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Author: Stanley E. Marcus
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 218
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Book Description
Author: Stanley E. Marcus
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 218
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Book Description
Author: Michael Brenson
Publisher: Farrar, Straus and Giroux
ISBN: 0374604037
Category : Biography & Autobiography
Languages : en
Pages : 579
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Book Description
“An essential account of America’s greatest sculptor . . . [A] magnum opus.” —Marjorie Perloff, The Times Literary Supplement The landmark biography of the inscrutable and brilliant David Smith, the greatest American sculptor of the twentieth century. David Smith, a pioneer of Abstract Expressionism, did more than any other sculptor of his era to bring the plastic arts to the forefront of the American scene. Central to his project of reimagining sculptural experience was challenging the stability of any identity or position—Smith sought out the unbounded, unbalanced, and unexpected, creating works of art that seem to undergo radical shifts as the spectator moves from one point of view to another. So groundbreaking and prolific were his contributions to American art that by the time Smith was just forty years old, Clement Greenberg was already calling him “the greatest sculptor this country has produced.” Michael Brenson’s David Smith: The Art and Life of a Transformational Sculptor is the first biography of this epochal figure. It follows Smith from his upbringing in the Midwest, to his heady early years in Manhattan, to his decision to establish a permanent studio in Bolton Landing in upstate New York, where he would create many of his most significant works—among them the Cubis, Tanktotems, and Zigs. It explores his at times tempestuous personal life, marked by marriages, divorces, and fallings-out as well as by deep friendships with fellow artists like Helen Frankenthaler and Robert Motherwell. His wife Jean Freas described him as “salty and bombastic, jumbo and featherlight, thin-skinned and Mack Truck. And many more things.” This enormous, contradictory vitality was true of his work as well. He was a bricoleur, a master welder, a painter, a photographer, and a writer, and he entranced critics and attracted admirers wherever he showed his work. With this book, Brenson has contextualized Smith for a new generation and confirmed his singular place in the history of American art.
Author: Rosalind E. Krauss
Publisher: Scholarly Title
ISBN:
Category : Sculptors
Languages : en
Pages : 594
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Book Description
Author: Sarah Hamill
Publisher: Univ of California Press
ISBN: 0520280342
Category : Art
Languages : en
Pages : 270
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Book Description
How does photography shape the way we see sculpture? In David Smith in Two Dimensions, Sarah Hamill broaches this question through an in-depth consideration of the photography of American sculptor David Smith (1906Ð1965). Smith was a modernist known for radically shifting the terms of sculpture, a medium traditionally defined by casting, modeling, and carving. He was the first to use industrial welding as a sustained technique for large-scale sculpture, influencing a generation of minimalists to come. What is less known about Smith is his use of the camera to document his own sculptures as well as everyday objects, spaces, and bodies. His photographs of his sculptures were published in countless exhibition catalogs, journals, and newspapers, often as anonymous illustrations. Far from being neutral images, these photographs direct a pictorial encounter with spatial form and structure the public display of his work. David Smith in Two Dimensions looks at the sculptorÕs adoption of unconventional backdrops, alternative vantage points, and unusual lighting effects and exposures to show how he used photography to dramatize and distance objects. This comprehensive and penetrating account also introduces SmithÕs expansive archive of copy prints, slides, and negatives, many of which are seen here for the first time. Hamill proposes a new understanding of SmithÕs sculpture through photography, exploring issues that are in turn vital to discourses of modern sculpture, sculptural aesthetics, and postwar art. In SmithÕs photography, we see an artist moving fluidly between media to define what a sculptural object was and how it would be encountered publicly.
Author: Scott McCloud
Publisher: First Second
ISBN: 1466887281
Category : Comics & Graphic Novels
Languages : en
Pages : 500
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Book Description
David Smith is giving his life for his art—literally. Thanks to a deal with Death, the young sculptor gets his childhood wish: to sculpt anything he can imagine with his bare hands. But now that he only has 200 days to live, deciding what to create is harder than he thought, and discovering the love of his life at the 11th hour isn't making it any easier! This is a story of desire taken to the edge of reason and beyond; of the frantic, clumsy dance steps of young love; and a gorgeous, street-level portrait of the world's greatest city. It's about the small, warm, human moments of everyday life...and the great surging forces that lie just under the surface. Scott McCloud wrote the book on how comics work; now he vaults into great fiction with a breathtaking, funny, and unforgettable new work.
