Deflection/reflection in the Lyric Poetry of Charles D'Orléans PDF Download
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Author: Rouben Charles Cholakian
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 112
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Book Description
Author: Rouben Charles Cholakian
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 112
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Book Description
Author: Anne Elizabeth Banks Coldiron
Publisher: University of Michigan Press
ISBN: 9780472111466
Category : History
Languages : en
Pages : 248
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Book Description
A literary and historical study of the first single-author book of lyric poetry in English
Author: Albrecht Classen
Publisher: BRILL
ISBN: 9004657460
Category : Language Arts & Disciplines
Languages : en
Pages : 684
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Book Description
Author: R. D. Perry
Publisher: Boydell & Brewer
ISBN: 1843845679
Category : History
Languages : en
Pages : 308
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Book Description
New investigations into Charles d'Orléans' under-rated poem, its properties and its qualities.
Author: William C. McDonald
Publisher: Camden House
ISBN: 9781571132666
Category : History
Languages : en
Pages : 312
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Book Description
15th-c. adaptations of Chrétien de Troyes, the use of motifs, and standard features including current state of research and book review section. Setting the tone for volume 24 is a trio of articles on 15th-century French adaptations of Chrétien de Troyes's Arthurian romances. Norris Lacy examines adaptation and reception in Cligés, Jane Taylor writes on the importance of cultural details to reception studies of both Erec and Cligés, and Maria Timelli on structural aspects of Erec. Other studies of romance include MaryLynn Saul's article on courtly love and patriarchal marriage institutions in Malory, and Anne Caillaud's piece on gender conventions of courtly love as a vehicle for misogyny in Antoine de la Sale's Petit Jehan de Saintre. Hans-Joachim Behr deals with an adaptation of the 12th-century historical figure of Heinrich von der Löwe in his article on the poetic workof Michel Wyssenherre. Roxana Recio's article on Spanish "amplifications and glosses" draws connections between translation, reception, and interpretation.Moving from romance to legend, Peter De Wilde, in his article on the legendary matter of St. Patrick's journeys to Purgatory, relates a 15th-century account of one Englishman's "visionary pilgrimage" to that destination.A second area of concentration in the volume is the thematic and structural use of motifs. Rainer Goetz discusses archery in Spanish poetry of love and death; Georg Roellenbleck courtly pastimes and the term passe temps inFrench poetry. James Wilkins focuses on the "body as currency" in French passion plays. Kristine Patz moves into art history, examining the importance of the Pythagorean ypsilonin the work of the Italian painter Mantegna.Dealing with the turn to Renaissance humanism are articles by Grady Smith on the short literary career and Latin dramas of Titus Livius Frulovisi, and by Christiane Raynaudon humanism and good government in the Latin Romuleon. Franco Mormando investigates a darker moment: the 1426 witch trial in Rome and the role of Bernardino of Siena as its instigator and chronicler. Rouben Choulakian writes on the poetry of Charles d'Orlean
Author: Joanna Summers
Publisher: Oxford University Press, USA
ISBN: 0199271291
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
Publisher description
Author: Patricia Francis Cholakian
Publisher: Columbia University Press
ISBN: 0231134126
Category : Biography & Autobiography
Languages : en
Pages : 449
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Book Description
Sister to the king of France, queen of Navarre, gifted writer, religious reformer, and patron of the arts--in her many roles, Marguerite de Navarre (1492-1549) was one of the most important figures of the French Renaissance. In this, the first major biography in English, Patricia F. Cholakian and Rouben C. Cholakian draw on her writings to provide a vivid portrait of Marguerite's public and private life. Freeing her from the shadow of her brother François I, they recognize her immense influence on French politics and culture, and they challenge conventional views of her family relationships. The authors highlight Marguerite's considerable role in advancing the cause of religious reform in France-her support of vernacular translations of sacred works, her denunciation of ecclesiastical corruption, her founding of orphanages and hospitals, and her defense and protection of persecuted reformists. Had this plucky and spirited woman not been sister to the king, she would most likely have ended up at the stake. Though she remained a devout catholic, her theological poem Miroir de l'âme pécheresse, a mystical summa of evangelical doctrine that was viciously attacked by conservatives, remains to this day an important part of the Protestant corpus. Marguerite, along with her brother the king, was a key architect and animator of the refined entertainments that became the hallmark of the French court. Always eager to encourage new ideas, she supported many of the illustrious writers and thinkers of her time. Moreover, uniquely for a queen, she was herself a prolific poet, dramatist, and prose writer and published a two-volume anthology of her works. In reassessing Marguerite's enormous oeuvre, the authors reveal the range and quality of her work beyond her famous collection of tales, posthumously called the Heptaméron. The Cholakians' groundbreaking reading of the rich body of her work, which uncovers autobiographical elements previously unrecognized by most scholars, and their study of her surviving correspondence portray a life that fully justifies Marguerite's sobriquet, "Mother of the Renaissance."
