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Author: Arthur R. Flowers
Publisher:
ISBN:
Category :
Languages : en
Pages : 260
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Book Description
Author: Arthur R. Flowers
Publisher:
ISBN:
Category :
Languages : en
Pages : 260
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Book Description
Author: A. R. Flowers
Publisher: Dutton Adult
ISBN:
Category : African Americans
Languages : en
Pages : 236
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Book Description
Author: Teresa N. Washington
Publisher: Oya's Tornado
ISBN:
Category : Social Science
Languages : en
Pages : 416
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Book Description
Manifestations of Masculine Magnificence: Divinity in Africana Life, Lyrics, and Literature is a remarkable study and the first of its kind. Teresa N. Washington eschews popular culture’s pimp myths and thug sagas and traces the Africana man’s power, creativity, and consciousness to his inherent divinity. Manifestations of Masculine Magnificence takes the reader to the source of power with an analysis of African Divinities and divine technologies. Washington explores the permanence and proliferation of African Gods from oppressive plantations to the empowering proclamations of such leaders as W. D. Fard, Marcus Garvey, Father Divine, and Allah, the Father. Washington analyzes the summonses to and from the Gods that resonate in the music of such artists as Erykah Badu, The RZA, Sun Ra, X Clan, and Rakim. Using literary analysis as a prism to display the diversity of Africana divinity, Washington reveals the literature of such writers as August Wilson, Walter Mosley, Toni Morrison, Ngugi wa Thiong’o, and Ishmael Reed to be three-way mirrors that eternally reflect and project the Gods, their myriad powers, and their weighty responsibilities. Manifestations of Masculine Magnificence will prove indispensable to independent scholars as well as scholars of Comparative Literature, Hip Hop Studies, Gender Studies, Africana Studies, Literary Criticism, and Religious Studies.
Author: Nelson George
Publisher: Penguin
ISBN: 1101160675
Category : Social Science
Languages : en
Pages : 257
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Book Description
From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down," this passionate and provocative book tells the complete story of black music in the last fifty years, and in doing so outlines the perilous position of black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves only to find itself diluted and submerged as crossover music.
Author: Daniel de Vise
Publisher: Grove Press
ISBN: 0802158072
Category : Biography & Autobiography
Languages : en
Pages : 321
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Book Description
The first full and authoritative biography of an American—indeed a world-wide—musical and cultural legend “No one worked harder than B.B. No one inspired more up-and-coming artists. No one did more to spread the gospel of the blues.”—President Barack Obama “He is without a doubt the most important artist the blues has ever produced.”—Eric Clapton Riley “Blues Boy” King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age ten, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister’s guitar and by the records of Blind Lemon Jefferson and T-Bone Walker, encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark. In turn, generations of artists claimed him as inspiration, from Jimi Hendrix and Eric Clapton to Carlos Santana and the Edge. King of the Blues presents the vibrant life and times of a trailblazing giant. Witness to dark prejudice and lynching in his youth, B.B. performed incessantly (some 15,000 concerts in 90 countries over nearly 60 years)—in some real way his means of escaping his past. Several of his concerts, including his landmark gig at Chicago’s Cook County Jail, endure in legend to this day. His career roller-coasted between adulation and relegation, but he always rose back up. At the same time, his story reveals the many ways record companies took advantage of artists, especially those of color. Daniel de Visé has interviewed almost every surviving member of B.B. King’s inner circle—family, band members, retainers, managers, and more—and their voices and memories enrich and enliven the life of this Mississippi blues titan, whom his contemporary Bobby “Blue” Bland simply called “the man.”
Author: Shirley A. James Hanshaw
Publisher: MSU Press
ISBN: 162895406X
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
The first book-length critical study of the black experience in the Vietnam War and its aftermath, this text interrogates the meaning of heroism based on models from African and African American expressive culture. It focuses on four novels: Captain Blackman (1972) by John A. Williams, Tragic Magic (1978) by Wesley Brown, Coming Home (1971) by George Davis, and De Mojo Blues (1985) by A. R. Flowers. Discussions of the novels are framed within the historical context of all wars prior to Vietnam in which Black Americans fought. The success or failure of the hero on his identity quest is predicated upon the extent to which he can reconnect with African or African American cultural memory. He is engaged therefore in “re-membering,” a term laden with the specificity of race that implies a cultural history comprised of African retentions and an interdependent relationship with the community for survival. The reader will find that a common history of racism and exploitation that African Americans and Vietnamese share sometimes results in the hero’s empathy with and compassion for the so-called enemy, a unique contribution of the black novelist to American war literature.
