Author: Lawrence Gilman
Publisher: New York : G. Schirmer
ISBN:
Category : Opera
Languages : en
Pages : 106
Book Description
Debussy's Pelléas Et Mélisande, a Guide to the Opera
Author: Lawrence Gilman
Publisher: New York : G. Schirmer
ISBN:
Category : Opera
Languages : en
Pages : 106
Book Description
Publisher: New York : G. Schirmer
ISBN:
Category : Opera
Languages : en
Pages : 106
Book Description
Claude Debussy: Pelléas Et Mélisande
Author: Roger Nichols
Publisher: Cambridge University Press
ISBN: 9780521314466
Category : Music
Languages : en
Pages : 224
Book Description
This first comprehensive guide to Debussy's only completed opera, Pelléas et Mélisande was written by the leading authorities on French music of the period. As a background to the opera, the authors, together with David Grayson, discuss various aspects of the play. They consider its literary roots, trace its genesis and composition, and illuminate Debussy's compositional strategies. A detailed synopsis of Debussy's musical response to the text forms a central chapter. This is followed by an examination of the symbols and musical motives employed by Debussy as well as an analysis of his themes. The book concludes with a detailed bibliography and a discography.
Publisher: Cambridge University Press
ISBN: 9780521314466
Category : Music
Languages : en
Pages : 224
Book Description
This first comprehensive guide to Debussy's only completed opera, Pelléas et Mélisande was written by the leading authorities on French music of the period. As a background to the opera, the authors, together with David Grayson, discuss various aspects of the play. They consider its literary roots, trace its genesis and composition, and illuminate Debussy's compositional strategies. A detailed synopsis of Debussy's musical response to the text forms a central chapter. This is followed by an examination of the symbols and musical motives employed by Debussy as well as an analysis of his themes. The book concludes with a detailed bibliography and a discography.
Musical Symbolism in the Operas of Debussy and Bartok
Author: Elliot Antokoletz
Publisher: Oxford University Press
ISBN: 0195355954
Category : Music
Languages : en
Pages : 361
Book Description
Musical Symbolism in the Operas of Debussy and Bartók explores the means by which two early 20th century operas - Debussy's Pelléas et Mélisande (1902) and Bartók's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, Maurice Maeterlinck, and his Hungarian disciple, Béla Balázs. These two operas represent the first significant attempts to establish more profound correspondences between the symbolist dramatic conception and the new musical language. Duke Bluebeard's Castle is based almost exclusively on interactions between pentatonic/diatonic folk modalities and their more abstract symmetrical transformations (including whole-tone, octatonic, and other pitch constructions derived from the system of the interval cycles). The opposition of these two harmonic extremes serve as the basis for dramatic polarity between the characters as real-life beings and as instruments of fate. The book also explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts.
Publisher: Oxford University Press
ISBN: 0195355954
Category : Music
Languages : en
Pages : 361
Book Description
Musical Symbolism in the Operas of Debussy and Bartók explores the means by which two early 20th century operas - Debussy's Pelléas et Mélisande (1902) and Bartók's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, Maurice Maeterlinck, and his Hungarian disciple, Béla Balázs. These two operas represent the first significant attempts to establish more profound correspondences between the symbolist dramatic conception and the new musical language. Duke Bluebeard's Castle is based almost exclusively on interactions between pentatonic/diatonic folk modalities and their more abstract symmetrical transformations (including whole-tone, octatonic, and other pitch constructions derived from the system of the interval cycles). The opposition of these two harmonic extremes serve as the basis for dramatic polarity between the characters as real-life beings and as instruments of fate. The book also explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts.
