Author: Ivan Jenson
Publisher: Hen House Press
ISBN: 0983460434
Category : Art
Languages : en
Pages : 172
Book Description
Pop artist Milo Sonas was a New York City art world star in the 80s and 90s. After 9/11, a nervous breakdown and years of obscurity, Milo now finds himself sheltered in a government subsidized motel room in the Midwest, wandering in the streets, coffee shops and shopping malls in the afternoons, and experiencing frequent supernatural visitations from famous dead artists.When Milo is suddenly rediscovered by a former collector, his fortunes start to shift. His reemergence from obscurity is underway. However, first he must deal with his eccentric family members, plan his dying mother's funeral (that she intends to attend) and his own wedding to a University coed, all in the same afternoon. Will Milo escape the drone of suburbia, and stop fearing that art history would rather see him dead, before he is allowed to feel, touch and taste success?Jenson's tour de force written with a unique new voice, will also please those familiar with Kurt Vonnegut Jr. and Philip Jose Farmer. Readers will be taken on a hilarious, sensual, heartfelt ride. Dead Artist features riotous stream-of-consciousness and time shifting literary riffs. In this high energy novel Pop art icon, poet and author Ivan Jenson creates a vivid portrait of an artist as a post-modern man.
The Death of the Artist
Author: William Deresiewicz
Publisher: Henry Holt and Company
ISBN: 1250125529
Category : Art
Languages : en
Pages : 336
Book Description
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
Publisher: Henry Holt and Company
ISBN: 1250125529
Category : Art
Languages : en
Pages : 336
Book Description
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
Dead Artist
Author: Ivan Jenson
Publisher: Hen House Press
ISBN: 0983460434
Category : Art
Languages : en
Pages : 172
Book Description
Pop artist Milo Sonas was a New York City art world star in the 80s and 90s. After 9/11, a nervous breakdown and years of obscurity, Milo now finds himself sheltered in a government subsidized motel room in the Midwest, wandering in the streets, coffee shops and shopping malls in the afternoons, and experiencing frequent supernatural visitations from famous dead artists.When Milo is suddenly rediscovered by a former collector, his fortunes start to shift. His reemergence from obscurity is underway. However, first he must deal with his eccentric family members, plan his dying mother's funeral (that she intends to attend) and his own wedding to a University coed, all in the same afternoon. Will Milo escape the drone of suburbia, and stop fearing that art history would rather see him dead, before he is allowed to feel, touch and taste success?Jenson's tour de force written with a unique new voice, will also please those familiar with Kurt Vonnegut Jr. and Philip Jose Farmer. Readers will be taken on a hilarious, sensual, heartfelt ride. Dead Artist features riotous stream-of-consciousness and time shifting literary riffs. In this high energy novel Pop art icon, poet and author Ivan Jenson creates a vivid portrait of an artist as a post-modern man.
Publisher: Hen House Press
ISBN: 0983460434
Category : Art
Languages : en
Pages : 172
Book Description
Pop artist Milo Sonas was a New York City art world star in the 80s and 90s. After 9/11, a nervous breakdown and years of obscurity, Milo now finds himself sheltered in a government subsidized motel room in the Midwest, wandering in the streets, coffee shops and shopping malls in the afternoons, and experiencing frequent supernatural visitations from famous dead artists.When Milo is suddenly rediscovered by a former collector, his fortunes start to shift. His reemergence from obscurity is underway. However, first he must deal with his eccentric family members, plan his dying mother's funeral (that she intends to attend) and his own wedding to a University coed, all in the same afternoon. Will Milo escape the drone of suburbia, and stop fearing that art history would rather see him dead, before he is allowed to feel, touch and taste success?Jenson's tour de force written with a unique new voice, will also please those familiar with Kurt Vonnegut Jr. and Philip Jose Farmer. Readers will be taken on a hilarious, sensual, heartfelt ride. Dead Artist features riotous stream-of-consciousness and time shifting literary riffs. In this high energy novel Pop art icon, poet and author Ivan Jenson creates a vivid portrait of an artist as a post-modern man.
