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Author: Janine Joseph
Publisher: Alice James Books
ISBN: 1948579391
Category : Poetry
Languages : en
Pages : 131
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Book Description
In the deeply personal Decade of the Brain, Janine Joseph writes of a newly-naturalized American citizen who suffers from post-concussive memory loss after a major auto accident. The collection is an odyssey of what it means to recover—physically and mentally—in the aftermath of trauma and traumatic brain injury, charting when “before” crosses into “after.” Through connected poems, buckling and expansive syntax, ekphrasis, and conjoined poetic forms, Decade of the Brain remembers and misremembers hospital visits, violence and bodily injury, intimate memories, immigration status, family members, and the self. After the accident I turned out all of the lights in the room while I watched, concussed, from the mirror. I edged like a fever with nothing on the tip of my tongue.
Author: Janine Joseph
Publisher: Alice James Books
ISBN: 1948579391
Category : Poetry
Languages : en
Pages : 131
Get Book Here
Book Description
In the deeply personal Decade of the Brain, Janine Joseph writes of a newly-naturalized American citizen who suffers from post-concussive memory loss after a major auto accident. The collection is an odyssey of what it means to recover—physically and mentally—in the aftermath of trauma and traumatic brain injury, charting when “before” crosses into “after.” Through connected poems, buckling and expansive syntax, ekphrasis, and conjoined poetic forms, Decade of the Brain remembers and misremembers hospital visits, violence and bodily injury, intimate memories, immigration status, family members, and the self. After the accident I turned out all of the lights in the room while I watched, concussed, from the mirror. I edged like a fever with nothing on the tip of my tongue.
Author: Janine Joseph
Publisher: Alice James Books
ISBN: 1938584384
Category : Poetry
Languages : en
Pages : 96
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Book Description
"Janine Joseph writes with an open and easy intimacy. The language here is at once disruptive and familiar, political and sensual, and tinged by the melancholy of loss and the discomforting radiance of redemption. A strong debut." —Chris Abani The best way to hide is in plain sight. In this politically-charged and candid debut, we follow the chronicles of an illegal immigrant speaker over a twenty-year span as she grows up in the foreign and forbidding landscape of America. From "Ivan, Always Hiding": I strained for the socket as you pulled me, my bare legs against your legs in the windowless dark. The room, snuffed out, could have been no larger than a freight car, no smaller than a box van; we couldn't tell anymore, the glints in the shellacked floor, too, were dulled. This is like death, you said, always joking. I slid my head into the crook of your neck, and didn't disagree. Raised in the Philippines and California, Janine Joseph holds an MFA from New York University and a PhD from the University of Houston. Her poems have appeared in the Kenyon Review Online, Best New Poets, Hayden's Ferry Review, and elsewhere. Her libretto "From My Mother's Mother" was performed as part of the Houston Grand Opera's "Song of Houston: East + West" series. A Kundiman and Paul and Daisy Soros Fellow, she is an assistant professor of English at Weber State University.
Author: Dan Magers
Publisher: Birds
ISBN: 9780982617779
Category : American poetry
Languages : en
Pages : 0
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Book Description
Poetry. "Magers scribes as if poet-ghost adrift thru dressing rooms backstage taking notes, capturing the moment in all its lovely eros and happiness and cause for alarm. Writing poems like these is just as good as starting a band when poems like songs flood the brain. I like your smile." Thurston Moore "'I wanted to be high, but now I'm trapped in my life.' Frustrated by the limits of his world, PARTYKNIFE's youthful speaker wears a mask of aloofness that incompletely conceals his yearning. His poems strain to hold his exuberance, and his studied detachment belies his racing heart. 'Everything I hated has become my life now. By which I mean how happy I am.' These poems are angry, insistent, and wildly in love with life." Sarah Manguso "PARTYKNIFE is fucking awesome, like a manual to a new kind of LCD machine you aren't allowed to actually turn on yet; the book is I think really an opening of something. Just thought, 'the future.'" Blake Butler"
Author: Jean Valentine
Publisher: Alice James Books
ISBN: 1949944328
Category : Poetry
Languages : en
Pages : 343
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Book Description
Multi-award winner, including a National Book Award, Jean Valentine published twelve full-length collections of poetry during her lifetime, and all of them—plus an entirely new, unpublished manuscript—can be found in this masterful collection of her life’s work. The new poems acknowledge the inevitability of death while tenderly musing on what remains from a world left behind. The poems have an intricate balance between the sadness of a life lived and illuminating how the remaining love is steadfast, irreversible, and abiding even as we transcend from this earth. In her later years, Jean would write poems on napkins, random scraps of paper, and even on a typewriter, and those close to her would collect these writings and transcribe them into a Word document so they wouldn't be lost. Even Jean's therapist transcribed a poem that she spoke in one of their sessions—a poem that can be found in this new work. Jean was always writing poetry wherever inspiration struck her, even through the struggle of her declining health. It was Jean's wish that her work landed back at her first home, Alice James Books—back to her origin point as a writer, coming full circle. In these last prayerful poems, the poet visits loss, death, and transitional states. Full of longing, connections, and intergenerational knowledge, Valentine continues the mystical journey that has carried her through a lifetime devoted to poetry. Spirits connect. Guides are everywhere as she is "leaving all worlds behind." Love doesn't disappear but is steadfast and without boundaries. A poet of deep tenderness for everything living, from a dying cricket to her living and lost friends, Valentine is full of gratitude for this world, writing: "This is happiness. Old life,/ I'm glad, all my rubbed life/ I was found,/ I was written on a wall in air." The reader too is full of gratitude for these moving last missives from a great poet. Ada Limon states, “The extraordinary poems of Jean Valentine have often existed in the between spaces, the caves, the secret rooms of the mind. They are gorgeous wonders and curiosities that bring us a new kind of light. The Collected Poems of Jean Valentine will no doubt serve as an essential handbook for anyone looking to lean into the knotty questions of human existence.”