Alladine and Palomides
Author: Maurice Maeterlinck
Publisher: New York : Barse & Hopkins, [19--]
ISBN:
Category : Drama
Languages : en
Pages : 238
Book Description
Publisher: New York : Barse & Hopkins, [19--]
ISBN:
Category : Drama
Languages : en
Pages : 238
Book Description
Debussy's Pelléas Et Mélisande
Author: Burton D. Fisher
Publisher: Opera Journeys Publishing
ISBN: 110200894X
Category : Operas
Languages : en
Pages : 25
Book Description
Publisher: Opera Journeys Publishing
ISBN: 110200894X
Category : Operas
Languages : en
Pages : 25
Book Description
The Metropolitan Opera Guide to Recorded Opera
Author: Paul Gruber
Publisher: W. W. Norton & Company
ISBN: 9780393034448
Category : Music
Languages : en
Pages : 808
Book Description
A guide to recordings of operas.
Publisher: W. W. Norton & Company
ISBN: 9780393034448
Category : Music
Languages : en
Pages : 808
Book Description
A guide to recordings of operas.
Anthem Guide to the Opera, Concert Halls and Classical Music Venues of Europe
Author:
Publisher: Anthem Press
ISBN: 0857286838
Category : Europe
Languages : en
Pages : 476
Book Description
Publisher: Anthem Press
ISBN: 0857286838
Category : Europe
Languages : en
Pages : 476
Book Description
Debussy in Performance
Author: James R. Briscoe
Publisher: Yale University Press
ISBN: 0300076266
Category : Music
Languages : en
Pages : 316
Book Description
Claude Debussy, who composed works of major significance in a wide range of musical and theatrical genres, has exerted a fundamental influence on musicians of the twentieth century. This book explores how Debussy's compositions are brought to life in performance, investigating the composer's own expectations, the traditions surrounding the performance of his music, and the internal and contextual evidence that can give insight to performers of his works. Leading international scholars and interpreters of Debussy's music draw on his letters and music criticism as well as on the memoirs of performers close to him to discuss issues of performance forces, tempo and its flexibility, performer license, and the interpretation of expressive indications in the scores. They urge performers to recognize the symbolism and the value of silence in Debussy's work. And they show that it is particularly important to focus on aspects of timbre, voice-leading, and the musical arabesque, together with meter and phrase ambiguities, when playing his music. The book also includes the translation of an article on the opera Pelleas et Melisande In performance by one of Debussy's original conductors, Desire-Emile Inghelbrecht, and an interview with the composer-conductor Pierre Boulez on approaches to Pelleas and the orchestral works.
Publisher: Yale University Press
ISBN: 0300076266
Category : Music
Languages : en
Pages : 316
Book Description
Claude Debussy, who composed works of major significance in a wide range of musical and theatrical genres, has exerted a fundamental influence on musicians of the twentieth century. This book explores how Debussy's compositions are brought to life in performance, investigating the composer's own expectations, the traditions surrounding the performance of his music, and the internal and contextual evidence that can give insight to performers of his works. Leading international scholars and interpreters of Debussy's music draw on his letters and music criticism as well as on the memoirs of performers close to him to discuss issues of performance forces, tempo and its flexibility, performer license, and the interpretation of expressive indications in the scores. They urge performers to recognize the symbolism and the value of silence in Debussy's work. And they show that it is particularly important to focus on aspects of timbre, voice-leading, and the musical arabesque, together with meter and phrase ambiguities, when playing his music. The book also includes the translation of an article on the opera Pelleas et Melisande In performance by one of Debussy's original conductors, Desire-Emile Inghelbrecht, and an interview with the composer-conductor Pierre Boulez on approaches to Pelleas and the orchestral works.
Debussy's Mélisande
Author: Gillian Opstad
Publisher: Boydell Press
ISBN:
Category : Music
Languages : en
Pages : 396
Book Description
The colourful lives of the three divas who made Debussy's Mélisande their own.
Publisher: Boydell Press
ISBN:
Category : Music
Languages : en
Pages : 396
Book Description
The colourful lives of the three divas who made Debussy's Mélisande their own.
Modern Drama and Opera
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 274
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 274
Book Description