Author: The Estate of David Smith
Publisher: Other Distribution
ISBN: 9780300224115
Category : Art
Languages : en
Pages : 0
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Book Description
A monumental new work of scholarship on a luminary of twentieth-century art "I'm not sure I have ever seen a catalogue raisonné as beautiful, as magnificent, as the new publication on the oeuvre of the great American sculptor David Smith."--Michael Fried, Bookforum Embracing factory methods of construction, building on the legacy of cubism, and turning his back on European carving and casting traditions, David Smith (1906-1965) transformed postwar sculpture. His body of work, contemporary with the New York School in painting, and his pioneering placement of sculptures in a natural setting are foundational for present-day sculpture and installation art. This three-volume boxed set comprehensively details the entirety of Smith's sculptural oeuvre. It is now the definitive catalogue raisonné and supplants the one constructed by Rosalind E. Krauss in 1977. With Christopher Lyon as Editor and Susan J. Cooke as Research Editor, the volumes also contain a Foreword by Rebecca and Candida Smith, essays by Michael Brenson, Sarah Hamill, Marc-Christian Roussel, Christopher Lyon, and a chronology by Tracee Ng. Throughout the volumes, reproductions of documents and images, including many photographs, paintings, drawings, and sketches by the artist, offer fresh insights into Smith's methods and creative thought. Handsomely designed and generously illustrated with fine color reproductions, this catalogue raisonné is both a sumptuous object and an essential scholarly resource. Distributed for the Estate of David Smith
Author: David J. Getsy
Publisher: Yale University Press
ISBN: 030019675X
Category : Art
Languages : en
Pages : 201
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Book Description
Original and theoretically astute, Abstract Bodies is the first book to apply the interdisciplinary field of transgender studies to the discipline of art history. It recasts debates around abstraction and figuration in 1960s art through a discussion of gender’s mutability and multiplicity. In that decade, sculpture purged representation and figuration but continued to explore the human as an implicit reference. Even as the statue and the figure were left behind, artists and critics asked how the human, and particularly gender and sexuality, related to abstract sculptural objects that refused the human form. This book examines abstract sculpture in the 1960s that came to propose unconventional and open accounts of bodies, persons, and genders. Drawing on transgender and queer theory, David J. Getsy offers innovative and archivally rich new interpretations of artworks by and critical writing about four major artists—Dan Flavin (1933–1996), Nancy Grossman (b. 1940), John Chamberlain (1927–2011), and David Smith (1906–1965). Abstract Bodies makes a case for abstraction as a resource in reconsidering gender’s multiple capacities and offers an ambitious contribution to this burgeoning interdisciplinary field.
Author: David Smith
Publisher: Univ of California Press
ISBN: 0520291875
Category : Art
Languages : en
Pages : 496
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Book Description
"This comprehensive sourcebook is destined to become a lasting and definitive resource on the art and aesthetic philosophy of the American artist David Smith (1906-1965). A pioneer of twentieth-century modernism, Smith was renowned for the expansive formal and conceptual ambitions of his broadly diverse and inventive welded-steel abstractions. His groundbreaking achievements drew freely on cubism, surrealism, and constructivism, profoundly influencing later movements such as minimalism and environmental art. By radically challenging older conventions of monolithic figuration and refuting arbitrary distinctions between painters and sculptors, Smith asserted sculpture's equal role in advancing modern art. A compilation of Smith's poems, sketchbook notes, essays, lectures, letters to the editor, reviews, and interviews, these previously unpublished texts underscore the varied ways in which his writing functioned as a means to examine and articulate his private identity and to promote the social ideals that made him a key participant in contemporary discourses surrounding modernism, art and politics, and sculptural aesthetics. All the documents in David Smith: collected writings, lectures, and interviews have been newly corrected against the original manuscripts, typescripts, and audiotapes. Each text in this collection is annotated with historical and contextual information that reflects Smith's own process of continually reviewing and revising his writings in response to his evolving aspirations as a visual artist."--Provided by publisher.
Author: Arts Council of Great Britain
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Steven A. Nash
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
David Smith is arguably the most important American sculptor of the twentieth century. From his early development out of Surrealist and Cubist influences to the towering structures he made late in life, Smith created a new language in iron and steel that embraced both symbolic figuration and pure abstraction. Forty years after his death in 1965, the body of work he created still astonishes in its variety, technical mastery, and creative energy. So powerful is Smith's legacy as a sculptor, however, that other highly important aspects of his art remain relatively neglected. Such is the case with the thousands of drawings Smith produced throughout his artistic life. David Smith: Drawing + Sculpting breaks new ground by focusing on his drawings and investigating specifically the important interactive role they played with his sculptures. It illustrates many works drawn from the extensive holdings of the artist's estate that have never been exhibited previously, and it contains the most thorough compendium published to date of David Smith's writings and statements on drawing. Smith himself stressed repeatedly the connection in his work between drawing and sculpture, noting that all of his art flowed from one continuous, evolving stream, with no "separate provision" for two-dimensional versus three-dimensional expression. Drawings tended to link to sculptures not in linear developmental sequences or one-to-one relationships, but more often as clusters or constellations of graphic themes and notations exploring ideas, forms, and motifs that also circulated through his sculptures. David Smith: Drawing + Sculpting illuminates this fundamental principle in his art.
