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Author:
Publisher: BRILL
ISBN: 9004312315
Category : History
Languages : en
Pages : 472
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Book Description
The essays in this volume explore the nature of time, our God-given medium of ascent, known, as Augustine puts it, through the ordered study of the “liberal disciplines that carry the mind to the divine (disciplinae liberales intellectum efferunt ad divina)”: grammar and dialectic, for example, to promote thinking; geometry and astronomy to grasp the dimensions of our reality; music, an invisible substance like time itself, as an exemplary bridge to the unseen substance of thoughts, ideas, and the nature of God (theology). This ascending course of study rests on procedure, progress, and attainment — on before, following, and afterwards — whose goal is an ascending erudition that lets us finally contemplate, as Augustine says in De ordine, our invisible medium — time — within time itself: time is immaterial, but experienced as substantial. The essays here look at projects that chronicle time “from the beginning,” that clarify ideas of creation “in time” and “simultaneous times,” and the interrelationships between measured time and eternity, including “no-time.” Essays also examine time as revealed in social and political contexts, as told by clocks, as notated in music and embodied in memorializing stone. In the final essays of this volume, time is understood as the subject and medium of consciousness. As Adrian Bardon says, “time is not so much a ‘what’ as a ‘how’”: a solution to “organizing experience and modeling events.” Contributors are (in order within the volume) Jesse W. Torgerson, Ken A. Grant, Danielle B. Joyner, Nancy van Deusen, Peter Casarella, Aaron Canty, Jordan Kirk, Vera von der Osten-Sacken, Gerhard Jaritz, Jason Aleksander, Sara E. Melzer, Mark Howard, Andrew Eschelbacher, Hans J. Rindisbacher, James F. Knapp, Peggy A. Knapp, Raymond Knapp, Michael Cole, Ike Kamphof and Leonard Michael Koff.
Author: Mark Howard
Publisher:
ISBN: 9788870968460
Category : Music
Languages : en
Pages : 0
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Book Description
This volume presents English translations of two seminal works of music theory by Rameau: Code de musique pratique; and Nouvelles réflexions dur le principe sonore. The translations are accompanied by extensive historical, analytical and cultural commentary. With a foreword by Robert Zappulla.
Author:
Publisher: BRILL
ISBN: 9004312315
Category : History
Languages : en
Pages : 472
Get Book Here
Book Description
The essays in this volume explore the nature of time, our God-given medium of ascent, known, as Augustine puts it, through the ordered study of the “liberal disciplines that carry the mind to the divine (disciplinae liberales intellectum efferunt ad divina)”: grammar and dialectic, for example, to promote thinking; geometry and astronomy to grasp the dimensions of our reality; music, an invisible substance like time itself, as an exemplary bridge to the unseen substance of thoughts, ideas, and the nature of God (theology). This ascending course of study rests on procedure, progress, and attainment — on before, following, and afterwards — whose goal is an ascending erudition that lets us finally contemplate, as Augustine says in De ordine, our invisible medium — time — within time itself: time is immaterial, but experienced as substantial. The essays here look at projects that chronicle time “from the beginning,” that clarify ideas of creation “in time” and “simultaneous times,” and the interrelationships between measured time and eternity, including “no-time.” Essays also examine time as revealed in social and political contexts, as told by clocks, as notated in music and embodied in memorializing stone. In the final essays of this volume, time is understood as the subject and medium of consciousness. As Adrian Bardon says, “time is not so much a ‘what’ as a ‘how’”: a solution to “organizing experience and modeling events.” Contributors are (in order within the volume) Jesse W. Torgerson, Ken A. Grant, Danielle B. Joyner, Nancy van Deusen, Peter Casarella, Aaron Canty, Jordan Kirk, Vera von der Osten-Sacken, Gerhard Jaritz, Jason Aleksander, Sara E. Melzer, Mark Howard, Andrew Eschelbacher, Hans J. Rindisbacher, James F. Knapp, Peggy A. Knapp, Raymond Knapp, Michael Cole, Ike Kamphof and Leonard Michael Koff.
Author: Thomas Christensen
Publisher: Cambridge University Press
ISBN: 052161709X
Category : Biography & Autobiography
Languages : en
Pages : 350
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Book Description
"Ranging widely over the musical and intellectual thought of the eighteenth century, Thomas Christensen orients Rameau's accomplishments in the light of contemporaneous traditions of music theory as well as many of the scientific ideas current in the French Enlightenment. Rameau is revealed to be an unsuspectedly syncretic and sophisticated thinker, betraying influences ranging from neoplatonic thought and Cartesian mechanistic metaphysics to Locke's empirical psychology and Newtonian experimental science. Additional primary documents and manuscripts (many revealed here for the first time) help clarify Rameau's fascinating and stormy relationship with the Encyclopedists: Diderot, Rousseau, and d'Alembert." "This book will be of value to all music theorists concerned with the foundations of harmonic tonality and it should also be of interest to scholars of eighteenth-century science, the Enlightenment, and the general history of ideas."--BOOK JACKET.
