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Author: Confucian Zhangzi
Publisher:
ISBN: 9781922921222
Category : Art
Languages : en
Pages : 0
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Book Description
Confucian Zhangzi: Poet, writer, calligrapher and painter. He has successively served as the planner of the Yangcheng Evening News, editor of the Journal of Xi'an Academy of Fine Arts, dean of Xi'an Academy of Arts, and visiting professor of Micro Art at South China University of Science and Technology. He has published many poetry collections, novels, scripts, and monographs; and won the Outstanding Contribution Award for Cultural Exchange of the Russian Writers Association.
Author: Confucian Zhangzi
Publisher:
ISBN: 9781922921222
Category : Art
Languages : en
Pages : 0
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Book Description
Confucian Zhangzi: Poet, writer, calligrapher and painter. He has successively served as the planner of the Yangcheng Evening News, editor of the Journal of Xi'an Academy of Fine Arts, dean of Xi'an Academy of Arts, and visiting professor of Micro Art at South China University of Science and Technology. He has published many poetry collections, novels, scripts, and monographs; and won the Outstanding Contribution Award for Cultural Exchange of the Russian Writers Association.
Author: Shiu-Lan (Jully) Huang
Publisher: 天行書苑
ISBN: 9869212573
Category : Calligraphy
Languages : en
Pages : 358
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Book Description
The Along the River During the Qingming Festival was painted by Chang Ze-Duan of North Song Dynasty on silk. Painted in light colors, it is 528cm wide and 24.8cm tall. Qingming implies Qingming Festival or Tomb Sweeping Festival. “Shang He” (above the river) was a norm at that time. After worshipping the ancestors and sweeping their tombs, people would get on the bridge to enjoy the view of Bianjing and River Bian. Or they may wander along the bridge and buy snacks from the vendors there and visit the riverside towns. This is what “Qingming Shang He” means. In the painting, we can see many of the norms of Qingming Festival, such as the pasted paper building miniatures in front of the “Wang’s Paper Horse Shop,” the tomb sweeping team with sedan chairs decorated with willow branches and flowers outside the city, the vendors selling mud figurines at the entrances of the bridge, the people gathering and drinking after tomb sweeping, and more. These scenes are similar to the descriptions of The Eastern Capital: A Dream of Splendor. In short, it is a masterpiece of social norms painting completed in the Song Dynasty. Cosmos Classics hopes to delineate and demonstrate the connotations and beauty of Along the River During the Qingming Festival in a candid attitude to allow readers to feel the beauty of this portrayal of the Bianjing in North Song Dynasty nine hundred years ago through textual guides of this book and the appreciation of this painting. In addition, it is hoped that readers can feel the Chang Ze-Duan’s dedication in the layout and thinking of this painting. We write in a comprehensive manner to provide readers guides to the entire painting in detail with this book to render the interpretations of the North Song Dynasty as faithfully as possible to its original look and feel. We would like to apologize for any imperfection in researches and proofreading of this book. Regarding the arrangements of the contents in this book, it begins with three chapters “The Historic Values of Along the River During the Qingming Festival,” “Imperial Painting Academy (Hanlin Tuhua Yuan) during the North Song Society and the Painter Chang Ze-Duan,” and “Bianjing and Transportations on the River Bian at the North Song Dynasty” to present an overall view of the contents, painter, and historical background of this painting. In the “Conclusion” at the end of this book, the painting techniques and contents of this work are analyzed in detail to allow readers to understand the intentions of Chang Ze-Duan better. The reference section is attached to communicate the careful attitude of and the references cited by Cosmos Classics to show our respect for the writers and researchers. The major task of this book is to introduce this lengthy scroll. From right to left, it is divided into three parts in accordance with their themes “Leisure Atmosphere in the Suburb Greens,” “The Busy Water Transportation on River Bian,” and “The Prosperous Bianjing City.” According to their features, Along the River During the Qingming Festival is divided into forty zones. In the beginning of the essay, a lighted and focused thumbnail is provided to allow readers to understand the location of the discussions. In the essays, magnified graphics of the small zones are attached as illustrations to allow readers to observe every person and every