The Making of the American Creative Class
Author: Shannan Clark
Publisher: Oxford University Press, USA
ISBN: 0199731624
Category : Cultural industries
Languages : en
Pages : 609
Book Description
The Making of the American Creative Class narrates the history of workers in New York's publishing, advertising, design, and broadcasting industries and their efforts to improve their working conditions, set against the backdrop of the economic dislocations of twentieth-century capitalism.
Publisher: Oxford University Press, USA
ISBN: 0199731624
Category : Cultural industries
Languages : en
Pages : 609
Book Description
The Making of the American Creative Class narrates the history of workers in New York's publishing, advertising, design, and broadcasting industries and their efforts to improve their working conditions, set against the backdrop of the economic dislocations of twentieth-century capitalism.
A Dead Artist Can Make a Good Living
Author: Rick Thomas
Publisher: Trafford Publishing
ISBN: 1412072166
Category : Fiction
Languages : en
Pages : 192
Book Description
The author is a retired cartographer and graphic artist from the Government of British Columbia. He left Canada in his Jeep, Silver Bullet, to live for a time in the tropics of Mexico. There and on his return he wrote the book Jonathan Owen, Silver Bullet and Bank Robber. The Mexican people, black volcanoes, jungle landscape, torrid climate and a 25 year old woman who robbed banks in North Africa, inspired him to write. On his return from Mexico the author embarked on the book A Dead Artist Can Make a Good Living. The author fictionalizes the stories of his experiences into those of his character Jonathan Owen. In A Dead Artist Can Make a Good Living Jonathan Owen commits a crime in the Muskwa Kitchika district of Northern British Columbia and flees to Portugal, Spain, Gibraltar and Morocco. In pursuit of him is Constable Jack Garland from the North West Mounted Police Detachment, Fort Nelson, British Columbia,. With the assistance of Interpol and the police forces of the European Union the Officer pursues Jonathan across the south of Europe not realizing he and the rest of the world are part of an elaborate hoax. Jonathan Owen is 60, full of life and adventure and knew perhaps he will become bored with his retirement when it happens. So through his work as a civil servant in the Government of British Columbia he masterminds, with the help of his daughter, a scheme that will make them both a fortune. On his retirement and his return from Mexico, Jonathan hatches his project. Jonathan did not realize how demanding, physically and mentally the project would be. Neither did the author who went to the places his character did.
Publisher: Trafford Publishing
ISBN: 1412072166
Category : Fiction
Languages : en
Pages : 192
Book Description
The author is a retired cartographer and graphic artist from the Government of British Columbia. He left Canada in his Jeep, Silver Bullet, to live for a time in the tropics of Mexico. There and on his return he wrote the book Jonathan Owen, Silver Bullet and Bank Robber. The Mexican people, black volcanoes, jungle landscape, torrid climate and a 25 year old woman who robbed banks in North Africa, inspired him to write. On his return from Mexico the author embarked on the book A Dead Artist Can Make a Good Living. The author fictionalizes the stories of his experiences into those of his character Jonathan Owen. In A Dead Artist Can Make a Good Living Jonathan Owen commits a crime in the Muskwa Kitchika district of Northern British Columbia and flees to Portugal, Spain, Gibraltar and Morocco. In pursuit of him is Constable Jack Garland from the North West Mounted Police Detachment, Fort Nelson, British Columbia,. With the assistance of Interpol and the police forces of the European Union the Officer pursues Jonathan across the south of Europe not realizing he and the rest of the world are part of an elaborate hoax. Jonathan Owen is 60, full of life and adventure and knew perhaps he will become bored with his retirement when it happens. So through his work as a civil servant in the Government of British Columbia he masterminds, with the help of his daughter, a scheme that will make them both a fortune. On his retirement and his return from Mexico, Jonathan hatches his project. Jonathan did not realize how demanding, physically and mentally the project would be. Neither did the author who went to the places his character did.
