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Author: Joyelle McSweeney
Publisher:
ISBN: 9781933959245
Category : Experimental drama
Languages : en
Pages : 0
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Book Description
Drama. Poetry. Winner of the 2013 Leslie Scalapino Award for Innovative Women Performance Writers. In this farce set on a hijacked containership on its way to Magnetic Island, Julian Assange attempts to reboot a troupe of DEAD YOUTH--teenagers from all over the globe who have died in violent circumstances from sweatshop labor to environmental poisoning to war--but must grapple with two other would-be hijackers: a young Somali pirate and a female Antoine de St-Exupery. Described by its author as a badly-wired allegory, DEAD YOUTH, OR, THE LEAKS brings to manic light the veiled violence that makes life in capitalism possible. DEAD YOUTH, OR, THE LEAKS is The Tempest recharged into a global picaresque tale about our favorite baby-faced villain, Julian Assange, who hijacks a containership of dead youth until he is thwarted by a band of Somalian pirates. This is internet piracy meets real world piracy.--Cathy Park Hong Like all of Joyelle McSweeneys work, DEAD YOUTH refuses to settle into any easy category, delivering a theater experience that's simultaneously transgressive, classical, visionary, political, and gothic. Although built for the stage, these words still slip, skid, pop, and burrow throughout the page, creating a daisy chain of unexpected associations and indelible effects.--Jeff Jackson DEAD YOUTH, OR, THE LEAKS is the shocking gaze upon the most beautiful and obscene gesture that is survival itself. This work takes as truth the statement that violence is such stuff as dreams are made of, that genocide can be converted to a legible surface, that oppression can be exhalation, that knowledge can be devastation, that violence can be humanistic and natural, staggering, immersive. In other words, DEAD YOUTH is a farce, perhaps, but built on the exploitation and death and misery that becomes charisma and complication and sacredness. Heavy, yet easy to consume for its beautiful and profound images, indigestible, yet productive and rapacious in the indigestion that it produces. This is a work like none other. Let the destruction of the world become the rhythm of your life.--Janice Lee I've never read anything by Joyelle McSweeney that wasn't totally exciting. She's one of the most interesting people working now in terms of the forms she uses, and she's extremely deft, and playful, and yet the stuff that's going on, content-wise, is really super-smart, and has really good politics and stuff. I just find her a thrilling font of new stuff.--Dennis Cooper Joyelle McSweeney's new play, DEAD YOUTH, OR, THE LEAKS is savvy, deft, funny, and truly contemporary--a vision of the 21st century, where secrets, language, internet and the human cell run wild and collapse together along with justice and history.--Fiona Templeton
Author: Joyelle McSweeney
Publisher:
ISBN: 9781933959245
Category : Experimental drama
Languages : en
Pages : 0
Get Book Here
Book Description
Drama. Poetry. Winner of the 2013 Leslie Scalapino Award for Innovative Women Performance Writers. In this farce set on a hijacked containership on its way to Magnetic Island, Julian Assange attempts to reboot a troupe of DEAD YOUTH--teenagers from all over the globe who have died in violent circumstances from sweatshop labor to environmental poisoning to war--but must grapple with two other would-be hijackers: a young Somali pirate and a female Antoine de St-Exupery. Described by its author as a badly-wired allegory, DEAD YOUTH, OR, THE LEAKS brings to manic light the veiled violence that makes life in capitalism possible. DEAD YOUTH, OR, THE LEAKS is The Tempest recharged into a global picaresque tale about our favorite baby-faced villain, Julian Assange, who hijacks a containership of dead youth until he is thwarted by a band of Somalian pirates. This is internet piracy meets real world piracy.--Cathy Park Hong Like all of Joyelle McSweeneys work, DEAD YOUTH refuses to settle into any easy category, delivering a theater experience that's simultaneously transgressive, classical, visionary, political, and gothic. Although built for the stage, these words still slip, skid, pop, and burrow throughout the page, creating a daisy chain of unexpected associations and indelible effects.