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Author: Neil R. Jones
Publisher: eStar Books
ISBN: 1612103731
Category : Fiction
Languages : en
Pages : 19
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Book Description
Meteors may contain strange and valuable elements. It is the exploration for such things that our author has used as a basis for his aviation story of outer space.ExcerptHigh up, on the top floor of a hundred-story building sat a man at a desk. Before him was an array of dials, a system of switches and intricate electrical appliances. Several hundred glass bulbs of various sizes flashed on and off intermittently in the wall over his desk. Fitting over the top of his head and around his ears was a shining, silver cap with a wire leading from the top to the apparatus before him. He was one of the world's interplanetary radio operators of the twenty-sixth century, sending and receiving daily messages between Mars and the Earth.One of the largest glass bulbs suddenly shot into brilliance, and with a fierce crackling, an electric spark closed the gap between two metal cylinders, which paralleled one another about a foot apart. At the same time, the operator leaned forward, and with practiced hand, quickly manipulated several of the dials to various points, after which he threw one of the switches into place. A low droning sound filled the room, and a large cylinder upon which was rolled a continuous sheet of thin aluminum began to slowly revolve. As the brilliant blue-white flare in the glass bulb died away, the droning noise turned to a high keyed whine which broke off abruptly. The cylinder stopped while the multitude of tiny glass bulbs again glowed separately at intervals, as they had been doing just before the message had come in.The operator shoved a lever at his side, and a small roller cut across the large cylinder, releasing a sheet of the thin aluminum which fell on to the desk before him. Cut through its thin metal texture was the message from Mars in the three universal languages of the Earth. The radio operator now turned his attention to a smooth plate which rested in the shape of a semi-circle about two feet long and half as wide. On the flat side of the thick composition plate, a black screen arose several feet in a vertical plane at a right angle to the plate, so that the screen faced the operator. Placing the aluminum sheet upon the plate, the operator threw another switch, simultaneously pressing a button marked "Meteorological Bureau." The screen suddenly glowed, throwing an series of orange-hued rays on a slant down upon the plate bearing the narrow sheet of aluminum which grew indistinct, finally fading, until it disappeared from sight. The radio man threw back the switch once more and the screen grew black again. The plate was now as empty and bare as before he had laid the message upon its surface.In the Meteorological Bureau, two thousand miles away, the officials read the message from the aluminum sheet which had been transmitted by radio. One of them, an elderly man, walked over to the end of the room, the wall of which was bordered into a squared shape by panels. The color of the wall inside the dark paneling was a dull gray. He advanced to a round, metal, inlaid section of the floor. As soon as his feet came in contact with the metal, a picture suddenly flashed upon the surface of the wall, and the sounds of exclamations and loud laughter broke in upon his cars. The elderly scientist was looking into a comfortable room fitted up with lounges and easy chairs. Four young men were the sole occupants, being engaged in a game at one of the tables in the room.The game ceased as the four came to sudden attention, facing their superior who now spoke."Jan Trenton.""Here, sir."
Author: Neil R. Jones
Publisher: eStar Books
ISBN: 1612103731
Category : Fiction
Languages : en
Pages : 19
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Book Description
Meteors may contain strange and valuable elements. It is the exploration for such things that our author has used as a basis for his aviation story of outer space.ExcerptHigh up, on the top floor of a hundred-story building sat a man at a desk. Before him was an array of dials, a system of switches and intricate electrical appliances. Several hundred glass bulbs of various sizes flashed on and off intermittently in the wall over his desk. Fitting over the top of his head and around his ears was a shining, silver cap with a wire leading from the top to the apparatus before him. He was one of the world's interplanetary radio operators of the twenty-sixth century, sending and receiving daily messages between Mars and the Earth.One of the largest glass bulbs suddenly shot into brilliance, and with a fierce crackling, an electric spark closed the gap between two metal cylinders, which paralleled one another about a foot apart. At the same time, the operator leaned forward, and with practiced hand, quickly manipulated several of the dials to various points, after which he threw one of the switches into place. A low droning sound filled the room, and a large cylinder upon which was rolled a continuous sheet of thin aluminum began to slowly revolve. As the brilliant blue-white flare in the glass bulb died away, the droning noise turned to a high keyed whine which broke off abruptly. The cylinder stopped while the multitude of tiny glass bulbs again glowed separately at intervals, as they had been doing just before the message had come in.The operator shoved a lever at his side, and a small roller cut across the large cylinder, releasing a sheet of the thin aluminum which fell on to the desk before him. Cut through its thin metal texture was the message from Mars in the three universal languages of the Earth. The radio operator now turned his attention to a smooth plate which rested in the shape of a semi-circle about two feet long and half as wide. On the flat side of the thick composition plate, a black screen arose several feet in a vertical plane at a right angle to the plate, so that the screen faced the operator. Placing the aluminum sheet upon the plate, the operator threw another switch, simultaneously pressing a button marked "Meteorological Bureau." The screen suddenly glowed, throwing an series of orange-hued rays on a slant down upon the plate bearing the narrow sheet of aluminum which grew indistinct, finally fading, until it disappeared from sight. The radio man threw back the switch once more and the screen grew black again. The plate was now as empty and bare as before he had laid the message upon its surface.In the Meteorological Bureau, two thousand miles away, the officials read the message from the aluminum sheet which had been transmitted by radio. One of them, an elderly man, walked over to the end of the room, the wall of which was bordered into a squared shape by panels. The color of the wall inside the dark paneling was a dull gray. He advanced to a round, metal, inlaid section of the floor. As soon as his feet came in contact with the metal, a picture suddenly flashed upon the surface of the wall, and the sounds of exclamations and loud laughter broke in upon his cars. The elderly scientist was looking into a comfortable room fitted up with lounges and easy chairs. Four young men were the sole occupants, being engaged in a game at one of the tables in the room.The game ceased as the four came to sudden attention, facing their superior who now spoke."Jan Trenton.""Here, sir."