Author:
Publisher:
ISBN:
Category : Canadian literature
Languages : en
Pages : 152
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Book Description
Author: Bonnelyn Young Kunze
Publisher: Boydell & Brewer
ISBN: 9781878822055
Category : History
Languages : en
Pages : 282
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Book Description
Focusing on the political, intellectual, and cultural context of Englandin the early modern period (14th century to 18th century), these timelystudies explore political theory and the English Revolution, the revisionist debates over the court and the country, and the role of Laudian policies in the years prior to the Civil War. The volume also explores aristocratic rule in 17th century England as compared to that of the Polish Commonwealth, the resonance of political events in literary culture, Hobbes's theory of passions, the role of the gentle apprentice in London, and the problem of religious dissent in the 17th century. Contributors include: PAUL SEAVER, PAOLO PASQUALUCCI, WILLIAM HUNT, GORDON SCHOCKET, LINDA PECK, EDWARD HUNDERT, JOHN GUY, ANTONIO D'ANDREA, WILLIAM DRAY, JOSEPH LEVINE, PETER LAKE, DWIGHT BRAUTIGAM and BONNELYN YOUNG KUNZE.
Author: Frédéric Pouillaude
Publisher: Oxford University Press
ISBN: 0199314640
Category : Music
Languages : en
Pages : 377
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Book Description
There is no archive or museum of human movement, no place where choreographies can be collected and conserved in pristine form. The central consequence of this is the incapacity of philosophy and aesthetics to think of dance as a positive and empirical art. In the eyes of philosophers, dance refers to a space other than art, considered both more frivolous and more fundamental than the artwork without ever quite attaining the status of a work. Unworking Choreography develops this idea and postulates an unworking as evidenced by a conspicuous absence of references to actual choreographic works within philosophical accounts of dance; the late development and partial dominance of the notion of the work in dance in contrast to other art forms such as painting, music, and theatre; the difficulties in identifying dance works given a lack of scores and an apparent resistance within the art form to the possibility of notation; and the questioning of ends of dance in contemporary practice and the relativisation of the very idea that dance artistic or choreographic processes aim at work production.
Author: Charles Whiting
Publisher:
ISBN:
Category : History
Languages : en
Pages : 272
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Book Description
Author: Michael Gallope
Publisher: University of Chicago Press
ISBN: 022648369X
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
Deep Refrains is a wide-ranging investigation of the philosophy of music. Michael Gallope asks what it means for music to "speak” when it is not saying anything in particular. To answer this question, he turns to the writings of some of the most revered thinkers of the twentieth century--Ernst Bloch, Theodor Adorno, Vladimir Jank�l�vitch, Gilles Deleuze, and F�lix Guattari. For these theorists, Gallope argues, the paradox that music is both ineffable and yet harbors deep philosophical wisdoms is fertile ground for thinking outside of conceptual boundaries. It provides the lens for a utopian potentiality that inspires hope (Bloch), an ethical critique of modernity (Adorno), an exemplification of the ephemeral movement of lived time (Jank�l�vitch), and a sonic extension of the syncopated, contrapuntal rhythms of sense and social life (Deleuze and Guattari). Gallope argues that a philosophical engagement with music’s ineffability rarely calls for silence or declarations of the unspeakable. Rather, it asks us to think through the ways in which the impact of music is made to address complex philosophical problems specific to the modern world.
Author: Eytan Agmon
Publisher: Springer Science & Business Media
ISBN: 3642395872
Category : Computers
Languages : en
Pages : 295
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Book Description
Tonal music, from a historical perspective, is far from homogenous; yet an enduring feature is a background "diatonic" system of exactly seven notes orderable cyclically by fifth. What is the source of the durability of the diatonic system, the octave of which is representable in terms of two particular integers, namely 12 and 7? And how is this durability consistent with the equally remarkable variety of musical styles — or languages — that the history of Western tonal music has taught us exist? This book is an attempt to answer these questions. Using mathematical tools to describe and explain the Western musical system as a highly sophisticated communication system, this theoretical, historical, and cognitive study is unprecedented in scope and depth. The author engages in intense dialogue with 1000 years of music-theoretical thinking, offering answers to some of the most enduring questions concerning Western tonality. The book is divided into two main parts, both governed by the communicative premise. Part I studies proto-tonality, the background system of notes prior to the selection of a privileged note known as "final." After some preliminaries that concern consonance and chromaticism, Part II begins with the notion "mode." A mode is "dyadic" or "triadic," depending on its "nucleus." Further, a "key" is a special type of "semi-key" which is a special type of mode. Different combinations of these categories account for tonal variety. Ninth-century music, for example, is a tonal language of dyadic modes, while seventeenth-century music is a language of triadic semi-keys. While portions of the book are characterized by abstraction and formal rigor, more suitable for expert readers, it will also be of value to anyone intrigued by the tonal phenomenon at large, including music theorists, musicologists, and music-cognition researchers. The content is supported by a general index, a list of definitions, a list of notation used, and two appendices providing the basic mathematical background.
Author: Nancy L. Canepa
Publisher: Wayne State University Press
ISBN: 9780814326879
Category : Fairy tales
Languages : en
Pages : 372
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Book Description
Covering over 300 years, this volume of essays articulates the literary, ideological and historical contexts in which fairy tales evolved in Italy and France. The tales analyzed were each appropriated from oral tradition by professional men and women of letters and thus reveal a cultural history