Author: Michael McClure
Publisher: New Directions Publishing
ISBN: 9780811211642
Category : Literary Criticism
Languages : en
Pages : 132
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Book Description
Rebel Lions, Michael McClure's first book of poetry since the retrospective Selected Poems (1985), spans a decade of profound personal change and poetic evolution for the author. In an introductory note, he provides a backdrop for the collection, which moves from old life to new. McClure's work bursts forth from the matrix of the physical and spiritual. "Poetry is one of the edges of consciousness," he asserts. "And consciousness is a real thing like the hoof of a deer or the smell of a bush of blackberries at the roadside in the sun." In the first section of Rebel Lions, "Old Flames," the poems range from the realistic ("Awakening and Recalling a Summer Hike") to the metaphorical ("The Silken Stitching"), as the poet addresses a life on the verge of transformation. The second section, "Rose Rain," exults in a life transformed through love's alchemy. Rebel Lions closes with "New Brain," poems affirming the freedom of all humankind and matter in the eternal now.
Author: Brian Turner
Publisher: Alice James Books
ISBN: 194994428X
Category : Poetry
Languages : en
Pages : 75
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Book Description
While Turner (author of Here, Bullet) grieves the loss of his wife to cancer, The Goodbye World Poem is a series of poetic meditations that sit quietly in the silent “afterward” of someone’s death. Losing his wife, his father, and his best friend in quick succession, Turner explores those relationships through the complicated lenses of moments in time, weaving in and out of memory to explore the disparate history that fuses together to form ones psyche. Throughout the collection, a prevailing motion recurs: that of submersion, sinking, plunging into the deep—whether it be the ocean or the subconscious. In other words, this book is a kind of poetic biography, a journey of the self that ultimately pours everything that’s happened in a life—all of the love and all of the loss—into the moment of death itself. The poems are meant to be celebratory and sublime in their comprehension of what happens to our memories when we die. And, if the reader is inclined—the reader becomes the vessel who holds all of this in their own imagination, carrying Turner and his memories forward into their own lives in a small way.
Author: Mary Oliver
Publisher: Penguin
ISBN: 0698170040
Category : Poetry
Languages : en
Pages : 96
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Book Description
In this stunning collection of new poems, Mary Oliver returns to the imagery that has defined her life’s work, describing with wonder both the everyday and the unaffected beauty of nature. Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments. At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.
Author: Candace Williams
Publisher: Alice James Books
ISBN: 1949944255
Category : Poetry
Languages : en
Pages : 77
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Book Description
Over the course of these poems, the Black, queer protagonist begins to erase violent structures and fill the white spaces with her hard-won wisdom and love. I am the Most Dangerous Thing doesn't just use poetry to comment on life and history. The book is a comment on writing itself. What have words done? When does writing become a form of disengagement, or worse, violence? The book is an exercise in paring the state down to its true logic of violence and imagining what can happen next. There are many contradictions—Although the protagonist teaches the same science that was used to justify enslavement and a racial caste system, she knows she will die at the hands of science and denies the state the last word by penning her own death certificate. As an educator and knowledge worker, she is an overseer of the same racist, misogynistic, and homophobic systems that terrorize her. Yet, she musters the courage to kill Kurtz, a primordial vision of white terror. She is Black and queer and fat and angry and chill and witty and joyful and depressed and lovely and flawed and an (im)perfect dagger to the heart of white supremacist capitalism.
