallery district. As gallery goers soon discovered, this address did not exist—the street numbers went from 16 to 20 to 24 to 28—and neither did the art supposedly exhibited there. The ads were promoting fictional shows by fictional artists in a fictional gallery. The scheme, eventually exposed by a New York Times reporter, was concocted by the artist Terry Fugate-Wilcox as both work of art and critique of the art world. In this book, Christopher Howard brings this forgotten Conceptual art project back into view. Howard demonstrates that Fugate-Wilcox's project was an exceptionally clever embodiment of many important aspects of Conceptualism, incisively synthesizing the major aesthetic issues of its time—documentation and dematerialization, serialism and process, text and image, publishing and publicity. He puts the Jean Freeman Gallery in the context of other magazine-based work by Mel Bochner, Judy Chicago, Yoko Ono, and Ed Ruscha, and compares the fictional artists' projects with actual Earthworks by Walter De Maria, Peter Hutchinson, Dennis Oppenheim, and more. Despite the deadpan perfection of the Jean Freeman Gallery project, the art establishment marginalized its creator, and the project itself was virtually erased from art history. Howard corrects these omissions, drawing on deep archival research, personal interviews, and investigation of fine-printed clues to shed new light on a New York art world mystery.
Author: Chrissie Iles
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
Since that time, the projected image has become a prominent feature of contemporary art-making, and the incorporation of large-scale moving images by artists into installations now has a rich history. But due to the ephemeral nature of the original art works, many classic installations, while remembered, have not been widely seen.".
Author: Suzaan Boettger
Publisher: Univ of California Press
ISBN: 0520221087
Category : Art
Languages : en
Pages : 336
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Book Description
A comprehensive history of the Earthworks movement provides an in-depth analysis of the forms that initiated Land Art, profiling top contributors and achievements within a context of the social and political climate of the 1960s, and noting the form's relationship to ecological movements. (Fine Arts)
Author: Nick Kaye
Publisher: Skira Editore
ISBN: 9788857230320
Category : Conceptual art
Languages : en
Pages : 295
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Book Description
This volume provides a comprehensive account of Dennis Oppenheim's radical art practices of this explosive five-year period. Providing a principal means of spilling his Conceptual Art beyond the object or the gallery to investigate "real world" and "real time" embedded processes and places, Oppenheim's steps into performance from 1969 enacted the artist's body as the agent, material, and place of art, and extended his work toward multiple spaces and times, including cross-generational exchange. Directing the viewer toward his body as the source and material of his works, Oppenheim's procedures continue to critique the conventional material and conceptual limits of both sculpture and performance. This monograph follows Oppenheim's conceptual performance works in slide, film, video, installation and photographic form from 1969-1973, including a substantial framing essay, a newly edited interview with Willoughby Sharp, and extensive extracts from the artist's contemporaneous notes and statements.
Author: Robert N. Emde
Publisher: Oxford University Press, USA
ISBN: 0195154045
Category : Education
Languages : en
Pages : 416
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Book Description
Reports the work of a 20-year collaboration between 36 psychologists who have created and investigated a tool to elicit and analyze children's narratives. This tool is the "MacArthur Story Stem Battery", a systematic collection of story beginnings that are referred to as 'stems.'
Author: Dick Higgins
Publisher:
ISBN: 9780990689607
Category : Architecture
Languages : en
Pages : 194
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Book Description
Originally published by Something Else Press, 1971.
Author: Gordon Matta-Clark
Publisher: Cabinet
ISBN:
Category : Architecture
Languages : en
Pages : 100
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Book Description
Edited by Jeffrey Kastner, Sina Najafi and Frances Richard. Essay by Jeffrey Kroessler.
Author: Douglas Fogle
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 344
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Book Description
Photography has become an increasingly pervasive medium of choice in contemporary art practice and is even employed at times by artists who do not necessarily consider themselves to be photographers. How did this come to be? The Last Picture Show will address the emergence of this phenomenon of artists using photography by tracing the development of conceptual trends in postwar photographic practice from its first glimmerings in the 60s in the work of artists such as Bernd & Hilla Becher, Ed Ruscha and Bruce Nauman, to its rise to art-world prominence in the work of the artists of the late 70s and early 80s including Sherrie Levine, Richard Prince and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities. Bringing together a newly commissioned body of scholarship with reprints of important historical texts, The Last Picture Show seeks to define the legacy that has produced a rich body of photographic practice in the art world today.
Author: Gilles A. Tiberghien
Publisher: Carre
ISBN: 9782908393286
Category :
Languages : en
Pages : 311
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Book Description