The Death Artist
Author: Jonathan Santlofer
Publisher: Harper Collins
ISBN: 0061744700
Category : Fiction
Languages : en
Pages : 452
Book Description
The debut novel from the author of The Lost Van Gogh—first in the Kate McKinnon series. “A unique spin on the too-familiar serial killer thriller.” —Ft. Lauderdale Sun-Sentinel A killer is preying on New York’s art community, creating gruesome depictions of famous paintings, using human flesh and blood as his media. Terror stalks this world of genius, greed, inspiration, and jealousy—a world Kate McKinnon knows all too well. A former NYPD cop who traded in her badge for a PhD in art history, Kate can see the method behind the psychopath’s madness—for the grisly slaughter of a former protégé is drawing her into the predator’s path. And as each new murder exceeds the last in savagery, Kate is trapped in the twisted obsessions of the death artist, who plans to use her body, her blood, and her fear to create the ultimate masterpiece. “The Death Artist is stylish, scary, and very, very smart. Jonathan Santlofer’s thriller really thrills.” —Susan Isaacs, New York Times–bestselling author “Chilling.” —USA Today “A roller coaster of violence [and] betrayal.” —Cleveland Plain Dealer “Brisk . . . inventive . . . compelling.” —The Washington Post Book World “The exploration of the psychology of the death artist, along with gossipy insights into the politics of art, make this book a bloody funfest.” —Publishers Weekly
Publisher: Harper Collins
ISBN: 0061744700
Category : Fiction
Languages : en
Pages : 452
Book Description
The debut novel from the author of The Lost Van Gogh—first in the Kate McKinnon series. “A unique spin on the too-familiar serial killer thriller.” —Ft. Lauderdale Sun-Sentinel A killer is preying on New York’s art community, creating gruesome depictions of famous paintings, using human flesh and blood as his media. Terror stalks this world of genius, greed, inspiration, and jealousy—a world Kate McKinnon knows all too well. A former NYPD cop who traded in her badge for a PhD in art history, Kate can see the method behind the psychopath’s madness—for the grisly slaughter of a former protégé is drawing her into the predator’s path. And as each new murder exceeds the last in savagery, Kate is trapped in the twisted obsessions of the death artist, who plans to use her body, her blood, and her fear to create the ultimate masterpiece. “The Death Artist is stylish, scary, and very, very smart. Jonathan Santlofer’s thriller really thrills.” —Susan Isaacs, New York Times–bestselling author “Chilling.” —USA Today “A roller coaster of violence [and] betrayal.” —Cleveland Plain Dealer “Brisk . . . inventive . . . compelling.” —The Washington Post Book World “The exploration of the psychology of the death artist, along with gossipy insights into the politics of art, make this book a bloody funfest.” —Publishers Weekly
Art of the Dead
Author: Phil Cushway
Publisher: Soft Skull Press
ISBN: 9781593766009
Category :
Languages : en
Pages : 0
Book Description
The "Art of the Dead" showcases the vibrant, charismatic poster art that emerged from the streets of San Francisco in 1964 and 1966. It traces the cultural, political, and historical influences of posters as art back to Japanese wood blocks through Bell Epoque, on to the Beatniks, the Free Speech Movement, and the Acid Tests. Featuring interviews and profiles of the key artists, including Rick Griffin, Stanley "Mouse" Miller, Alton Kelley, Wes Wilson, and Victor Moscoso. The book uses Grateful Dead as the vehicle to tell the story of poster art as The Dead were the band that ultimately proved to be the most substantive and engaged partner for the artists and hence featured the best art of any rock 'n' roll band ever. The book will follow a chronological evolution of the art from the band's origination in 1965 through Jerry Garcia's death in 1995.
Publisher: Soft Skull Press
ISBN: 9781593766009
Category :
Languages : en
Pages : 0
Book Description
The "Art of the Dead" showcases the vibrant, charismatic poster art that emerged from the streets of San Francisco in 1964 and 1966. It traces the cultural, political, and historical influences of posters as art back to Japanese wood blocks through Bell Epoque, on to the Beatniks, the Free Speech Movement, and the Acid Tests. Featuring interviews and profiles of the key artists, including Rick Griffin, Stanley "Mouse" Miller, Alton Kelley, Wes Wilson, and Victor Moscoso. The book uses Grateful Dead as the vehicle to tell the story of poster art as The Dead were the band that ultimately proved to be the most substantive and engaged partner for the artists and hence featured the best art of any rock 'n' roll band ever. The book will follow a chronological evolution of the art from the band's origination in 1965 through Jerry Garcia's death in 1995.