--Jeff Jackson DEAD YOUTH, OR, THE LEAKS is the shocking gaze upon the most beautiful and obscene gesture that is survival itself. This work takes as truth the statement that violence is such stuff as dreams are made of, that genocide can be converted to a legible surface, that oppression can be exhalation, that knowledge can be devastation, that violence can be humanistic and natural, staggering, immersive. In other words, DEAD YOUTH is a farce, perhaps, but built on the exploitation and death and misery that becomes charisma and complication and sacredness. Heavy, yet easy to consume for its beautiful and profound images, indigestible, yet productive and rapacious in the indigestion that it produces. This is a work like none other. Let the destruction of the world become the rhythm of your life.--Janice Lee I've never read anything by Joyelle McSweeney that wasn't totally exciting. She's one of the most interesting people working now in terms of the forms she uses, and she's extremely deft, and playful, and yet the stuff that's going on, content-wise, is really super-smart, and has really good politics and stuff. I just find her a thrilling font of new stuff.--Dennis Cooper Joyelle McSweeney's new play, DEAD YOUTH, OR, THE LEAKS is savvy, deft, funny, and truly contemporary--a vision of the 21st century, where secrets, language, internet and the human cell run wild and collapse together along with justice and history.--Fiona Templeton
Author: Joyelle McSweeney
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 92
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Book Description
The brilliance of Joyelle McSweeney's poems is a given; what remains delightfully open to negotiation are its methodologies and its mien. Is she an earnest relator, using wit and gesture to tell the story faster? Or does she take the piss of her subjects, using perfected skills of mimicry and divination to exploit, spot on, their errant humanities? In her second book McSweeney finds her subjects in the long form; "The Commandrine" is a verse-play that in nine scenes tells the story of sailors Zest, Coast, Ivory, and Irish, and their watery run-in with the Devil. "The Cockatoos Morose" stirs Eliotic grandeur with Stevensian absurdity for a cocktail of delirious observation and rigorous leaps of the sort McSweeney is certain to become famous for. "Crusade-dream flips like a standard. The standard / narrows to a point. And points. / Then it dips like a fern."
Author: Joyelle McSweeney
Publisher: University of Michigan Press
ISBN: 0472052411
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
An exploration of poetry as an expression of biology
Author: Gail Giles
Publisher: Little, Brown Books for Young Readers
ISBN: 0316055115
Category : Young Adult Fiction
Languages : en
Pages : 122
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Book Description
"The setting is claustrophobic, the characters are complex and the story will keep readers on the edge of their seats," KLIATT raved of this vivid, fast-paced psychological thriller in a starred review. Kyle Kirby has planned a cruel and unusual revenge on Cass McBride, the most popular girl in school, for the death of his brother David. He digs a hole. Kidnaps Cass. Puts her in a box--underground. He buries her alive. But lying in the deepest dark, Cass finds a weapon: she uses the power of words to keep her nemesis talking--and herself breathing--during the most harrowing 48 hours of her life.
Author: Joyelle McSweeney
Publisher:
ISBN: 9780977901944
Category : Experimental fiction
Languages : en
Pages : 0
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Book Description
Fiction. "If Vladimir Nabokov wanted to seduce Nancy Drew, he'd read her NYLUND, THE SARCOGRAPHER one dark afternoon over teacups of whiskey. Welcome to fiction's new femme fatale, Joyelle McSweeney."--Kate Bernheimer. "You thought you knew your own language. This book hands it back to you on a platter and includes the instructional manual for its further use."--Michael Martone. NYLUND, THE SARCOGRAPHER is a baroque noir. Its eponymous protagonist is a loner who tries to comprehend everything from the outside, like a sarcophagus, and with analogously ornate results. The method by which the book was written, and by which Nylund experiences the world, is thus called sarcography. Sarcography is like negative capability on steroids; this ultra-susceptibility entangles Nylund in both a murder plot and a plot regarding his missing sister, Daisy. As the murder plot places Nylund in increasing danger, his sensuous memories become more present than the present itself.
Author: Joyelle McSweeney
Publisher:
ISBN: 9781934200520
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
Rat-a-tat prosody and scattershot, hallucinatory cultural critique, replete with grotesqueries, spit baroquely from the necropastoral ground of McSweeney's third collection.
