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Author: Margaret Russett
Publisher: Cambridge University Press
ISBN: 9780521572361
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
Margaret Russett uses the example of Thomas De Quincey, the nineteenth-century essayist best remembered for his Confessions of an English Opium-Eater and his memoirs of Wordsworth and Coleridge, to examine the idea of the 'minor' author, and how it is related to what we now call the Romantic canon. The case of De Quincey, neither a canonical figure nor a disenfranchised marginal author, offers a point of access to specifically Romantic problems of literary transmission and periodization. Taking an intertextual approach, Russett situates De Quincey's career against the works of Wordsworth and Coleridge; the essays of Lamb, Hazlitt, and other writers for the London Magazine; and discourses of ethics and political economy which are central to the problem of determining literary value. De Quincey's Romanticism shows how De Quincey helped to shape the canon by which his career was defined.
Author: Margaret Russett
Publisher: Cambridge University Press
ISBN: 9780521572361
Category : Literary Criticism
Languages : en
Pages : 318
Get Book Here
Book Description
Margaret Russett uses the example of Thomas De Quincey, the nineteenth-century essayist best remembered for his Confessions of an English Opium-Eater and his memoirs of Wordsworth and Coleridge, to examine the idea of the 'minor' author, and how it is related to what we now call the Romantic canon. The case of De Quincey, neither a canonical figure nor a disenfranchised marginal author, offers a point of access to specifically Romantic problems of literary transmission and periodization. Taking an intertextual approach, Russett situates De Quincey's career against the works of Wordsworth and Coleridge; the essays of Lamb, Hazlitt, and other writers for the London Magazine; and discourses of ethics and political economy which are central to the problem of determining literary value. De Quincey's Romanticism shows how De Quincey helped to shape the canon by which his career was defined.
Author: Brecht de Groote
Publisher: Edinburgh Critical Studies in
ISBN: 9781474483896
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Thomas De Quincey's multivalent engagement with Romantic translation This book investigates how De Quincey's writing was shaped by his work as a translator. Drawing on a wide range of materials and readings, it traces how De Quincey employed structures of interlinguistic and interdiscursive exchange to reimagine Romanticism. The book examines how his theories and practices of translation served to position his oeuvre, define his style, frame his philosophy and reinvent the meaning of literary creativity. Brecht de Groote traces in particular the ways in which De Quincey used translation to locate British Romanticism in its European context. In shedding new light on De Quincey, de Groote models a new translation-centric approach to the study of Romanticism. Brecht de Groote is a Postdoctoral Fellow in the Department of Translation, Interpreting and Communication at the University of Ghent.
Author: Robert Morrison
Publisher: Routledge
ISBN: 1134148445
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
The ongoing critical fascination with Thomas De Quincey and the burgeoning recognition of the centrality of his writings to the Romantic age and beyond necessitates a critical examination of De Quincey. In this spirit, ten of the top De Quincey scholars in the world have come together in this volume to engage directly with the immense amount of new information to be published on De Quincey in the past two decades. The book features wide-ranging and incisive assessments of De Quincey as essayist, addict, economist, subversive, biographer, autobiographer, aesthete, innovator, hedonist, and much else.
Author: Thomas de Quincey
Publisher: Gottfried & Fritz
ISBN:
Category : Literary Collections
Languages : en
Pages : 110
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Book Description
A book about opium usage and the effects of addiction on the authors life.
Author: F. Burwick
Publisher: Palgrave Macmillan
ISBN: 9781349416325
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
This book examines what De Quincey called 'psychological criticism', a mode of studying how 'literature of power' arouses ideas and images dormant in the subconscious. He explores this 'power' by means of an introspective analysis of the effects produced in his own mind by reading Shakespeare and Milton, Wordsworth and Coleridge. Discussion of De Quincey's critical and narrative prose includes his skilled rewriting of a German forgery of a Waverly novel, as well as such better known works as 'Suspiria de Profundis', Murder Considered as one of the Fine Arts.' 'On the Knocking at the Gate in Macbeth', 'The English Mail-Coach,' and 'Wordsworth's Poetry.' New insight into each of these works is provided by drawing on a wealth of previously unpublished manuscripts.