The Artist's Estate
Author: Dr. Loretta Würtenberger
Publisher: Hatje Cantz Verlag
ISBN: 3775751734
Category : Art
Languages : en
Pages : 349
Book Description
Andy Warhol bequeathed us the words "Death can really make you look like a star." But death per se is not a catalyst for the relevance of an artist. What is of crucial importance is the proper management structure for the posthumous preservation and development of an artistic estate. The handbook by Loretta Würtenberger presents the possible legal framework, appropriate financing models, as well as the proper handling of the market, museums, and academia. Her business, Fine Art Partners, has advised artists and artists' estates for many years in their structuring and development of estate concepts as well as in operative questions. Based on numerous international examples, the author explains the different alternatives for maintaining an artist's estate and makes recommendations on how to ideally handle work, archives, and mementos following the death of an artist.
Publisher: Hatje Cantz Verlag
ISBN: 3775751734
Category : Art
Languages : en
Pages : 349
Book Description
Andy Warhol bequeathed us the words "Death can really make you look like a star." But death per se is not a catalyst for the relevance of an artist. What is of crucial importance is the proper management structure for the posthumous preservation and development of an artistic estate. The handbook by Loretta Würtenberger presents the possible legal framework, appropriate financing models, as well as the proper handling of the market, museums, and academia. Her business, Fine Art Partners, has advised artists and artists' estates for many years in their structuring and development of estate concepts as well as in operative questions. Based on numerous international examples, the author explains the different alternatives for maintaining an artist's estate and makes recommendations on how to ideally handle work, archives, and mementos following the death of an artist.
Negative Space
Author: Lilly Dancyger
Publisher: Santa Fe Writers Project
ISBN: 1951631048
Category : Biography & Autobiography
Languages : en
Pages : 298
Book Description
Despite her parents' struggles with addiction, Lilly Dancyger always thought of her childhood as a happy one. But what happens when a journalist interrogates her own rosy memories to reveal the instability around the edges? Dancyger's father, Joe Schactman, was part of the iconic 1980s East Village art scene. He created provocative sculptures out of found materials like animal bones, human hair, and broken glass, and brought his young daughter into his gritty, iconoclastic world. She idolized him—despite the escalating heroin addiction that sometimes overshadowed his creative passion. When Schactman died suddenly, just as Dancyger was entering adolescence, she went into her own self-destructive spiral, raging against a world that had taken her father away. As an adult, Dancyger began to question the mythology she'd created about her father—the brilliant artist, struck down in his prime. Using his sculptures, paintings, and prints as a guide, Dancyger sought out the characters from his world who could help her decode the language of her father's work to find the truth of who he really was.
Publisher: Santa Fe Writers Project
ISBN: 1951631048
Category : Biography & Autobiography
Languages : en
Pages : 298
Book Description
Despite her parents' struggles with addiction, Lilly Dancyger always thought of her childhood as a happy one. But what happens when a journalist interrogates her own rosy memories to reveal the instability around the edges? Dancyger's father, Joe Schactman, was part of the iconic 1980s East Village art scene. He created provocative sculptures out of found materials like animal bones, human hair, and broken glass, and brought his young daughter into his gritty, iconoclastic world. She idolized him—despite the escalating heroin addiction that sometimes overshadowed his creative passion. When Schactman died suddenly, just as Dancyger was entering adolescence, she went into her own self-destructive spiral, raging against a world that had taken her father away. As an adult, Dancyger began to question the mythology she'd created about her father—the brilliant artist, struck down in his prime. Using his sculptures, paintings, and prints as a guide, Dancyger sought out the characters from his world who could help her decode the language of her father's work to find the truth of who he really was.
