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Author: Lois More Overbeck
Publisher: U of Minnesota Press
ISBN: 9781452900353
Category :
Languages : en
Pages : 274
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Book Description
Author: Lois More Overbeck
Publisher: U of Minnesota Press
ISBN: 9781452900353
Category :
Languages : en
Pages : 274
Get Book Here
Book Description
Author: Maggie B B. Gale
Publisher: Manchester University Press
ISBN: 9780719063329
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
Arguing that women use autobiography and performance for expression and as a means of controlling their public and private selves, the contributors of these 11 essays examine the lives and work of a variety of artists ranging from actors as working women in the eighteenth century to monologists and performance artists today. Subjects include several performers, including Alma Ellerslie, Kitty Marion, Ina Rozant, Susan Glaspell, Adrienne Kennedy, Emma Robinson, Lena Ashwell, Tilly Wedekind, Clare Dowie, Janet Cardiff, Tracey Emin, and, in an interview, Bobby Baker, as well as essays on Latina theater and lesbians as performers constructing themselves and their community. Annotation : 2005 Book News, Inc., Portland, OR (booknews.com).
Author: Kimberley W. Benston
Publisher: Routledge
ISBN: 1135078319
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
Performing Blackness offers a challenging interpretation of black cultural expression since the Black Arts Movement of the 1960s. Exploring drama, music, poetry, sermons, and criticism, Benston offers an exciting meditation on modern black performance's role in realising African-American aspirations for autonomy and authority. Artists covered include: * John Coltrane * Ntozake Shange * Ed Bullins * Amiri Baraka * Adrienne Kennedy * Michael Harper. Performing Blackness is an exciting contribution to the ongoing debate about the vitality and importance of black culture.
Author: Stratos E. Constantinidis
Publisher: McFarland
ISBN: 078645539X
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 28th annual conference held in Columbus, Ohio. Topics covered include Euripides, German and Russian theatre, dramatic antecedents of the striptease, surrogate love in The Glass Menagerie, surrealist drama, Greek comedy and the American concept musical, and theatre and politics.
Author: Mike Sell
Publisher: Bloomsbury Publishing
ISBN: 1350153621
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Edward Albee: The American Dream (1960), Who's Afraid of Virginia Woolf? (1962), A Delicate Balance (1966) and Tiny Alice (1964 ); * Amiri Baraka: Dutchman (1964), The Slave (1964) and Slaveship (1967); * Adrienne Kennedy: Funnyhouse of a Negro (1964), Cities in Bezique (The Owl Answers and A Beast's Story, 1969), and A Rat's Mass (1967); * Jean-Claude van Itallie: American Hurrah (1966), The Serpent (1968) and War (1963).
Author: Stratos E. Constantinidis
Publisher: McFarland
ISBN: 0786455411
Category : Performing Arts
Languages : en
Pages : 261
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Book Description
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 30th annual conference held in Los Angeles, California. Topics covered include Beckett, Brecht, Goethe, Tom Stoppard, dance performance, staged violence, the Comedie Francaise, and Greek and Japanese drama. Reviews of selected books are also included.
Author: Wilfred D. Samuels
Publisher: Infobase Learning
ISBN: 1438140592
Category : African American authors
Languages : en
Pages : 1999
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Book Description
Presents a reference on African American literature providing profiles of notable and little-known writers and their works, literary forms and genres, critics and scholars, themes and terminology and more.
Author: Carol Allen
Publisher: Peter Lang
ISBN: 9780820476193
Category : Drama
Languages : en
Pages : 310
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Book Description
This book features African American women playwrights from 1875 to 2000, with an emphasis on the late nineteenth century, a period rarely treated in regard to women's drama. Highlighting the lesser-known Pauline Hopkins, Angelina Weld Grimké, Georgia Douglas Johnson, Eulalie Spence, and May Miller, and the well-known Zora Neale Hurston, Alice Childress, Adrienne Kennedy, and Ntozake Shange, Peculiar Passages argues that these playwrights' efforts define a tradition characterized by quick-change mobility, sensitivity to vernacular forms, and dedication to intertextual dialogue. Situating the plays within a broader context, the book also connects them to minstrelsy, the Passion Play, and the Black Arts Movement.
Author: S. Newstok
Publisher: Springer
ISBN: 0230102166
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
Weyward Macbeth, a volume of entirely new essays, provides innovative, interdisciplinary approaches to the various ways Shakespeare's 'Macbeth' has been adapted and appropriated within the context of American racial constructions. Comprehensive in its scope, this collection addresses the enduringly fraught history of 'Macbeth' in the United States, from its appearance as the first Shakespearean play documented in the American colonies to a proposed Hollywood film version with a black diasporic cast. Over two dozen contributions explore 'Macbeth's' haunting presence in American drama, poetry, film, music, history, politics, acting, and directing — all through the intersections of race and performance.
Author: Samantha Pinto
Publisher: NYU Press
ISBN: 0814771289
Category : Social Science
Languages : en
Pages : 283
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Book Description
Winner of the 2013 Modern Language Association's William Sanders Scarborough Prize for Outstanding Scholarly Study of Black American Literature In this comparative study of contemporary Black Atlantic women writers, Samantha Pinto demonstrates the crucial role of aesthetics in defining the relationship between race, gender, and location. Thinking beyond national identity to include African, African American, Afro-Caribbean, and Black British literature, Difficult Diasporas brings together an innovative archive of twentieth-century texts marked by their break with conventional literary structures. These understudied resources mix genres, as in the memoir/ethnography/travel narrative Tell My Horse by Zora Neale Hurston, and eschew linear narratives, as illustrated in the book-length, non-narrative poem by M. Nourbese Philip, She Tries Her Tongue, Her Silence Softly Breaks. Such an aesthetics, which protests against stable categories and fixed divisions, both reveals and obscures that which it seeks to represent: the experiences of Black women writers in the African Diaspora. Drawing on postcolonial and feminist scholarship in her study of authors such as Jackie Kay, Elizabeth Alexander, Erna Brodber, Ama Ata Aidoo, among others, Pinto argues for the critical importance of cultural form and demands that we resist the impulse to prioritize traditional notions of geographic boundaries. Locating correspondences between seemingly disparate times and places, and across genres, Pinto fully engages the unique possibilities of literature and culture to redefine race and gender studies.
