Decoding Afro-Cuban Jazz

Decoding Afro-Cuban Jazz PDF Author: Chucho Valdés
Publisher:
ISBN: 9780997661729
Category : Blacks
Languages : en
Pages : 212

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Book Description

Decoding Afro-Cuban Jazz

Decoding Afro-Cuban Jazz PDF Author: Chucho Valdés
Publisher:
ISBN: 9780997661729
Category : Blacks
Languages : en
Pages : 212

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Book Description


The Salsa Guidebook

The Salsa Guidebook PDF Author: Rebeca Mauleon
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101416
Category : Music
Languages : en
Pages : 353

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Book Description
The only complete method book on Salsa ever published. Numerous musical examples of how different Afro-Cuban styles are created, what each instrument does, text explaining the history and structure of the music, etc. "This will be the Salsa Bible for years to come." Sonny Bravo, Tito-Puente's pianist.

Cuban Music

Cuban Music PDF Author: Maya Roy
Publisher:
ISBN:
Category : History
Languages : en
Pages : 266

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Book Description
Native Americans supplied the maracas. African slaves brought drums and ritual music, and Spaniards brought guitars, brass instruments, and clarinets along with European ballroom dancing. The advent of blues and jazz gave new forms to styles of songs, notably feeling songs, which joined the more traditional styles of trova and bolero. Cuban culture represents a convergence of these diverse backgrounds, and the musical heritage presented in this book reflects these traditions as well. In colonial times, African ritual sounds mixed with Catholic liturgies and brass bands of the Spanish military academies. Ballroom dances, including French music from Haiti popular in 18th-century Havana society, existed side by side with the cabildos (guilds and carnival clubs) and the plantations. The son, considered the expression of Cuban musical identity, had its origins in a rural setting in which African slaves and small farmers from Andalusia worked and played music together, developing many variations over the years, including big band music. Cuban music is now experiencing a major renaissance, and is enjoyed throughout the world.

Afro-Cuban Rhythms

Afro-Cuban Rhythms PDF Author: Trevor Salloum
Publisher: Mel Bay Publications
ISBN: 1619116871
Category : Music
Languages : en
Pages : 33

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Book Description
Afro-Cuban Rhythms: Gig Savers Complete Edition combines both of Trevor Salloum's popular previous editions. The material is designed for the intermediate to advanced percussionist who has some basic understanding of percussion notation. Part one is a collection of traditional rhythms ideal for a percussion ensemble or for the individual who wants to learn the authentic parts of each rhythm. The material is presented in a concise and user-friendly style. Part one includes information on Clave, Tumbao for one and two drums, Yambú, Guaguancó (Havana), Guaguancó (Matanzas), Rumba columbia, Conga (Havana), Conga (Matanzas) and Conga (Santiago). Part two is structured just like part one, but covers a different set of rhythms: Bembe, Makuta, Yuka, Palo, Arará, Abakuá (Havana), Abakuá (Matanzas), Gagá, Vudú and Iyesa. All rhythms presented in this edition are easily adapted to conga drums and Afro-Cuban hand percussion.

The Real Latin Book

The Real Latin Book PDF Author: Hal Leonard Corp.
Publisher: Hal Leonard
ISBN: 1480390402
Category : Music
Languages : en
Pages : 909

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Book Description
(Fake Book). The ultimate collection for Latin lovers everywhere! Over 350 standards in one Real Book collection, including: Adios * Agua De Beber (Water to Drink) * Aguas De Marco (Waters of March) * All That's Left Is to Say Goodbye (E Preciso Dizer Adeus) * Alma Con Alma * Always in My Heart (Siempre En Mi Corazon) * Amapola (Pretty Little Poppy) * Amor (Amor, Amor, Amor) * Antigua * Babalu * Besame Mucho (Kiss Me Much) * Bonita * Brazil * Call Me * Cast Your Fate to the Wind * Cherry Pink and Apple Blossom White * Con Alma * Copacabana (At the Copa) * Corazon Corazon * Desafinado * Don't Cry for Me Argentina * El Triste * Evil Ways * Feelings (?Dime?) * 500 Miles High * For Once in My Life * Frenesi * The Girl from Ipanema (Garota De Ipanema) * Granada * Himno Nacional Mexicano (Mexican National Hymn) * How Insensitive (Insensatez) * It's Impossible (Somos Novios) * Killer Joe * Kiss of Fire * La Bamba * La Malaguena * Little Boat * Livin' La Vida Loca * The Look of Love * Malaguena * Meditation (Meditacao) * More (Ti Guardero Nel Cuore) * Never on Sunday * A Night in Tunisia * One Note Samba (Samba De Uma Nota So) * Oye Como Va * Paloma Blanca * Papa Loves Mambo * Perfidia * Por Amor * St. Thomas * Sway (Quien Sera) * Tico Tico (Tico Tico No Fuba) * Triste * Wave * What a Diff'rence a Day Made * and more!

Blutopia

Blutopia PDF Author: Graham Lock
Publisher: Duke University Press
ISBN: 9780822324409
Category : Biography & Autobiography
Languages : en
Pages : 342

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Book Description
An analysis of the portrayal of African American life, history, and possibility in the work of three important jazz composers.

The Latin Bass Book

The Latin Bass Book PDF Author: Chuck Sher
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101386
Category : Music
Languages : en
Pages : 466

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Book Description
The only comprehensive book ever published on how to play bass in authentic Afro-Cuban, Brazilian, Caribbean and various South American styles. Over 250 pages of exact transcriptions of every note Oscar plays on the 3 accompanying CDs. Endorsed by Down Beat magazine, Latin Beat magazine, Benny Rietveld, etc.

The Clave Matrix

The Clave Matrix PDF Author: David Peñalosa
Publisher:
ISBN: 9781478299479
Category : Blacks
Languages : en
Pages : 304

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Book Description
CLAVE MATRIX: The entire interwoven structure of clave-based music as it relates to its generative source.CLAVE: A Spanish word meaning 'code,' or 'key,' as in the key to a mystery or puzzle. Also 'keystone,' the wedge-shaped stone in the center of an arch that ties all the stones together. Clave is the key pattern that both binds and decodes the rhythmic structure of Afro-Cuban music.MATRIX: The point of origin from which something takes form and develops; a grid-like array of elements, an interwoven pattern.

Global Jazz

Global Jazz PDF Author: Clarence Bernard Henry
Publisher: Routledge
ISBN: 1000430995
Category : Music
Languages : en
Pages : 437

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Book Description
Global Jazz: A Research and Information Guide is an annotated bibliography that explores the global impact of jazz, detailing the evolution of the African American musical tradition as it has been absorbed, transformed, and expanded across the world’s historical, political, and social landscapes. With more than 1,300 annotated entries, this vast compilation covers a broad range of subjects, people, and geographic regions as they relate to interdisciplinary research in jazz studies. The result is a vivid demonstration of how cultures from every corner of the globe have situated jazz—often regarded as America’s classical music—within and beyond their own musical traditions, creating new artistic forms in the process. Global Jazz: A Research and Information Guide presents jazz as a common musical language in a global landscape of diverse artistic expression.

Tropical Riffs

Tropical Riffs PDF Author: Jason Borge
Publisher:
ISBN: 9780822369905
Category : MUSIC
Languages : en
Pages : 0

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Book Description
In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals--who often understood jazz to stem from social conditions similar to their own--the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozo and Dámaso Pérez Prado popularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how "America's art form" was, and remains, a transnational project and a collective idea.