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Author: Carlton Herzog
Publisher: 4 Horsemen Publications, Inc.
ISBN: 1644506432
Category : Fiction
Languages : en
Pages : 189
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Book Description
Readers Beware of these twisted literary pieces! Everyone knows the classics such as Peter Pan, Huckleberry Finn, and The Wizard of Oz. Have you ever thought about what would happen in those stories if they were written just a little differently... More wickedly... What if Tinkerbell defended her love for Peter Pan, at any costs including her soul? What if Huck’s adventure took him down a more dangerous side of the river? What if The Wizard of Oz was nothing more than a surreal nightmare? The authors within this tome have brought your classic and timeless books back to life with a demonic twist only found in the Demonic Anthology collection. Expect a very different impression of the stories everyone grew up to love, written in such a way they just might be changed in unforgettable ways.
Author: Carlton Herzog
Publisher: 4 Horsemen Publications, Inc.
ISBN: 1644506432
Category : Fiction
Languages : en
Pages : 189
Get Book Here
Book Description
Readers Beware of these twisted literary pieces! Everyone knows the classics such as Peter Pan, Huckleberry Finn, and The Wizard of Oz. Have you ever thought about what would happen in those stories if they were written just a little differently... More wickedly... What if Tinkerbell defended her love for Peter Pan, at any costs including her soul? What if Huck’s adventure took him down a more dangerous side of the river? What if The Wizard of Oz was nothing more than a surreal nightmare? The authors within this tome have brought your classic and timeless books back to life with a demonic twist only found in the Demonic Anthology collection. Expect a very different impression of the stories everyone grew up to love, written in such a way they just might be changed in unforgettable ways.
Author: William J. Leatherbarrow
Publisher: Northwestern University Press
ISBN: 0810120496
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
A study of the 'demonic markers' that run throughout Dostoevsky's fiction, this also explores the narrative and generic implications of the way Dostoevsky inscribed the demonic in his fictional works - implications that point to a new understanding of familiar concepts in the work of this Russian master.
Author: Stuart Clark
Publisher:
ISBN: 9780198208082
Category : Demonology
Languages : en
Pages : 850
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Book Description
This major work offers a new interpretation of the witchcraft beliefs of European intellectuals between the fifteenth and eighteenth centuries, showing how these beliefs fitted rationally with other beliefs of the period and how far the nature of rationality is dependent on its historical context.
Author: Valerie Willis
Publisher: 4 Horsemen Publications, Inc.
ISBN: 1644500906
Category : Fiction
Languages : en
Pages : 194
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Book Description
All eyes are set on Mt. Parnassus where the Oracle is protected by Delphyne, the mother of all dragons and beasts. 2018 FAPA PRESIDENT'S BOOK AWARD SILVER MEDALIST "Rich fully fleshed out characters jump off the pages and into your imagination..." Reader, 5-Star Review With Angeline back in Cedric’s arms and the Eye of Gaea in Romasanta’s grip, the next step in their journey begins. All eyes are set on Mt. Parnassus where the Oracle is protected by Delphyne, the mother of all dragons and beasts. Assembling a group of willing patrons, Romasanta leads them to Delphi, Greece where they will cross into a realm void of technology. Only brute strength and magic reign in a place where packs of Mimick dogs, Wyverns and Jaculus still run wild. Meanwhile, back home, Lillith takes on a mysterious curse cast on Tony who will have to make a life changing choice. The question weighing on all their minds is if two werewolves, the Incubus King, and a demonized sorceress will live to fight their way into Gaea’s Gate to enter the Otherworld. "Romance, action, and fiction all in one book..." Shawn Walker, Reader "As usual this story artfully combines tales and myths with a new twist and point of view on everything in the world." Glückskind from 3 Degrees of Fiction Blog
Author: M.A. Katritzky
Publisher: Routledge
ISBN: 1351931458
Category : Medical
Languages : en
Pages : 442
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Book Description
While the writings of early modern medical practitioners habitually touch on performance and ceremony, few illuminate them as clearly as the Protestant physicians Felix Platter and Thomas Platter the Younger, who studied in Montpellier and practiced in their birth town of Basle, or the Catholic physician Hippolytus Guarinonius, who was born in Trent, trained in Padua and practiced in Hall near Innsbruck. During his student years and brilliant career as early modern Basle's most distinguished municipal, court and academic physician, Felix Platter built up a wide network of private, religious and aristocratic patients. His published medical treatises and private journal record his professional encounters with them as a healer. They also offer numerous vivid accounts of theatrical events experienced by Platter as a scholar, student and gifted semi-professional musician, and during his Grand Tour and long medical career. Here Felix Platter's accounts, many unavailable in translation, are examined together with relevant extracts from the journals of his younger brother Thomas Platter, and Guarinonius's medical and religious treatises. Thomas Platter is known to Shakespeare scholars as the Swiss Grand Tourist who recorded a 1599 London performance of Julius Caesar, and Guarinonius's descriptions of quack performances represent the earliest substantial written record of commedia dell'arte lazzi, or comic stage business. These three physicians' records of ceremony, festival, theatre, and marketplace diversions are examined in detail, with particular emphasis on the reactions of 'respectable' medical practitioners to healing performers and the performance of healing. Taken as a whole, their writings contribute to our understanding of many aspects of European theatrical culture and its complex interfaces with early modern healthcare: in carnival and other routine manifestations of the Christian festive year, in the extraordinary performance and ceremony of court festivals, and above all in the rarely welcomed intrusions of quacks and other itinerant performers.