Author: Mór Jókai
Publisher:
ISBN:
Category :
Languages : en
Pages : 372
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Book Description
Author: George Manners
Publisher:
ISBN:
Category :
Languages : en
Pages : 570
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Book Description
Author: Mór Jókai
Publisher: Publio Kiadó Kft.
ISBN: 9633818877
Category : Fiction
Languages : en
Pages : 157
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Book Description
The hero of our romantic narrative, or better, narratives, was a constable. Not one of that useful class appointed, in our day, to direct the vehicles which pass over the two approaches to the suspension-bridge in Budapest; rather, he was the chief of a body whose task it is to provoke disturbance, who win all the more praise and glory the greater the havoc and destruction they create. In a word: he was a gunner. The chronicle of his exploits gives only his Christian name, which was "Hugo." In the year 1688, when the French beleaguered Coblentz, Hugo had charge of the battery in the outermost tower of Ehrenbreitstein fortress—the "Montalembert Tower." Coblentz and Ehrenbreitstein are opposite one another on the banks of the Rhine, as are Pesth and Ofen; and the Blocksberg looks down on us, as does the citadel of Ehrenbreitstein on Coblentz. The city, which is strongly fortified on all sides, had become accustomed to being beleaguered—now by the French, now by the Prussians; today by the Austrians, tomorrow by the Swedes. On the occasion of which I write, Coblentz was under a terrible fire from the French guns, which created great havoc in that portion of the city known as the "Old Town."
Author: Samuel Scheffler
Publisher: Oxford University Press
ISBN: 019998252X
Category : Philosophy
Languages : en
Pages : 221
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Book Description
Suppose you knew that, though you yourself would live your life to its natural end, the earth and all its inhabitants would be destroyed thirty days after your death. To what extent would you remain committed to your current projects and plans? Would scientists still search for a cure for cancer? Would couples still want children? In Death and the Afterlife, philosopher Samuel Scheffler poses this thought experiment in order to show that the continued life of the human race after our deaths--the "afterlife" of the title--matters to us to an astonishing and previously neglected degree. Indeed, Scheffler shows that, in certain important respects, the future existence of people who are as yet unborn matters more to us than our own continued existence and the continued existence of those we love. Without the expectation that humanity has a future, many of the things that now matter to us would cease to do so. By contrast, the prospect of our own deaths does little to undermine our confidence in the value of our activities. Despite the terror we may feel when contemplating our deaths, the prospect of humanity's imminent extinction would pose a far greater threat to our ability to lead lives of wholehearted engagement. Scheffler further demonstrates that, although we are not unreasonable to fear death, personal immortality, like the imminent extinction of humanity, would also undermine our confidence in the values we hold dear. His arresting conclusion is that, in order for us to lead value-laden lives, what is necessary is that we ourselves should die and that others should live. Death and the Afterlife concludes with commentary by four distinguished philosophers--Harry Frankfurt, Niko Kolodny, Seana Shiffrin, and Susan Wolf--who discuss Scheffler's ideas with insight and imagination. Scheffler adds a final reply.
