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Author: Margaretta Frederick Watson
Publisher: Routledge
ISBN: 0429855974
Category : Social Science
Languages : en
Pages : 217
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Book Description
First published in 1997, and written by leading scholars of the day , these fifteen essays examine aspects of the reception and collecting of Pre-Raphaelite Art, the social and cultural context in which the work was favoured and acquired. Two major collections provide the focus for the investigation: that of the Birmingham city Museums and Art Gallery in the United Kingdom, and that of the American Samuel Bancroft Jr, now part of the Delaware Art Museum. The study of these two collections both formed in the late 1890’, places Pre-Raphaelite Art at nexus of contemporary cultural issues that touched the lives of both the city council, intent on establishing a public gallery of national importance, and a wealthy American businessman, indulging a private passion for the work of these artists. The contributors approach the issue in a variety of ways, These include the study of the ambitions and self-perception of collectors of the period, an analysis of the impact of John Ruskin’s campaign to establish Pre-Raphaelite painting as the ‘Art of England’ , and its impact on notions of civic and national identity ; the examination of individual painting in relation to such issues as the portrayal of women, the nude and of religious subjects ; and the study of the Victorian preoccupation with Renaissance Italy and the attempt by Ruskin, Charles Fairfax Murray , advisor to the two collections, and the Grosvenor Gallery, to proclaim the Pre-Raphaelite artists as the true inheritors of the ‘genius’ of Renaissance Italian artists.These essays were first presented at a symposium held at the Delaware Art Museum during the exhibition there of the paintings of Birmingham City Museums and Art Gallery.
Author: Wolfgang M. Freitag
Publisher: Routledge
ISBN: 1134830416
Category : Literary Criticism
Languages : en
Pages : 572
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Book Description
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Author: Margaretta Frederick Watson
Publisher: Routledge
ISBN: 0429855974
Category : Social Science
Languages : en
Pages : 217
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Book Description
First published in 1997, and written by leading scholars of the day , these fifteen essays examine aspects of the reception and collecting of Pre-Raphaelite Art, the social and cultural context in which the work was favoured and acquired. Two major collections provide the focus for the investigation: that of the Birmingham city Museums and Art Gallery in the United Kingdom, and that of the American Samuel Bancroft Jr, now part of the Delaware Art Museum. The study of these two collections both formed in the late 1890’, places Pre-Raphaelite Art at nexus of contemporary cultural issues that touched the lives of both the city council, intent on establishing a public gallery of national importance, and a wealthy American businessman, indulging a private passion for the work of these artists. The contributors approach the issue in a variety of ways, These include the study of the ambitions and self-perception of collectors of the period, an analysis of the impact of John Ruskin’s campaign to establish Pre-Raphaelite painting as the ‘Art of England’ , and its impact on notions of civic and national identity ; the examination of individual painting in relation to such issues as the portrayal of women, the nude and of religious subjects ; and the study of the Victorian preoccupation with Renaissance Italy and the attempt by Ruskin, Charles Fairfax Murray , advisor to the two collections, and the Grosvenor Gallery, to proclaim the Pre-Raphaelite artists as the true inheritors of the ‘genius’ of Renaissance Italian artists.These essays were first presented at a symposium held at the Delaware Art Museum during the exhibition there of the paintings of Birmingham City Museums and Art Gallery.
Author: Liana De Girolami Cheney
Publisher: Cambridge Scholars Publishing
ISBN: 152757010X
Category : Art
Languages : en
Pages : 420
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Book Description
This volume studies some of Edward Burne-Jones’s paintings, focusing specifically on his approach to nature, both through his observations about the real, physical world and through his symbolic interpretations of earthly and celestial realms. Burne-Jones’s appreciation for natural formations grew from his interests in astronomy and geography, and was expanded by his aesthetic sensibility for physical and metaphysical beauty. His drawings and watercolors carefully recorded the physical world he saw around him. These studies provided the background for a collection of paintings about landscapes with flora and fauna, and ignited an artistic furor that inspired the imagery he used in his allegorical, fantasy, and dream cycles about forests, winding paths, and sweet briar roses. This study focuses on two main ideas: Burne-Jones’s concept of ideal and artificial or magical nature expressed and represented in his drawings and paintings, and the way in which he fused his scientific knowledge about nature with some of the symbolism in his paintings.