Author: Johanna Hedva
Publisher: Sming Sming Books + Wolfman Books
ISBN: 9781953189004
Category :
Languages : en
Pages : 194
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Book Description
Poetry. Fiction. Drama. Literary Nonfiction. California Interest. Asian & Asian American Studies. Women's Studies. LGBTQIA Studieds. Art. Film. Music. MINERVA THE MISCARRIAGE OF THE BRAIN collects a decade of work from artist, musician, and author of ON HELL, Johanna Hedva. In plays, performances, an encyclopedia, essays, autohagiography, hypnagogic, and hypnapompic poems--in texts whose bodies drift and delight in form--Minerva tunnels into mysticism, madness, motherhood, and magic. Minerva gets dirty with the mess of gender and genius. She does the labor of sleep and dreams. She odysseys through Los Angeles, shapeshifting in stygian night and waking up to wail in the light. With illustrations by Isabelle Albuquerque. "Purchase or thrash: 'genius.' Relocate an 'Ancient Greek text' to 'contemporary Los Angeles.' Does a geographical cure excrete ghosts, 'visions of strange bodies poised and moving,' or does it produce a 'deep, reverberating sound?' Johanna Hedva's MINERVA begins in this place and we go there, which is to say a reader does. Or might: float/trust this process of alchemical, pelvic, infinite, sub-maternal, and ceramic change."--Bhanu Kapil "Reverberations of this book outlast everything else in our ears, 'what felt like a skinned, feral cat breaching from my chest.' Definitely MINERVA, goddess of genius and poems! Celestial messenger Johanna Hedva gives up gold after the cult following of their book ON HELL. A (god)dess-sized reconstruction of the world we only thought we knew! Welcome home, poets!"--CAConrad "Blood is spilled: the writer, the reader, the family, and the lovers are all brutally disemboweled. Abandonment, undeath, catharsis, and genius are all held to trial. Theatre, ritual, and memoir are cleaved open by sex, race, and the (mortal) body. MINERVA, as in all their writing, sets Hedva's astounding, somatic wisdom against an urgent, anarchistic wound. Let yourself belong to it."--Patrick Staff "Can an artist's personal history of their performances be a history of performance art? MINERVA THE MISCARRIAGE OF THE BRAIN traces both a decade of Johanna Hedva's performed works and the edges of that genre's history: bringing the intimate, fearful, feminine, traumatized, queer, and real-life-lived to look and admire and poke at the assumptions about what performance art has been: genius, unreachable, masculine, and hermetic. Hedva is both a wonderful writer in the school of Helene Cixous, Marina Tsvetaeva, and Clarice Lispector: and like them, a creator of spaces we didn't know that we're allowed."--Alexandra Grant "This text is a trouble-maker. Well, that's not quite right. The trouble was already there, we were just trying to hang a tapestry over it, maybe shove it into the dirt of our potted plant. Hedva has that knack, though, for revealing, for turning something we'd rather keep silent into a beautiful wail."--Jessa Crispin "A book about viscera and black ash; 'Blood and guts... soul and tears.' Dark matter and sea foam blessed by 'the tentacles of sea plants when they move...' This is the literature of THE VOID. I will treasure MINERVA as I do the most revelatory writings of Artaud."--Lara Mimosa Montes "I have this fantasy that upon our deaths, we each are replaced with a museum. And that in the museum, is a record, in relics, of what we made, tried to make, failed to make, and what made us. Johanna Hedvas MINERVA affirms and animates this fantasy, overlapping rapturous corporeality with the posthumous archive. It is the nomination of a life's work of laying bare negative space by way of the nebulization of the body into a museum. (MINERVA, by the way, is the goddess of everything.)"--Brandon Shimoda
Author: Katie Farris
Publisher: Alice James Books
ISBN: 1949944239
Category : Poetry
Languages : en
Pages : 62
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Book Description
Standing in the Forest of Being Alive is a memoir-in-poems that reckons with erotic love even as the narrator is diagnosed and treated for breast cancer at the age of thirty-six during a time of pandemic and political upheaval. With humor and honesty, the book portrays both the pleasures and the horrors of the lover, the citizen, and the medical subject. How can we find, in the midst of hell, what isn’t hell? And whom can we tell how much we want to live? An intimate, hilarious and devastating look into some of the most private moments of a life—even if they happen to occur in a medical office with six strangers looking on. This book is for anyone who's ever asked how to live in the face of suffering, and doesn't expect an easy answer. Standing in the Forest of Being Alive looks unflinchingly at painful realities, posing the question "What isn't hell?" and finds the answer in a powerful eros, letting a loved one pull laughter out of the narrator's reluctant mouth like a "redvioletcerulean handkerchief."