corner carefully in detail. The major reference of this book The Eastern Capital: A Dream of Splendor, which records the events happening between 1102 and 1125, during the time of prosperity of Bianjing from the year of Chongning to the year of Xuanhe of Hui Zhong of North Song Dynasty, during the years of the completion of this painting. In addition, history,journals and poetry written on Song Dynasty are also referenced to explain the characters, events and things portrayed in the painting, hoping to remain faithful to the theme. As to the professional parts, the Treatise on Architectural Methods or State Building Standards is consulted to compare with the structure of the architecture in the painting. The Exploitation of the Works of Nature is consulted to find out the structure of the boats. “On the Carts and Costumes” in Song History is consulted to pinpoint the making of the carts, sedan chairs and costumes of that period. The Eastern Capital: A Dream of Splendor is consulted to examine the social norms and the geographical location of the capital. Of course, reference books and articles on Along the River During the Qingming Festival are read to present a complete interpretation on the painting. The great Jiehua(Margin Painting) painter Chang Ze-Duan left us with the first hand materials of the image of capital city in the North Song Dynasty, including trade and commercial activities, costumes and social norms architectural style, furniture and vessels, transportation, and more. All of them are of high historical value. Moreover, its humanistic connotations and sensations allow us to read and re-read this painting. The closer we read it, the more we can find the painter’s intentions. It always impresses us with its infinite charms that echo in our hearts. Therefore, it is regarded as a classic in Chinese and world history of art. Ranked as one of the top ten Chinese paintings, it is also renowned as the “first and heavenly work in Chinese painting.” Viewing this picture Along the River During the Qingming Festival in the 21st century, it still wins our exclamations. This masterpiece has been passed down from generation to generation, having gone through wars and dynasties, and shifts in times, with unchanging values. Great paintings can always prevail over the limits of time and space to become immortal, demonstrating the beauty of aesthetics and universal human values. Although Along the River During the Qingming Festival is not the only painting that portrays the capital in Chinese history, it is the most complete painting that captures the social norms and characters of Bianjing in art history. From the illustrations, deconstructive interpretations, and plain and simple introduction of this book, readers can have a glimpse of the authentic picture of Bianjing during the North Song Dynasty. Reminiscing the past, Cosmos Classics has edited and released Along the River During the Qingming Festival by Chang Ze-Duan, a North Song Dynasty painter, in electronic book format. It is hoped that Chinese of this generation can converse with tradition to fuse the ancient with the modern. Reading the classics, we may be inspired to lay down milestones for modern arts. In addition, we are enthusiastic to share them globally to allow international people to immerse themselves in the beauty of Chinese arts.
Author: 张择端
Publisher:
ISBN: 9787530537091
Category : Landscape painting, Chinese
Languages : en
Pages :
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Book Description
Author: J'miah Nabawi
Publisher:
ISBN: 9781539590620
Category :
Languages : en
Pages :
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Book Description
LITERARY WONDERS With Qing Ming Shanghe Tu: The River of Wisdom, Books for Growing Minds introduces the writing duo of J'miah Nabawi and Chunzie "Evie" Zhang. Also known as Along the River During the Qingming Festival, the cover image is a painting by the Song dynasty artist Zhang Zeduan. It captures the daily life of people and the landscape of the capital, Bianjing, today's Kaifeng, from the Northern Song period. The theme is often said to celebrate the festive spirit and worldly commotion at the Qingming Festival, rather than the holiday's ceremonial aspects, such as tomb sweeping and prayers. Successive scenes reveal the lifestyle of all levels of the society from rich to poor as well as different economic activities in rural areas and the city, and offer glimpses of period clothing and architecture. The painting is considered to be the most renowned work among all Chinese paintings, and it has been called "China's Mona Lisa." Chunzi Zhang and J'miah Nabawi present and weave into a tapestry of storytelling based upon Chinese history, the arts and family life centered around the painting. An interested read and preservation of cultural artifacts and social interaction."