Author: Jan Walsh Hokenson
Publisher: Routledge
ISBN: 1317640365
Category : Language Arts & Disciplines
Languages : en
Pages : 247
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Book Description
Bilingual texts have been left outside the mainstream of both translation theory and literary history. Yet the tradition of the bilingual writer, moving between different sign systems and audiences to create a text in two languages, is a rich and venerable one, going back at least to the Middle Ages. The self-translated, bilingual text was commonplace in the mutlilingual world of medieval and early modern Europe, frequently bridging Latin and the vernaculars. While self-translation persisted among cultured elites, it diminished during the consolidation of the nation-states, in the long era of nationalistic monolingualism, only to resurge in the postcolonial era. The Bilingual Text makes a first step toward providing the fields of translation studies and comparative literature with a comprehensive account of literary self-translation in the West. It tracks the shifting paradigms of bilinguality across the centuries and addresses the urgent questions that the bilingual text raises for translation theorists today: Is each part of the bilingual text a separate, original creation or is each incomplete without the other? Is self-translation a unique genre? Can either version be split off into a single language or literary tradition? How can two linguistic versions of a text be fitted into standard models of foreign and domestic texts and cultures? Because such texts defeat standard categories of analysis, The Bilingual Text reverses the usual critical gaze, highlighting not dissimilarities but continuities across versions, allowing for dissimilarities within orders of correspondence, and englobing the literary as well as linguistic and cultural dimensions of the text. Emphasizing the arcs of historical change in concepts of language and translation that inform each case study, The Bilingual Text examines the perdurance of this phenomenon in Western societies and literatures.
Author: Catherine Attwood
Publisher: Rodopi
ISBN: 9789042003651
Category : First person narrative
Languages : en
Pages : 240
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Book Description
The principal concern of this book (expounded in the first chapter) is to chart the development of literary awareness amongst poets of the later Middle Ages whose marked stance of professional independence led them increasingly to distinguish between their implied literary selves and the first-person speakers of their texts. Four chapters examine, by means of close stylistic analysis, the implications of such detachment taken as a model of binary opposition for the elaboration of the first-person speaker. Thus, in the case of Machaut, the essential distinction is between the first person and the second or third - the 'I' and the Other; with Froissart, between the 'I' of the present and the 'I' of the past; with Deschamps, between the internal 'I' of the poet and a vast array of external personae; with Christine de Pizan between the blueprint of a persona evolved by the poet for her internal 'I' and the transformations implied by its imposition on external personae. The final chapter, on the poetics of debate, explores the means by which the 'I' may be divided in order to arrive at an objective knowledge of both its own nature and of external truths, the ideal expression of which is the written record of the debate itself. It is the primacy of the Book as an autonomous entity which, ultimately, exercises the most far- reaching influence on the development of the poetic 'I' in this period.
Author:
Publisher:
ISBN:
Category : Civilization, Medieval
Languages : en
Pages : 294
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Book Description
Includes a selection of papers presented at the Fifteenth-Century Symposia, 1977-