Author: Sarah Berry
Publisher: Bloomsbury Publishing
ISBN: 1350420409
Category : Drama
Languages : en
Pages : 241
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Book Description
Verse drama is not a dead form, but very much alive on the contemporary stage. Drawing on plays from throughout the English-speaking world, including the United States, United Kingdom, Ireland, and the Caribbean, Staging the Lyric seeks to explain the 21st-century resurgence of Anglophone verse drama, tracing it back to an experimental impulse that is present in the modernist verse drama of a century ago. Covering major writers including Derek Walcott, Seamus Heaney, Sylvia Plath, Samuel Beckett, Dorothy Sayers, Djuna Barnes, and Ntozake Shange, it also encompasses lesser known and more recent poets and playwrights. This modern verse drama differs from its ancient and Elizabethan antecedents as it is understood not as a genre in its own right, but as a hybrid of the lyric and the dramatic. Both modernist and contemporary writers take advantage of this hybridity as fertile ground for experimentation. While they differ in their ideology and form, this book contends that they are united by exploring the relationship between lyric and dramatic elements on stage and what these two different modes afford. To demonstrate this continuity, it traces a genealogy from contemporary plays by Joanna Laurens, Joyelle McSweeney, and David Grieg back to W.B. Yeats, Gertrude Stein, T.S. Eliot, and W.H. Auden, to reveal that the tensions that animate verse drama have stayed the same, even as the strategies for staging them have evolved. The book is divided into three sections-'Voice,' 'Words,' and 'Time'-each treating one feature that has been used to define the lyric. Within these sections, the chapters compare contemporary plays with modernist ones that experiment with the same point of tension between the lyric and the dramatic.
Author: Brigid McLeer
Publisher:
ISBN: 9781933959399
Category : English poetry
Languages : en
Pages : 0
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Book Description
Literary Nonfiction. Drama. Performance Studies. Art. THE TRIUMPH OF CROWDS is a lecture as performance, or performance as lecture, distributed between the voices and gestures of ten performers. Written in response to Nicolas Poussin's painting The Triumph of David (1631), it explores the politics of public assembly, protest, and becoming 'us'.
Author: Joyelle McSweeney
Publisher:
ISBN: 9780982541692
Category : American fiction
Languages : en
Pages : 0
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Book Description
Fiction. "One would not make love to a Salamandrine during a sandstorm," wrote Aleister Crowley, anticipating by some sixty years the note of caution that Tarpaulin Sky must attach to the Black Book whose image now burns before you: Dear Reader, banish all received notions of narrative, of language itself. Masquerading as a collection of short stories, SALAMANDRINE is a channeled text, moonchild, unholy offspring of poetry and Loser Occult. Refracting the dread and isolation of contemporary life through a series of formal/generic lenses, producing a distorted, attenuated, spasmatic experience of time, as accompanies motherhood, Salamandrine renders impossible any thinking in terms of conventional temporalities or even causalities, let alone their narrative effects. SALAMANDRINE is the high magick of art so low it crawls. Like a toddler at a poetry reading. With a taste for achilles heels. Hell-bent on bringing literature itself to its knees. "If you would recover the empire over the Salamanders, purify and exalt the Natural Fire that is within you." Abbe de Villars "He who shrinks from the flames will never command Salamanders." Arthur Edward Waite"
Author: Seth Abramson
Publisher: Wesleyan University Press
ISBN: 0819576093
Category : Poetry
Languages : en
Pages : 321
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Book Description
BAX 2015 is the second volume of an annual literary anthology compiling the best experimental writing in poetry, fiction, and creative nonfiction. This year's volume, guest edited by Douglas Kearney, features seventy-five works by some of the most exciting American poets and writers today, including established authors—like Dodie Bellamy, Anselm Berrigan, Thomas Sayers Ellis, Cathy Park Hong, Bhanu Kapil, Aaron Kunin, Joyelle McSweeney, and Fred Moten—as well as emerging voices. Best American Experimental Writing is also an important literary anthology for classroom settings, as individual selections are intended to provoke lively conversation and debate. The series coeditors are Seth Abramson and Jesse Damiani. Hardcover is un-jacketed.