Author: Ilkka Mäyrä
Publisher:
ISBN:
Category : Demonology in literature
Languages : en
Pages : 372
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Book Description
Author: Jacob Rogozinski
Publisher: Fordham Univ Press
ISBN: 1531505384
Category : History
Languages : en
Pages : 295
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Book Description
This book works to uncover the logic of hatred, to understand how this affect manifests itself historically in persecution and terror apparatuses. More than a historical genealogy of persecution, The Logic of Hatred shows what phenomenology can offer to historical understanding. Focusing on the witch-hunts waged in the fifteenth through seventeenth centuries, the first part of the book analyzes the techniques instigators used to designate and annihilate their targets: the search for diabolical stigma, the confession of “truth” extracted by torture, the constitution of an absolute Enemy through the suggestion of conspiracy, of a world turned upside-down, or the figure of Satan. Rogozinski locates one of the origins of the witch-hunt in the anguish that popular uprisings arouse in dominant classes. The second part of the book extends the investigation to related phenomena, such as the extermination of lepers in the Middle Ages and the Reign of Terror during the French Revolution. By studying these historical experiences and marking their differences and similarities, this book shows the passage from exclusion to persecution and how revolts of the oppressed can let themselves be transformed and captured by persecutory politics. The analyses presented thus shed light on conspiracy theory and the terror apparatuses of our time.
Author: Tamara Hundorova
Publisher: Academic Studies PRess
ISBN: 1644692406
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Honorable Mention - American Association for Ukrainian Studies (AAUS) 2018-2019 Book Prize Having exploded on the margins of Europe, Chornobyl marked the end of the Soviet Union and tied the era of postmodernism in Western Europe with nuclear consciousness. The Post-Chornobyl Library in Tamara Hundorova’s book becomes a metaphor of a new Ukrainian literature of the 1990s, which emerges out of the Chornobyl nuclear trauma of the 26th of April, 1986. Ukrainian postmodernism turns into a writing of trauma and reflects the collisions of the post-Soviet time as well as the processes of decolonization of the national culture. A carnivalization of the apocalypse is the main paradigm of the post-Chornobyl text, which appeals to “homelessness” and the repetition of “the end of histories.” Ironic language game, polymorphism of characters, taboo breaking, and filling in the gaps of national culture testify to the fact that the Ukrainians were liberating themselves from the totalitarian past and entering the society of the spectacle. Along this way, the post-Chornobyl character turns into an ironist, meets with the Other, experiences a split of his or her self, and witnesses a shift of geo-cultural landscapes.
Author: Ralf Remshardt
Publisher: SIU Press
ISBN: 0809335514
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
"This book delineates the theatre's deep connection with the grotesque and traces the historically extensive and theoretically intensive relationship between performance and its "other," the grotesque. It also presents a general theory of the grotesque"--
Author: Jeremy Tambling
Publisher: Springer
ISBN: 1137518324
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
This book is about representations of the devil in English and European literature. Tracing the fascination in literature, philosophy, and theology with the irreducible presence of what may be called evil, or comedy, or the carnivalesque, this book surveys the parts played by the devil in the texts derived from the Faustus legend, looks at Marlowe and Shakespeare, Rabelais, Milton, Blake, Hoffmann, Baudelaire, Goethe, Dostoevsky, Bulgakov, and Mann, historically, speculatively, and from the standpoint of critical theory. It asks: Is there a single meaning to be assigned to the idea of the diabolical? What value lies in thinking diabolically? Is it still the definition of a good poet to be of the devil's party, as Blake argued?
