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Author: Bernard Brauchli
Publisher: Musica Antica a Magnano
ISBN:
Category : Music
Languages : en
Pages : 212
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Book Description
Author: Bernard Brauchli
Publisher: Musica Antica a Magnano
ISBN:
Category : Music
Languages : en
Pages : 212
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Book Description
Author: Joan Benson
Publisher: Indiana University Press
ISBN: 0253011647
Category : Music
Languages : en
Pages : 142
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Book Description
Written by Joan Benson, one of the champions of clavichord performance in the 20th century, Clavichord for Beginners is an exceptional method book for both practitioners and enthusiasts. In addition to detailing the historical origins of the instrument and the evolution of keyboard technique, the book describes the proper method for practicing fingering and articulation and emphasizes the importance of touch and sensitivity at the keyboard.
Author: Andrew Woolley
Publisher: Routledge
ISBN: 1317113551
Category : Music
Languages : en
Pages : 334
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Book Description
Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Author: Bernard Brauchli
Publisher: Cambridge University Press
ISBN: 9780521630672
Category : Music
Languages : en
Pages : 410
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Book Description
This is a richly illustrated history of the clavichord, the forerunner of the modern piano.
Author: Bernard Brauchli
Publisher: Musica Antica a Magnano
ISBN:
Category : Music
Languages : en
Pages : 318
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Book Description
Author: Dr Andrew Woolley
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409464288
Category : Music
Languages : en
Pages : 464
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Book Description
Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ‘workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Author: Rebecca Cypess
Publisher: Taylor & Francis
ISBN: 100380182X
Category : Music
Languages : en
Pages : 228
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Book Description
The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of convergence emerge. Not only do many contemporary performers move easily between these two worlds, but they often do so using a shared ethos of flexibility, improvisation, curiosity, and collaboration—collaboration with composers past and present, with other performers, and with audiences. Bringing together expert scholars and performers considering a wide range of issues and case studies, Historical Performance and New Music—the first book of its kind—addresses the synergies in aesthetics and practices in historical performance and new music. The essays treat matters including technologies and media such as laptops, printing presses, and graphic notation; new music written for period instruments from natural horns to the clavichord; personalities such as the pioneering singer Cathy Berberian; the musically “omnivorous” ensembles A Far Cry and Roomful of Teeth; and composers Luciano Berio, David Lang, Molly Herron, Caroline Shaw, and many others. Historical Performance and New Music presents pathbreaking ideas in an accessible style that speaks to performers, composers, scholars, and music lovers alike. Richly documented and diverse in its methods and subject matter, this book will open new conversations about contemporary musical life.
Author: Bernard Brauchli
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 270
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Book Description
Author: Bernard Brauchli
Publisher: Musica Antica a Magnano
ISBN:
Category : Music
Languages : en
Pages : 240
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Book Description
Author: Thomas Donahue
Publisher: Rowman & Littlefield
ISBN: 1442243457
Category : Music
Languages : en
Pages : 258
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Book Description
The harpsichord was the standard keyboard instrument for three centuries before the invention of the piano. It enjoyed a revival in the second half of the twentieth century, but because of the interruption in its history as a more regularly used instrument, many details about its construction are lacking. In The Harpsichord Stringing Handbook, Thomas Donahue integrates available historical evidence and modern physical principles—from both musicological and scientific literature—to provide practical quantitative information about the stringing of this instrument. The Harpsichord Stringing Handbook covers the composition and properties of iron and brass wire, the interrelationship of frequency to string length, safety factors involved with stringing, the scaling of string lengths, the calculation of diameters, and the determination of the transition from iron to brass in mixed-strung instruments. Supplemental topics include the elasticity and plasticity of wire, inharmonicity, tension and stress, and the interpolation of string lengths. Additional material includes data on selected historical harpsichords, absolute diameters of historical gauge numbering systems, a generated list of tensile strength values for historical wire, and sizes and tensile strengths of currently available wire. This book offers specific guidance for instrument makers, restorers, curators, technicians, musicians, kit builders, wire manufacturers, and acousticians, filling in critical details that historical treatises and surviving instruments may not clearly address.
