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Author: Susan Briante
Publisher:
ISBN: 9781934819906
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Frames, Erasures, Graffiti --Writing in Relation --Guidestars, Tangles, Hauntologies.
Author: Susan Briante
Publisher:
ISBN: 9781934819906
Category : Literary Criticism
Languages : en
Pages : 0
Get Book Here
Book Description
Frames, Erasures, Graffiti --Writing in Relation --Guidestars, Tangles, Hauntologies.
Author: Susan Briante
Publisher:
ISBN: 9781934103647
Category : American poetry
Languages : en
Pages : 0
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Book Description
Poetry. In THE MARKET WONDERS, the Market itself becomes a thinking person: lover, parent, poet, philosopher. The first section reads as if the Dow Jones and the Dao De Jing had been playfully conflated; like the latter work, this is a "Book of Changes" and a work of philosophy. The speaker of these poems focuses tightly on the developing consciousness of her infant daughter, and then broadly on world events, in what they call "total awareness, incessant recording." While the timeline of the book's contents almost numbly identifies days by the closing numbers of that day's Dow, the mathematics at play are much wider than market measurements. They include theoretical physics-with the poet insisting the market penetrates all events-and brain physiology, as well as the purpose of poetry itself. Briante pushes the poetic domain beyond the lyric, beyond traditional subjects like nature (although the poet's consciousness omits nothing: cardinals in a tree, for instance), and into enumeration as meditation, money movement as an overarching shared consciousness. Briante turns the expectations of poetry upside down when she explains, "I wish more poets would write about money," and a fairytale narrated in footnotes suddenly has exact measurement thrust into it. By the end of the book, we see how financial theories, rightly or wrongly applied can distort the ordinary acts of living, impoverish entire communities. There is nothing, however, impoverished about THE MARKET WONDERS, a work rich with marvels drawn from our ordinary world. "Across the bottom of our imported flat-screen televisions race the names of the winners and the losers: NFL and NBA scores, Dow Jones Industrial Averages, news on the most recent school shooting or celebrity overdose. Amidst this incessant flagellation of news that is incapable of staying news, Susan Briante has imagined a remarkable poetics for our post-Occupy lives. Intimate yet public, THE MARKET WONDERS creates nothing short of a new linguistic bridge between revelation and awe." Mark Nowak "Poetry's conventions tend to assume that poetry does not need to bother itself with the economic machinations of something like the Dow. These conventions are wrong and Susan Briante's THE MARKET WONDERS proves it. This is poetry that is only the richer for how it weaves the economics that shape our daily lives into it. This is one of the most beautiful and moving books I have read in recent years." Juliana Spahr "An intimate almanac of family life, Susan Briante's newest book also describes the collisions between an I and late capitalism. In this way, the market becomes a throat, a tree, a poet it becomes the inorganic force Briante brushes and glances in her poems: 'Always a story, no matter how avant-garde you live, ' a poet tells the speaker in a dream. THE MARKET WONDERS is a devastating meditation on value and love and economy, a book that asks its readers to pay careful heed of the markets' inescapable trespass into our interior lives. This book is not just stunning, it's also important, a clarion call." Carmen Gimenez Smith"
Author: Felicia Rose Chavez
Publisher: Haymarket Books
ISBN: 1642593877
Category : Education
Languages : en
Pages : 166
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Book Description
The Antiracist Writing Workshop is a call to create healthy, sustainable, and empowering artistic communities for a new millennium of writers. Inspired by June Jordan 's 1995 Poetry for the People, here is a blueprint for a 21st-century workshop model that protects and platforms writers of color. Instead of earmarking dusty anthologies, imagine workshop participants Skyping with contemporary writers of difference. Instead of tolerating bigoted criticism, imagine workshop participants moderating their own feedback sessions. Instead of yielding to the red-penned judgement of instructors, imagine workshop participants citing their own text in dialogue. The Antiracist Writing Workshop is essential reading for anyone looking to revolutionize the old workshop model into an enlightened, democratic counterculture.
Author: Ernesto Cardenal
Publisher:
ISBN:
Category : Nicaragua
Languages : en
Pages : 136
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Book Description
Author: Martha Collins
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 106
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Book Description
A stunning account of racism, mob violence, and cultural responsibility as rendered by the poet Martha Collins the victim hanged, though not on a tree, this was not the country, they used a steel arch with electric lights, and later a lamppost, this was a modern event, the trees were not involved. —from "Blue Front" Martha Collins's father, as a five-year-old, sold fruit outside the Blue Front Restaurant in Cairo, Illinois, in 1909. What he witnessed there, with 10,000 participants, is shocking. In Blue Front, Collins describes the brutal lynching of a black man and, as an afterthought, a white man, both of them left to the mercilessness of the spectators. The poems patch together an arresting array of evidence—newspaper articles, census data, legal history, postcards, photographs, and Collins's speculations about her father's own experience. The resulting work, part lyric and part narrative, is a bold investigation into hate, mob mentality, culpability, and what it means to be white in a country still haunted by its violently racist history.