Happy Hour
Author: Marlowe Granados
Publisher: Verso Books
ISBN: 1839764031
Category : Fiction
Languages : en
Pages : 288
Book Description
With the verve and bite of Ottessa Moshfegh and the barbed charm of Nancy Mitford, Marlowe Granados’s stunning debut brilliantly captures a summer of striving in New York City. Isa Epley, all of twenty-one years old, is already wise enough to understand that the purpose of life is the pursuit of pleasure. She arrives in New York with her newly blond best friend looking for adventure. They have little money, but that’s hardly going to stop them. By day, the girls sell clothes on a market stall, pinching pennies for their Bed-Stuy sublet and bodega lunches. By night, they weave between Brooklyn, the Upper East Side, and the Hamptons among a rotating cast of celebrities, artists, Internet entrepreneurs, stuffy intellectuals, and bad-mannered grifters. Resources run ever tighter and the strain tests their friendship as they try to convert social capital into something more lasting than precarious gigs as au pairs, nightclub hostesses, paid audience members, and aspiring foot fetish models. Through it all, Isa’s bold, beguiling voice captures the precise thrill of cultivating a life of glamour and intrigue as she juggles paying her dues with skipping out on the bill. Happy Hour is a novel about getting by and having fun in a system that wants you to do neither.
Publisher: Verso Books
ISBN: 1839764031
Category : Fiction
Languages : en
Pages : 288
Book Description
With the verve and bite of Ottessa Moshfegh and the barbed charm of Nancy Mitford, Marlowe Granados’s stunning debut brilliantly captures a summer of striving in New York City. Isa Epley, all of twenty-one years old, is already wise enough to understand that the purpose of life is the pursuit of pleasure. She arrives in New York with her newly blond best friend looking for adventure. They have little money, but that’s hardly going to stop them. By day, the girls sell clothes on a market stall, pinching pennies for their Bed-Stuy sublet and bodega lunches. By night, they weave between Brooklyn, the Upper East Side, and the Hamptons among a rotating cast of celebrities, artists, Internet entrepreneurs, stuffy intellectuals, and bad-mannered grifters. Resources run ever tighter and the strain tests their friendship as they try to convert social capital into something more lasting than precarious gigs as au pairs, nightclub hostesses, paid audience members, and aspiring foot fetish models. Through it all, Isa’s bold, beguiling voice captures the precise thrill of cultivating a life of glamour and intrigue as she juggles paying her dues with skipping out on the bill. Happy Hour is a novel about getting by and having fun in a system that wants you to do neither.
Duchamp's Last Day
Author: Donald Shambroom
Publisher: David Zwirner Books
ISBN: 1941701876
Category : Art
Languages : en
Pages : 66
Book Description
Published on the fiftieth anniversary of Marcel Duchamp’s death, Duchamp’s Last Day offers a radical reading of the artist’s final hours. Just moments after Duchamp died, his closest friend Man Ray took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom begins to examine the surrounding context—the dinner with Man Ray and another friend, Robert Lebel, the night Duchamp died, the conversations about his own death at that dinner and elsewhere, and the larger question of whether this radical artist’s death can be read as an extension of his work. Shambroom’s in-depth research into this final night, and his analysis of the photograph, feeds into larger questions about the very nature of artworks and authorship which Duchamp raised in his lifetime. In the case of this mysterious and once long-lost photograph, who is the author? Man Ray or Duchamp? Is it an artwork or merely a record? Has the artist himself turned into one of his own readymades? A fascinating essay that is both intimate and steeped in art history, Duchamp’s Last Day is filled with intricate details from decades of research into this peculiar encounter between art, life, and death. Shambroom’s book is a wonderful study of one of the greatest artists of the twentieth century.
Publisher: David Zwirner Books
ISBN: 1941701876
Category : Art
Languages : en
Pages : 66
Book Description
Published on the fiftieth anniversary of Marcel Duchamp’s death, Duchamp’s Last Day offers a radical reading of the artist’s final hours. Just moments after Duchamp died, his closest friend Man Ray took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom begins to examine the surrounding context—the dinner with Man Ray and another friend, Robert Lebel, the night Duchamp died, the conversations about his own death at that dinner and elsewhere, and the larger question of whether this radical artist’s death can be read as an extension of his work. Shambroom’s in-depth research into this final night, and his analysis of the photograph, feeds into larger questions about the very nature of artworks and authorship which Duchamp raised in his lifetime. In the case of this mysterious and once long-lost photograph, who is the author? Man Ray or Duchamp? Is it an artwork or merely a record? Has the artist himself turned into one of his own readymades? A fascinating essay that is both intimate and steeped in art history, Duchamp’s Last Day is filled with intricate details from decades of research into this peculiar encounter between art, life, and death. Shambroom’s book is a wonderful study of one of the greatest artists of the twentieth century.