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Author: William Deresiewicz
Publisher: Henry Holt and Company
ISBN: 1250125529
Category : Art
Languages : en
Pages : 336
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Book Description
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
Author: William Deresiewicz
Publisher: Henry Holt and Company
ISBN: 1250125529
Category : Art
Languages : en
Pages : 336
Get Book Here
Book Description
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
Author: Ivan Jenson
Publisher: Hen House Press
ISBN: 0983460434
Category : Art
Languages : en
Pages : 172
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Book Description
Pop artist Milo Sonas was a New York City art world star in the 80s and 90s. After 9/11, a nervous breakdown and years of obscurity, Milo now finds himself sheltered in a government subsidized motel room in the Midwest, wandering in the streets, coffee shops and shopping malls in the afternoons, and experiencing frequent supernatural visitations from famous dead artists.When Milo is suddenly rediscovered by a former collector, his fortunes start to shift. His reemergence from obscurity is underway. However, first he must deal with his eccentric family members, plan his dying mother's funeral (that she intends to attend) and his own wedding to a University coed, all in the same afternoon. Will Milo escape the drone of suburbia, and stop fearing that art history would rather see him dead, before he is allowed to feel, touch and taste success?Jenson's tour de force written with a unique new voice, will also please those familiar with Kurt Vonnegut Jr. and Philip Jose Farmer. Readers will be taken on a hilarious, sensual, heartfelt ride. Dead Artist features riotous stream-of-consciousness and time shifting literary riffs. In this high energy novel Pop art icon, poet and author Ivan Jenson creates a vivid portrait of an artist as a post-modern man.
Author: Shannan Clark
Publisher: Oxford University Press, USA
ISBN: 0199731624
Category : Cultural industries
Languages : en
Pages : 609
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Book Description
The Making of the American Creative Class narrates the history of workers in New York's publishing, advertising, design, and broadcasting industries and their efforts to improve their working conditions, set against the backdrop of the economic dislocations of twentieth-century capitalism.
Author: Rick Thomas
Publisher: Trafford Publishing
ISBN: 1412072166
Category : Fiction
Languages : en
Pages : 192
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Book Description
The author is a retired cartographer and graphic artist from the Government of British Columbia. He left Canada in his Jeep, Silver Bullet, to live for a time in the tropics of Mexico. There and on his return he wrote the book Jonathan Owen, Silver Bullet and Bank Robber. The Mexican people, black volcanoes, jungle landscape, torrid climate and a 25 year old woman who robbed banks in North Africa, inspired him to write. On his return from Mexico the author embarked on the book A Dead Artist Can Make a Good Living. The author fictionalizes the stories of his experiences into those of his character Jonathan Owen. In A Dead Artist Can Make a Good Living Jonathan Owen commits a crime in the Muskwa Kitchika district of Northern British Columbia and flees to Portugal, Spain, Gibraltar and Morocco. In pursuit of him is Constable Jack Garland from the North West Mounted Police Detachment, Fort Nelson, British Columbia,. With the assistance of Interpol and the police forces of the European Union the Officer pursues Jonathan across the south of Europe not realizing he and the rest of the world are part of an elaborate hoax. Jonathan Owen is 60, full of life and adventure and knew perhaps he will become bored with his retirement when it happens. So through his work as a civil servant in the Government of British Columbia he masterminds, with the help of his daughter, a scheme that will make them both a fortune. On his retirement and his return from Mexico, Jonathan hatches his project. Jonathan did not realize how demanding, physically and mentally the project would be. Neither did the author who went to the places his character did.
Author: Phil Cushway
Publisher: Soft Skull Press
ISBN: 9781593766009
Category :
Languages : en
Pages : 0
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Book Description
The "Art of the Dead" showcases the vibrant, charismatic poster art that emerged from the streets of San Francisco in 1964 and 1966. It traces the cultural, political, and historical influences of posters as art back to Japanese wood blocks through Bell Epoque, on to the Beatniks, the Free Speech Movement, and the Acid Tests. Featuring interviews and profiles of the key artists, including Rick Griffin, Stanley "Mouse" Miller, Alton Kelley, Wes Wilson, and Victor Moscoso. The book uses Grateful Dead as the vehicle to tell the story of poster art as The Dead were the band that ultimately proved to be the most substantive and engaged partner for the artists and hence featured the best art of any rock 'n' roll band ever. The book will follow a chronological evolution of the art from the band's origination in 1965 through Jerry Garcia's death in 1995.