Author: Bruce Conforth
Publisher: Chicago Review Press
ISBN: 1641600977
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
Robert Johnson is the subject of the most famous myth about the blues: he allegedly sold his soul at the crossroads in exchange for his incredible talent, and this deal led to his death at age 27. But the actual story of his life remains unknown save for a few inaccurate anecdotes. Up Jumped the Devil is the result of over 50 years of research. Gayle Dean Wardlow has been interviewing people who knew Robert Johnson since the early 1960s, and he was the person who discovered Johnson's death certificate in 1967. Bruce Conforth began his study of Johnson's life and music in 1970 and made it his mission to fill in what was still unknown about him. In this definitive biography, the two authors relied on every interview, resource and document, most of it material no one has seen before. As a result, this book not only destroys every myth that ever surrounded Johnson, but also tells a human story of a real person. It is the first book about Johnson that documents his years in Memphis, details his trip to New York, uncovers where and when his wife Virginia died and the impact this had on him, fully portrays the other women Johnson was involved with, and tells exactly how and why he died and who gave him the poison that killed him. Up Jumped the Devil will astonish blues fans who thought they knew something about Johnson.
Author: Milton J. Bates
Publisher: Univ of California Press
ISBN: 0520917529
Category : History
Languages : en
Pages : 339
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Book Description
What Americans refer to as the Vietnam War embraces much more than the conflict with North Vietnam. Milton J. Bates considers the other conflicts that Americans brought to that war: the divisions stemming from differences in race, class, sex, generation, and frontier ideology. In exploring the rich vein of writing and film that emerged from the Vietnam War era, he strikingly illuminates how these stories reflect American social crises of the period. Some material examined here is familiar, including the work of Michael Herr, Tim O'Brien, Philip Caputo, Susan Sontag, Francis Ford Coppola, and Oliver Stone. Other material is less well known—Neverlight by Donald Pfarrer and De Mojo Blues by A. R. Flowers, for example. Bates also draws upon an impressive range of secondary readings, from Freud and Marx to Geertz and Jameson. As the products of a culture in conflict, Vietnam memoirs, novels, films, plays, and poems embody a range of political perspectives, not only in their content but also in their structure and rhetoric. In his final chapter Bates outlines a "politico-poetics" of the war story as a genre. Here he gives special attention to our motives—from the deeply personal to the broadly cultural—for telling war stories.
Author: A. R. Flowers
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 228
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Book Description
Finally a story from a black man who goes beneath the surface and lets his characters scat across the page! The journey is magical and funky. I applaud him.' - Terry Macmillan'
Author: A. Robert Lee
Publisher: Rodopi
ISBN: 9042024992
Category : Fiction
Languages : en
Pages : 545
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Book Description
"Gothic to Multicultural: Idioms of Imagining in American Literary Fiction," twenty-three essays each carefully revised from the past four decades, explores both range and individual register. The collection opens with considerations of gothic as light and dark in Charles Brockden Brown, war and peace in Cooper s "The Spy," Antarctica as world-genesis in Poe s "The Narrative of Arthur Gordon Pym," the link of The Custom House and main text in Hawthorne s The Scarlet Letter, reflexive codings in Melville s "Moby-Dick" and "The Confidence-Man," Henry James "Hawthorne" as self-mirroring biography, and Stephen Crane s working of his Civil War episode in "The Red Badge of Courage." Two composite lineages address apocalypse in African American fiction and landscape in women s authorship from Sarah Orne Jewett to Leslie Marmon Silko. There follow culture and anarchy in Henry James "The Princess Casamassima," text-into-film in Edith Wharton s "The Age of Innocence," modernist stylings in Fitzgerald, Faulkner and Hemingway, and roman noir in Cornell Woolrich. The collection then turns to the limitations of protest categorization for Richard Wright and Chester Himes, autofiction in J.D. Salinger s "The Catcher in the Rye," and the novel of ideas in Robert Penn Warren s late fiction. Three closing essays take up multicultural genealogy, Harlem, then the Black South, in African American fiction, and the reclamation of voice in Native American fiction. A. Robert Lee is Professor of American Literature at Nihon University, Tokyo, having previously taught at the University of Kent, UK. His publications include "Designs of Blackness: Mappings in the Literature and Culture of Afro-America" (1998), "Multicultural American Fiction: Comparative Black, Native, Latino/a and Asian American Fictions" (2003), which won the American Book Award for 2004, "Japan Textures: Sight and Word," with Mark Gresham (2007), and "United States: Re-viewing Multicultural American Literature" (2008).
