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Category : Outdoor sculpture
Languages : en
Pages : 0
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Author:
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ISBN:
Category : Outdoor sculpture
Languages : en
Pages : 0
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Author: Robert N. Emde
Publisher: Oxford University Press, USA
ISBN: 0195154045
Category : FAMILY & RELATIONSHIPS
Languages : en
Pages : 416
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Book Description
Reports the work of a 20-year collaboration between 36 psychologists who have created and investigated a tool to elicit and analyze children's narratives. This tool is the "MacArthur Story Stem Battery", a systematic collection of story beginnings that are referred to as 'stems.'
Author: Suzaan Boettger
Publisher: Univ of California Press
ISBN: 0520221087
Category : Art
Languages : en
Pages : 336
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Book Description
A comprehensive history of the Earthworks movement provides an in-depth analysis of the forms that initiated Land Art, profiling top contributors and achievements within a context of the social and political climate of the 1960s, and noting the form's relationship to ecological movements. (Fine Arts)
Author: Chrissie Iles
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
Since that time, the projected image has become a prominent feature of contemporary art-making, and the incorporation of large-scale moving images by artists into installations now has a rich history. But due to the ephemeral nature of the original art works, many classic installations, while remembered, have not been widely seen.".
Author: Lionel Gossman
Publisher: Open Book Publishers
ISBN: 1909254207
Category : History
Languages : en
Pages : 418
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Book Description
Born into a prominent German Jewish banking family, Baron Max von Oppenheim (1860-1946) was a keen amateur archaeologist and ethnologist. His discovery and excavation of Tell Halaf in Syria marked an important contribution to knowledge of the ancient Middle East, while his massive study of the Bedouins is still consulted by scholars today. He was also an ardent German patriot, eager to support his country's pursuit of its "place in the sun." Excluded by his part-Jewish ancestry from the regular diplomatic service, Oppenheim earned a reputation as "the Kaiser's spy" because of his intriguing against the British in Cairo, as well as his plan, at the start of the First World War, to incite Muslims under British, French and Russian rule to a jihad against the colonial powers. After 1933, despite being half-Jewish according to the Nuremberg Laws, Oppenheim was not persecuted by the Nazis. In fact, he placed his knowledge of the Middle East and his connections with Muslim leaders at the service of the regime. Ranging widely over many fields - from war studies to archaeology and banking history - 'The Passion of Max von Oppenheim' tells the gripping and at times unsettling story of one part-Jewish man's passion for his country in the face of persistent and, in his later years, genocidal anti-Semitism.
Author: Dennis Oppenheim
Publisher:
ISBN:
Category : Art museum architecture
Languages : en
Pages : 88
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Book Description
The book illustrates Oppenheim’s fascination with the West and Western themes and his approach to the myths of the west. Images fixed in popular culture as symbols of rugged individualism or stoic machismo are undermined by a satiric black humor.
Author: Nick Kaye
Publisher: Skira Editore
ISBN: 9788857230320
Category : Conceptual art
Languages : en
Pages : 295
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Book Description
This volume provides a comprehensive account of Dennis Oppenheim's radical art practices of this explosive five-year period. Providing a principal means of spilling his Conceptual Art beyond the object or the gallery to investigate "real world" and "real time" embedded processes and places, Oppenheim's steps into performance from 1969 enacted the artist's body as the agent, material, and place of art, and extended his work toward multiple spaces and times, including cross-generational exchange. Directing the viewer toward his body as the source and material of his works, Oppenheim's procedures continue to critique the conventional material and conceptual limits of both sculpture and performance. This monograph follows Oppenheim's conceptual performance works in slide, film, video, installation and photographic form from 1969-1973, including a substantial framing essay, a newly edited interview with Willoughby Sharp, and extensive extracts from the artist's contemporaneous notes and statements.
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Category :
Languages : en
Pages : 124
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Dennis Oppenheim
Publisher: ABRAMS
ISBN:
Category : Conceptual art
Languages : en
Pages : 206
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Book Description
Om den amerikanske kunstner, Dennis Oppenheim, født 1938
Author: Douglas Fogle
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 344
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Book Description
Photography has become an increasingly pervasive medium of choice in contemporary art practice and is even employed at times by artists who do not necessarily consider themselves to be photographers. How did this come to be? The Last Picture Show will address the emergence of this phenomenon of artists using photography by tracing the development of conceptual trends in postwar photographic practice from its first glimmerings in the 60s in the work of artists such as Bernd & Hilla Becher, Ed Ruscha and Bruce Nauman, to its rise to art-world prominence in the work of the artists of the late 70s and early 80s including Sherrie Levine, Richard Prince and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities. Bringing together a newly commissioned body of scholarship with reprints of important historical texts, The Last Picture Show seeks to define the legacy that has produced a rich body of photographic practice in the art world today.