Author: Lilly Dancyger
Publisher: Santa Fe Writers Project
ISBN: 1951631048
Category : Biography & Autobiography
Languages : en
Pages : 281
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Book Description
Despite her parents' struggles with addiction, Lilly Dancyger always thought of her childhood as a happy one. But what happens when a journalist interrogates her own rosy memories to reveal the instability around the edges? Dancyger's father, Joe Schactman, was part of the iconic 1980s East Village art scene. He created provocative sculptures out of found materials like animal bones, human hair, and broken glass, and brought his young daughter into his gritty, iconoclastic world. She idolized him—despite the escalating heroin addiction that sometimes overshadowed his creative passion. When Schactman died suddenly, just as Dancyger was entering adolescence, she went into her own self-destructive spiral, raging against a world that had taken her father away. As an adult, Dancyger began to question the mythology she'd created about her father—the brilliant artist, struck down in his prime. Using his sculptures, paintings, and prints as a guide, Dancyger sought out the characters from his world who could help her decode the language of her father's work to find the truth of who he really was.
Author: Mark Twain
Publisher: Univ of California Press
ISBN: 0520248333
Category : Drama
Languages : en
Pages : 248
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Book Description
A farcical comedy about the "value" of art by America's master satirist, the piece was ignored in its time, but it is stage worthy today. Introduction and notes by a well-known Twain scholar.
Author: David A. Scott
Publisher: Cotsen Institute of Archaeology Press
ISBN: 1938770412
Category : Art
Languages : en
Pages : 518
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Book Description
This book presents a detailed account of authenticity in the visual arts from the Paleolithic to the postmodern. The restoration of works of art can alter the perception of authenticity and may result in the creation of fakes and forgeries. These interactions set the stage for the subject of this book, which initially examines the conservation perspective, then continues with a detailed discussion of notions of authenticity and philosophical background. There is a disputed territory between those who view the present-day cult of authenticity as fundamentally flawed and those who have analyzed its impact upon different cultural milieus, operating across performative, contested, and fragmented ground. The book discusses several case studies where the ideas of conceptual authenticity, aesthetic authenticity, and material authenticity can be incorporated into an informative discourse about art from the ancient to the contemporary, illuminating concerns relating to restoration and art forgery.
Author:
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 332
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Book Description
Author: Catherine Strong
Publisher: Routledge
ISBN: 1317154509
Category : Music
Languages : en
Pages : 223
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Book Description
The untimely deaths of Amy Winehouse (2011) and Whitney Houston (2012), and the ’resurrection’ of Tupac Shakur for a performance at the Coachella music festival in April 2012, have focused the media spotlight on the relationship between popular music, fame and death. If the phrase ’sex, drugs and rock’n’roll’ ever qualified a lifestyle, it has left many casualties in its wake, and with the ranks of dead musicians growing over time, so the types of death involved and the reactions to them have diversified. Conversely, as many artists who fronted the rock’n’roll revolution of the 1950s and 1960s continue to age, the idea of dying young and leaving a beautiful corpse (which gave rise, for instance, to the myth of the ’27 Club’) no longer carries the same resonance that it once might have done. This edited collection explores the reception of dead rock stars, ’rock’ being taken in the widest sense as the artists discussed belong to the genres of rock’n’roll (Elvis Presley), disco (Donna Summer), pop and pop-rock (Michael Jackson, Whitney Houston, Amy Winehouse), punk and post-punk (GG Allin, Ian Curtis), rap (Tupac Shakur), folk (the Dutchman André Hazes) and ’world’ music (Fela Kuti). When music artists die, their fellow musicians, producers, fans and the media react differently, and this book brings together their intertwining modalities of reception. The commercial impact of death on record sales, copyrights, and print media is considered, and the different justifications by living artists for being involved with the dead, through covers, sampling and tributes. The cultural representation of dead singers is investigated through obituaries, biographies and biopics, observing that posthumous fame provides coping mechanisms for fans, and consumers of popular culture more generally, to deal with the knowledge of their own mortality. Examining the contrasting ways in which male and female dead singers are portrayed in the media, the book