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1696
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Book Description
Author: Liana Cheney
Publisher: Edwin Mellen Press
ISBN: 9780773494916
Category : Art
Languages : en
Pages : 332
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Book Description
The common thread that joins the essays in this volume is drawn from the rich tapestry of pre-Raphaelite art and literature and its medieval legacy. This edition presents an interdisciplinary view of the interpretation of pre-Raphaelite art and literature. The current intensifying interest in the relationship between the visual arts and narrative and their critical interpretation justifies a look at the earliest use of such orientation in the works of the pre-Raphaelite Brotherhood and its followers. Particularly in the work of Rossetti, Hunt, Millais, and Burne-Jones one can see at work the pre-Raphaelist invention of a personal symbolic language.
Author: Gertrude Smith
Publisher:
ISBN:
Category : Children's stories
Languages : en
Pages : 120
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Book Description
Author: Stephen L. Dyson
Publisher: State University of New York Press
ISBN: 1438452624
Category : Biography & Autobiography
Languages : en
Pages : 392
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Book Description
Finalist for the 2014 ForeWord IndieFab Book of the Year Award in the Biography Category This fascinating biography tells the story of William J. Stillman (1828–1901), a nineteenth-century polymath. Born and raised in Schenectady, New York, Stillman attended Union College and began his career as a Hudson River School painter after an apprenticeship with Frederic Edwin Church. In the 1850s, he was editor of The Crayon, the most important journal of art criticism in antebellum America. Later, after a stint as an explorer-promoter of the Adirondacks, he became the American consul in Rome during the Civil War. When his diplomatic career brought him to Crete, he developed an interest in archaeology and later produced photographs of the Acropolis, for which he is best known today. In yet another career switch, Stillman became a journalist, serving as a correspondent for The Times of London in Rome and the Balkans. In 1871, he married his second wife, Marie Spartali, a Pre-Raphaelite painter, and continued to write about history and art until his death. One of the later products of the American Enlightenment, he lived a life that intersected with many strands of American and European culture. Stillman can indeed be called "the last amateur."
Author: Angela Thirlwell
Publisher: Yale University Press
ISBN: 9780300102000
Category : Biography & Autobiography
Languages : en
Pages : 404
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Book Description
The marriage of William Michael Rossetti (1829-1919) and Lucy Madox Brown (1843-1894) united two of the most resonant Pre-Raphaelite family names. Their passionate and ultimately tragic relationship - described here for the first time - provides a fresh perspective on nineteenth-century marriage and on the private lives of eminent Victorians. Sibling of Dante Gabriel and Christina Rossetti, William was one of the original Pre-Raphaelite 'Brothers,' a Bohemian, radical author, poet, critic, artist, connoisseur, biographer, historian, and taxman. Lucy, the intense, intellectual daughter of Ford Madox Brown, was an ambitious artist and biographer of Mary Shelley in spite of struggling with tuberculosis for nearly a decade. Drawing on hundreds of previously unpublished sources and a wealth of new visual material (including art by William, Lucy, and others of their circle and striking contemporary photographs), the book follows William and Lucy through their separate professional careers, marriage, continental travels, and Lucy’s illness and death. At the crossover between art history, literary criticism, social history, and biography, the book rewrites Pre-Raphaelite history and brings to life two fascinating people who were both of their time and ahead of it.
Author: Julie F. Codell
Publisher: Routledge
ISBN: 0429628072
Category : Art
Languages : en
Pages : 381
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Book Description
This book is a wide-ranging exploration of the production of Victorian art autograph replicas, a painting’s subsequent versions created by the same artist who painted the first version. Autograph replicas were considered originals, not copies, and were highly valued by collectors in Britain, America, Japan, Australia, and South Africa. Motivated by complex combinations of aesthetic and commercial interests, replicas generated a global, and especially transatlantic, market between the 1870s and the 1940s, and almost all collected replicas were eventually donated to US public museums, giving replicas authority in matters of public taste and museums’ modern cultural roles. This book will be of interest to scholars in art history, museum studies, and economic history.
Author: Adriana Turpin
Publisher: Bloomsbury Publishing USA
ISBN: 1501348892
Category : Antiques & Collectibles
Languages : en
Pages : 400
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Book Description
Art Markets, Agents and Collectors brings together a wide variety of case studies, based on letters and detailed archival research, which nuance the history of the art market and the role of the collector within it. Using diaries, account books and other archival sources, the contributions to this volume show how agents set up networks and acquired works of art, often developing the taste and knowledge of the collectors for whom they were working. They are therefore seen as important actors in the market, having a specific role that separates them from auctioneers, dealers, museum curators or amateurs, while at the same time acknowledging and analyzing the dual positions that many held. Each chronological period is introduced by a contextual essay, written by a leading expert in the field, which sets out the art market in the period concerned and the ways in which agents functioned. This book is an invaluable tool for those needing a broader introduction to the intricate workings of the art market.