Author: Joel Faflak
Publisher: State University of New York Press
ISBN: 0791479226
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
In this provocative work, Joel Faflak argues that Romanticism, particularly British Romantic poetry, invents psychoanalysis in advance of Freud. The Romantic period has long been treated as a time of incipient psychological exploration anticipating more sophisticated discoveries in the science of the mind. Romantic Psychoanalysis challenges this assumption by treating psychoanalysis in the Romantic period as a discovery unto itself, a way of taking Freud back to his future. Reading Romantic literature against eighteenth- and nineteenth-century philosophy, Faflak contends that Romantic poetry and prose—including works by Coleridge, De Quincey, Keats, and Wordsworth—remind a later psychoanalysis of its fundamental matrix in phantasy and thus of its profoundly literary nature.
Author: Frederick Burwick
Publisher: Penn State Press
ISBN: 0271038802
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
In Romantic theories of art and literature, the notion of mimesis&—defined as art&’s reflection of the external world&—became introspective and self-reflexive as poets and artists sought to represent the act of creativity itself. Frederick Burwick seeks to elucidate this Romantic aesthetic, first by offering an understanding of key Romantic mimetic concepts and then by analyzing manifestations of the mimetic process in literary works of the period. Burwick explores the mimetic concepts of &"art for art's sake,&" &"Idem et Alter,&" and &"palingenesis of mind as art&" by drawing on the theories of Philo of Alexandria, Aristotle, Immanuel Kant, Friedrich Schiller, Friederich Wilhelm Joseph von Schelling, Thomas De Quincey, and Germaine de Sta&ël. Having established the philosophical bases of these key mimetic concepts, Burwick analyzes manifestations of mimesis in the literature of the period, including ekphrasis in the work of Thomas De Quincey, mirrored images in the poems of Samuel Taylor Coleridge and William Wordsworth, and the twice-told tale in the novels of Charles Brockden Brown, E. T. A. Hoffmann, and James Hogg. Although artists of this period have traditionally been dismissed in discussions of mimesis, Burwick demonstrates that mimetic concepts comprised a major component of the Romantic aesthetic.
Author: Susan M. Levin
Publisher: Camden House
ISBN: 9781571131898
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
The Romantic Art of Confession is about works specifically entitled "confessions" written during the Romantic period in Britain and France. Reading these similarly conceived texts together illuminates uniquely the Romantic art of confession as it illuminates the written craft of self-recollection and definition.
Author: Kostas Boyiopoulos
Publisher: Routledge
ISBN: 1317154118
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
For Decadent authors, Romanticism was a source of powerful imaginative revisionism, perversion, transition, and partial negation. But for all these strong Decadent reactions against the period, the cultural phenomenon of Decadence shared with Romanticism a mutual distrust of the philosophy of utilitarianism and the aesthetics of neo-Classicism. Reflecting on the interstices between Romantic and Decadent literature, Decadent Romanticism reassesses the diverse and creative reactions of Decadent authors to Romanticism between 1780 and 1914, while also remaining alert to the prescience of the Romantic imagination to envisage its own distorted, darker, perverted, other self. Creative pairings include William Blake and his Decadent critics, the recurring figure of the sphinx in the work of Thomas De Quincey and Decadent writers, and Percy Shelley with both Mathilde Blind and Swinburne. Not surprisingly, John Keats’s works are a particular focus, in essays that explore Keats’s literary and visual legacies and his resonance for writers who considered him an icon of art for art’s sake. Crucial to this critical reassessment are the shared obsessions of Romanticism and Decadence with subjectivity, isolation, addiction, fragmentation, representation, romance, and voyeurism, as well as a poetics of desire and anxieties over the purpose of aestheticism.
Author: T. Fulford
Publisher: Springer
ISBN: 0230372902
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
This book examines the male Romantics' versions of poetic authority in theory and practice in the context of their involvement in the political debates of Regency Britain and argues that their response to Burke's gendered discourse about power effected radical changes in the definitions of masculinity and femininity. It portrays their influence on each other as a series of unstable struggles and alliances in which the formulation of an authoritative masculinity was a political as well as an aesthetic issue. The author investigates the writers' portrayals of women and their collaborations with women writers and throws new light on their nature poetry by relating it to their reactions to the sexual and political scandals of the Regency.