Author: Susan Briante
Publisher: Ahsahta Press
ISBN:
Category : Poetry
Languages : en
Pages : 96
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Book Description
Poetry. Like lyric field notes from a worldwide anthropological journey, Briante's poems scrutinize human and urban situations. "Amid a riot of signals, cranes, and circuitry--from Mexico City to Antarctica--the reader succumbs to a sense of non-stop construction, to the craven expansion of cities in the glistening fields. In the chaos of sensory overload, the poet still manages to detect 'droplets of pollen slip from anther to stamen,' to feel a stream running dry inside. It's a work of shuddering velocity--an ode, a screed, a lament, a love song of 'pristine and inarticulate mornings.' Susan Briante's PIONEERS IN THE STUDY OF MOTION details the ravages of the world in a voracious struggle to savor its sweetness"--C.D. Wright.
Author: Alex von Tunzelmann
Publisher: HarperCollins
ISBN: 0063081695
Category : History
Languages : en
Pages : 282
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Book Description
An Economist Best Book of the Year In this timely and lively look at the act of toppling monuments, the popular historian and author of Blood and Sand explores the vital question of how a society remembers—and confronts—the past. In 2020, history came tumbling down. From the US and the UK to Belgium, New Zealand, and Bangladesh, Black Lives Matter protesters defaced, and in some cases, hauled down statues of Confederate icons, slaveholders, and imperialists. General Robert E. Lee, head of the Confederate Army, was covered in graffiti in Richmond, Virginia. Edward Colston, a member of Parliament and slave trader, was knocked off his plinth in Bristol, England, and hurled into the harbor. Statues of Christopher Columbus were toppled in Minnesota, burned and thrown into a lake in Virginia, and beheaded in Massachusetts. Belgian King Leopold II was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill’s monument in London was daubed with the word “racist.” As these iconic effigies fell, the backlash was swift and intense. But as the past three hundred years have shown, history is not erased when statues are removed. If anything, Alex von Tunzelmann reminds us, it is made. Exploring the rise and fall of twelve famous, yet now controversial statues, she takes us on a fascinating global historical tour around North America, Western and Eastern Europe, Latin America and Asia, filled with larger than life characters and dramatic stories. Von Tunzelmann reveals that statues are not historical records but political statements and distinguishes between statuary—the representation of “virtuous” individuals, usually “Great Men”—and other forms of sculpture, public art, and memorialization. Nobody wants to get rid of all memorials. But Fallen Idols asks: have statues had their day?
Author: Natalie Diaz
Publisher: U of Nebraska Press
ISBN: 1496219120
Category : Sports & Recreation
Languages : en
Pages : 402
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Book Description
Sport has always been central to the movements of both the nation-state and the people who resist that nation-state. Think of the Roman Colosseum, Jesse Owens’s four gold-medal victories in the 1936 Nazi Olympics, Kareem Abdul-Jabbar’s protest at the 1968 Olympics, and the fallout Colin Kaepernick suffered as a result of his recent protest on the sidelines of an NFL game. Sport is a place where the body and the mind are the most dangerous because they are allowed to be unified as one energy. Bodies Built for Game brings together poems, essays, and stories that challenge our traditional ideas of sport and question the power structures that athletics enforce. What is it that drives us to athletics? What is it that makes us break our own bodies or the bodies of others as we root for these unnatural and performed victories? Featuring contributions from a diverse group of writers, including Hanif Abdurraqib, Fatimah Asghar, Reginald Dwayne Betts, Louise Erdrich, Toni Jensen, Ada Limón, Tommy Orange, Claudia Rankine, Danez Smith, and Maya Washington, this book challenges America by questioning its games.
Author: Emily Skaja
Publisher: Graywolf Press
ISBN: 1555978835
Category : Poetry
Languages : en
Pages : 106
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Book Description
Selected by Joy Harjo as the winner of the Walt Whitman Award of the Academy of American Poets Emily Skaja’s debut collection is a fiery, hypnotic book that confronts the dark questions and menacing silences around gender, sexuality, and violence. Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom. Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. “What am I supposed to say: I’m free?” the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.
Author: Douglas Brine
Publisher: BRILL
ISBN: 9004288341
Category : Art
Languages : en
Pages : 342
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Book Description
Wall-mounted memorials (or ‘epitaphs’) enjoyed great popularity across the Burgundian Netherlands. Usually installed in churches above graves, they combine images with inscriptions and take the form of sculpted reliefs, brass plaques, or panel paintings. They preserved the memory of the dead and reminded the living to pray for their souls. On occasions, renowned artists like Jan van Eyck and Rogier van der Weyden were closely involved in memorials’ creation. In Pious Memories Douglas Brine examines the wall-mounted memorial as a distinct category of funerary monument and shows it to be a significant, if overlooked, aspect of fifteenth-century Netherlandish art. The patronage, functions, and meanings of these objects are considered in the context of contemporary commemorative practices and the culture of memoria. For sample pages click on Google Books button. Brine received the 2015 Arthur Kingsley Porter Prize, for an earlier version of Chapter 5 of Pious Memories, his article, “Jan van Eyck, Canon Joris van der Paele, and the Art of Commemoration,” published in the September 2014 issue of The Art Bulletin.