Author: Level Learning
Publisher:
ISBN: 9781640401716
Category :
Languages : en
Pages : 0
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Book Description
????????Level Learning????????????????????????????????????????????????????????????K-12???????????????????????????????Festivals and Celebrations series is a set of Chinese multi-level books written by the Level Learning team. The content includes the origin and customs of famous festivals, so students can understand the history behind each festival and increase their interest in reading. This series of books is suitable for K-12 students. The series is available in both simplified and traditional.
Author: Zhang Zeduan
Publisher: Shanghai Press
ISBN: 9781602200036
Category : Art
Languages : en
Pages : 0
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Book Description
The painting Qingming Shang He Tu ("Scenes along the River during the Qingming Festival"),an over 16-foot panorama running from right to left, is considered to be one of the most brilliant works in Chinese art history. It is a masterpiece of realism, recording the pulse of a thriving, historical town and showing extraordinary detail.
Author: Norbert Streitz
Publisher: Springer
ISBN: 3319911252
Category : Computers
Languages : en
Pages : 469
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Book Description
This two volume set constitutes the refereed proceedings of the 6th International Conference on Distributed, Ambient and Pervasive Interactions, DAPI 2018, held as part of the 20th International Conference on Human-Computer Interaction, HCII 2018, held in Las Vegas, NV, USA in July 2018. The total of 1171 papers and 160 posters presented at the 14 colocated HCII 2018 conferences. The papers were carefully reviewed and selected from 4346 submissions. These papers address the latest research and development efforts and highlight the human aspects of design and use of computing systems. The papers thoroughly cover the entire field of Human-Computer Interaction, addressing major advances in knowledge and effective use of computers in a variety of application areas.. The LNCS 10921 and LNCS 10922 contains papers addressing the following major topics: Technologies and Contexts ( Part I) and Understanding Humans (Part IΙ)
Author: Li Shiqiao
Publisher: SAGE
ISBN: 1473905400
Category : Social Science
Languages : en
Pages : 265
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Book Description
This book teaches us to read the contemporary Chinese city. Li Shiqiao deftly crafts a new theory of the Chinese city and the dynamics of urbanization by: exploring the rise of stories of labour, finance and their hierarchies examining how the Chinese city has been shaped by the figuration of the writing system analyzing the continuing importance of the family and its barriers of protection against real and imagined dangers demonstrating how actual structures bring into visual being the networks of safety in personal and family networks. Understanding the Chinese City elegantly traces a thread between ancient Chinese city formations and current urban organizations, revealing hidden continuities that show how instrumental the past has been in forming the present. Rather than becoming obstacles to change, ancient practices have become effective strategies of adaptation under radically new terms.
Author: Literature
Publisher:
ISBN: 9787554423738
Category :
Languages : en
Pages : 0
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Book Description
Author: Okocha, Desmond Onyemechi
Publisher: IGI Global
ISBN: 1668480956
Category : Social Science
Languages : en
Pages : 519
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Book Description
There are inequalities in global knowledge production in communication outlets, cultural practices, and governance problems. Under this symbiotic relationship, they reinforce the cultural ideas, values, and governance systems operating in the Western countries as an ideal and role model for the Global South countries. Media is regarded as the agent of change for communication and cultural values. Indigenous knowledge production and dissemination is an essential feature to get a better insight into Global South countries. Likewise, dewesternizing and demystifying societal culture and governance issues are pertinent in this age of information. The Handbook of Research on Deconstructing Culture and Communication in the Global South focuses on local production practices keeping in view the local needs of communication outlets and societal and cultural sensitivities. This Indigenous knowledge would provide deeper and richer insights into the problems and sensitivities of Global South countries. To achieve this end, this book adopts a broader approach encompassing development issues, democratic values, digitalization practices, gender equality issues, and more. Covering topics such as biocultural activism, language ideology, and religiocentrism, this major reference work is a valuable resource for graduate students, sociologists, government officials, students and educators of higher education, librarians, development organization leaders, religious scholars, policymakers, researchers, and academicians.