Author: Neil R. Jones
Publisher: eStar Books
ISBN: 1612103774
Category : Fiction
Languages : en
Pages : 36
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Book Description
Another adventure of the intrepid Professor Jameson. ExcerptProfessor Jameson clung more tightly to his precarious perch on the sloping mountainside. His metal tentacles curled about treacherous knobs of slippery rock. His mechanical eyes circling the coned metal head regarding Gloph, the intelligent space creature who, too, fought for his life against the face of the looming peak. Around them shone the stars of space, and several little moons moved visibly in ever-changing phases. Out of the darkness, a blazing sun threw sharp etched shadows all about them. Far beneath them, they saw the haze of the planet's low-lying, dense atmosphere up out of which the towering mountains reached beyond and into space, a bleak region, a veritable top of the world, where only Gloph and his species lived. The space ship of the Zoromes was gone. It had fallen when a part of the mountain peak had slid away. Weathering had weakened the mountain peak beneath the atmosphere line. The professor remembered 65G-849 remarking about this characteristic as they had approached and examined the strange world from out in space."There is no weathering on the mountain tops in space, other than what results from temperature changes when the sun shines," 65G-849 had assured his fellow Zoromes. "It is different, however, below the atmosphere line. Because of the presence of atmosphere and moisture, a good many of the mountain peaks are undermined around the edges."Besides the space ship and those inside it, the five machine men who had come out of the space ship with the professor to talk with friendly space creatures had gone hurtling to their doom. The professor had seen 6W-438, 119M-5, 29G-75, 777Y-46 and 7H-88 grab frantically for something to stay their plunge. Only the professor and 119M-5 had been successful in gaining a hold, and 119M-5's respite had been but a brief one. The machine man's hold on the slippery surface had been even more insecure than the professor's 119M-5 had shot by the professor, radiating a departing farewell.Among the group of space creatures accompanying the machine men, all had fallen, too, except Gloph, who with the professor and 119M-5 had been farthest from the edge of the great break. Before the catastrophe, the space creatures had formed a funeral cortege in the performance of strange rites for the two of their dead, and the machine men had watched. At the climax of the rites, it was the custom, the machine men had learned, to hurl the two dead bodies off the precipice and into the atmospheric sea far below. It was never just one. There always had to be two.Professor Jameson looked across at Gloph and envied the latter's soft, shaggy feet which gave him some measure of support in avoiding the inevitable. "Are you all right?" he radiated. "For the moment," the long, thin creature with the luminous eyes formed the thought. "But I can get nowhere from here." He gazed up helplessly at the steep slope they were on. His four long arms clung to scanty holds on the steep face of the mountain; four shaggy hooves settled against uneven spots on the slippery rock, while the long, gray body hugged the wall closely."We can't get up farther," the machine man told him. "If we could only climb down. It would be easier to climb if we were below the atmosphere line."
Author: Joshua Glenn
Publisher: MIT Press
ISBN: 0262368692
Category : Fiction
Languages : en
Pages : 224
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Book Description
A collection of science fiction stories from the early twentieth century by authors ranging from Arthur Conan Doyle to W. E. B. Du Bois. This collection of science fiction stories from the early twentieth century features work by the famous (Arthur Conan Doyle, creator of Sherlock Holmes), the no-longer famous (“weird fiction" pioneer William Hope Hodgson), and the should-be-more famous (Bengali feminist Rokeya Sakhawat Hossain). It offers stories by writers known for concerns other than science fiction (W. E. B. Du Bois, author of The Souls of Black Folk) and by writers known only for pulp science fiction (the prolific Neil R. Jones). These stories represent what volume and series editor Joshua Glenn has dubbed “the Radium Age”—the period when science fiction as we know it emerged as a genre. The collection shows that nascent science fiction from this era was prescient, provocative, and well written. Readers will discover, among other delights, a feminist utopia predating Charlotte Perkins Gilman’s Herland by a decade in Hossain’s story, “Sultana’s Dream”; a world in which the human population has retreated underground, in E. M. Forster’s “The Machine Stops”; an early entry in the Afrofuturist subgenre in Du Bois’s last-man-on-Earth tale, “The Comet”; and the first appearance of Jones’s cryopreserved Professor Jameson, who despairs at Earth’s wreckage but perseveres—in a metal body—to appear in thirty-odd more stories.
Author: Everett Franklin Bleiler
Publisher: Kent State University Press
ISBN: 9780873386043
Category : Fiction
Languages : en
Pages : 780
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Book Description
Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories of each of the magazines, an issue by issue roster of contents, a technical analysis of the art work, brief authors' biographies, poetry and letter indexes, a theme and motif index of approximately 30,0000 entries, and general indexes. Science-Fiction: The Gernsback Years is not only indispensable for reference librarians, collectors, readers, and scholars interested in science-fiction, it is also of importance to the study of popular culture during the Great Depression in the United States. Most of its data, which are largely based on rare and almost unobtainable sources, are not available elsewhere.
Author: R. Reginald
Publisher:
ISBN:
Category : Science fiction
Languages : en
Pages : 366
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Author: Harry Dodge
Publisher: Penguin
ISBN: 0525506209
Category : Biography & Autobiography
Languages : en
Pages : 334
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Book Description
A New York Times Book Review Editors' Choice One of LitHub's Most Anticipated Books of 2020 An expansive, radiant, and genre-defying investigation into bonding—and how we are shaped by forces we cannot fully know Is love a force akin to gravity? A kind of invisible fabric which enables communications through space and time? Artist Harry Dodge finds himself contemplating such questions as his father declines from dementia and he rekindles a bewildering but powerful relationship with his birth mother. A meteorite Dodge orders on eBay becomes a mysterious catalyst for a reckoning with the vital forces of matter, the nature of consciousness, and the bafflements of belonging. Structured around a series of formative, formidable coincidences in Dodge’s life, My Meteorite journeys with stylistic bravura from Barthes to Blade Runner, from punk to Pale Fire. It is a wild, incandescent book that creates a literary universe of its own. Blending the personal and the philosophical, the raw and the surreal, the transgressive and the heartbreaking, Harry Dodge revitalizes our world, illuminating the magic just under the surface of daily life.
