Author: Vincenzo Gioberti
Publisher:
ISBN:
Category :
Languages : en
Pages : 416

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Author: Nicholas Baragwanath
Publisher: Indiana University Press
ISBN: 0253001668
Category : Music
Languages : en
Pages : 439

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“A major contribution . . . not only to Puccini studies but also to the study of nineteenth-century Italian opera in general.” —Nineteenth-Century Music Review In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th Century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and, most importantly, Puccini. Taking account of some 400 primary sources, Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. The Italian Traditions and Puccini offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini. “Dense and challenging in its detail and analysis, this work is an important addition to the growing corpus of Puccini studies. . . . Highly recommended.” —Choice

Author:
Publisher: Lulu.com
ISBN: 1445259494
Category :
Languages : en
Pages : 74

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 346

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Author: Giuseppe Casale
Publisher: FrancoAngeli
ISBN: 9788846437013
Category : Political Science
Languages : en
Pages : 516

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Author: Leonardo Gatti
Publisher: Createspace Independent Publishing Platform
ISBN: 1492188999
Category : Fiction
Languages : en
Pages : 122

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Oliver sapeva raccontare le storie in un modo davvero coinvolgente e aveva uno strano modo di farlo: parlava sempre come se fossi io il protagonista dei suoi racconti. Amava profondamente il mare ed io, appena potevo, correvo da lui ad ascoltare le sue storie. Una volta me ne raccontò una che non dimenticherò mai: parlava degli abissi e delle bizzarre forme di vita che li popolano. Mi fece vivere un’avventura che mi permise di scoprire le bellezze di questo mondo sconosciuto e di apprezzarne le infinite sfumature cogliendo quella sottile differenza che distingue l’impossibile dall’improbabile. L’IDEA RACCONTATA DALL’AUTORE “Tutto è iniziato da un piccolo problema di compensazione ad un orecchio che mi impediva di scendere nelle profondità del mare. Non potevo resistere, desideravo con tutte le forze tornare ad immergermi in apnea ma non potevo: i dottori mi dissero che avrei dovuto aspettare almeno 3 mesi. Era un tempo assolutamente troppo lungo così ho deciso di solcare le profondità con la fantasia visitando luoghi davvero incredibili. Alla fine ci sono voluti 8 mesi per finire il libro e altrettanti per tornare in mare, ma in fondo ne è valsa la pena. Il libro è stato un modo per ricordare e ordinare tutte le emozioni che il mare mi ha regalato e in più la prima volta che ho rimesso la testa sotto a quel manto blu incantato ho provato una sensazione davvero magica: mi sembrava una favola e probabilmente lo era e lo è ancora oggi.”

Author:
Publisher:
ISBN:
Category : Pharmacology
Languages : en
Pages : 1294

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Author: Vivienne Suvini-Hand
Publisher: Troubador Publishing Ltd
ISBN: 9781899293919
Category : Poetry
Languages : en
Pages : 134

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This study explores the tensions and contradictions in the themes and style of L'Allegria. It establishes links between Ungaretti and the French Symbolist poets, and reexamines the collection's affinity with the work of De Chirico, Cubism, Futurism and Surrealism. Offering ground-breaking views, particularly on the war poems, it demonstrates how Ungaretti used the obscure nature of Hermetic language to express his proto-Fascist and Nietzschean sympathies, thus destroying the myth of Ungaretti as a 'man of peace' searching for a religious answer to the problems of existence.

Author: International Congress of Applied Chemistry. 7th, London, 1909
Publisher:
ISBN:
Category :
Languages : en
Pages : 652

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Author: Peter Campion
Publisher: Mitchell Johnson
ISBN: 9780975402139
Category : Art
Languages : en
Pages : 72

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"Whether plein air or in the studio, Mitchell Johnson revels in the act of painting. His air, sun-splashed landscapes of Italy, northern California and New Mexico vibrates with an energy culled from years of painting on site. The seemingly casual nature of his compositions are the results of a dedicated studio practice. Schooled in the rigors of New York abstraction, Johnson does not abandon representation but rather constructs a context for it: color becomes form, line becomes definition, and paint becomes space. With these tools Mitchell Johnson presents us with his unique vision of the world. Throughout the ten years of our association, it is the joy and playfulness of his paintings that I find most attractive. Johnson will let the implied, blurry movement or the ghost of a figure that has been edited out remain as a clue or alternative. Tractors and airplanes, the patterns on beach umbrellas, or the line of a series of trees, are all the elements which in combination give each Johnson painting unique perspective."--Jacket.