Democratising Beauty in Nineteenth-Century Britain PDF Download
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Author: Lucy Hartley
Publisher: Cambridge University Press
ISBN: 1316878600
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics.
Author: Lucy Hartley
Publisher: Cambridge University Press
ISBN: 1316878600
Category : Literary Criticism
Languages : en
Pages : 317
Get Book Here
Book Description
Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics.
Author: Lauren Gillingham
Publisher: Cambridge University Press
ISBN: 1009296566
Category : Design
Languages : en
Pages : 327
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Book Description
Lauren Gillingham reveals how a modern notion of fashion helped to transform the novel in nineteenth-century Britain.
Author: Hosanna Krienke
Publisher: Cambridge University Press
ISBN: 1108844847
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
This interdisciplinary study examines how holistic aftercare became a crucial supplement to scientific medicine in nineteenth-century Britain.
Author: Matthew Rowlinson
Publisher: Cambridge University Press
ISBN: 1009409956
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Centring on Darwin and on literature throughout the nineteenth century, this book documents a general crisis in the species concept.
Author: Dennis Denisoff
Publisher: Cambridge University Press
ISBN: 1108845975
Category : Art
Languages : en
Pages : 279
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Book Description
Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.
Author: Lucy Hartley
Publisher: Springer
ISBN: 1137584653
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
This volume charts the rise of professional women writers across diverse fields of intellectual enquiry and through different modes of writing in the period immediately before and during the reign of Queen Victoria. It demonstrates how, between 1830 and 1880, the woman writer became an agent of cultural formation and contestation, appealing to and enabling the growth of female readership while issuing a challenge to the authority of male writers and critics. Of especial importance were changing definitions of marriage, family and nation, of class, and of morality as well as new conceptions of sexuality and gender, and of sympathy and sensation. The result is a richly textured account of a radical and complex process of feminization whereby formal innovations in the different modes of writing by women became central to the aesthetic, social, and political formation of British culture and society in the nineteenth century.
Author: Lucy Hartley
Publisher: Cambridge University Press
ISBN: 1107184088
Category : Art
Languages : en
Pages : 317
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Book Description
This book examines nineteenth-century interests in beauty, and considers whether these aesthetic pursuits were necessary to British public life.
Author: Rosalind Parry
Publisher: Cambridge University Press
ISBN: 1009272012
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by four extraordinary twentieth-century illustrators. It focuses especially on four reprints: a 1929 edition of Thomas Hardy's The Return of the Native (1878) with engravings by Clare Leighton, a 1930 edition of Herman Melville's Moby Dick (1851) with images by Rockwell Kent, a 1943 edition of Charlotte Brontë's Jane Eyre (1847) with woodblocks by Fritz Eichenberg, and a complete set of Jane Austen's novels (1786-1817) illustrated from 1957 to 1974 by Joan Hassall. Taken together, these reprints are indicative of a legacy crafted from historical distance, through personal, political, and artistic circumstance, and for a new century. With biographical, archival, and art- and literary-historical sources as well as close readings of images and texts, this is a richly illustrated account of how artists reinvent canons for the general reader.
Author: Francesca Mackenney
Publisher: Cambridge University Press
ISBN: 1009084089
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
In the long nineteenth century, scientists discovered striking similarities between how birds learn to sing and how children learn to speak. Tracing the 'science of birdsong' as it developed from the 'ingenious' experiments of Daines Barrington to the evolutionary arguments of Charles Darwin, Francesca Mackenney reveals a legacy of thought which informs, and consequently affords fresh insights into, a canonical group of poems about birdsong in the Romantic and Victorian periods. With a particular focus on the writings of Samuel Taylor Coleridge, the Wordsworth siblings, John Clare and Thomas Hardy, her book explores how poets responded to an analogy which challenged definitions of language and therefore of what it means to be human. Drawing together responses to birdsong in science, music and poetry, her distinctive interdisciplinary approach challenges many of the long-standing cultural assumptions which have shaped (and continue to shape) how we respond to other creatures in the Anthropocene.
Author: Elizabeth Helsinger
Publisher: Cambridge University Press
ISBN: 1009200178
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Conversing in Verse considers poems of conversation from the late eighteenth into the twentieth centuries – the very period when a more restrictive conception of poetry as the lyric product of the poet's solitary self-communing became entrenched. With fresh insight, Elizabeth Helsinger addresses a range of questions at the core of conversational poetry: When and why do poets turn to conversation to explore poetry's potential? How do conversation's forms and intentions shape the figures, rhythms, and prosody of poems to alter the reader's experience? What are the ethical and political stakes of conversing in verse? Coleridge, Clare, Landor, Tennyson, Robert Browning, Christina and Dante Gabriel Rossetti, Swinburne, Michael Field, and Hardy each composed poems that open difficult or impossible conversations with phenomena outside themselves. Helsinger unearths an unfamiliar lyric history that produced some of the most interesting formal experiments of the nineteenth century, including its best known, the dramatic monologue.
