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Author:
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ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 980
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Book Description
Author: David Simpson
Publisher:
ISBN: 9781934435540
Category : Art
Languages : en
Pages : 0
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Book Description
Includes essays by Louis Grachos, Jonathan Keats, and Kenneth Baker and an interview between the artist and Kenneth Baker.
Author: David Simpson
Publisher: CreateSpace
ISBN: 9781493559343
Category : Fiction
Languages : en
Pages : 220
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Book Description
In this edgy thriller, a creature pretending to be God tricks dying people with a heavenly white light — only to consume their souls forever. But Cipher, Han, Natalie, and Father Hurley know the truth — can they save humanity from its terrifying fate?
Author: David Simpson
Publisher: University of Chicago Press
ISBN: 022660022X
Category : History
Languages : en
Pages : 285
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Book Description
How have we come to depend so greatly on the words terror and terrorism to describe broad categories of violence? David Simpson offers here a philology of terror, tracking the concept’s long, complicated history across literature, philosophy, political science, and theology—from Plato to NATO. Introducing the concept of the “fear-terror cluster,” Simpson is able to capture the wide range of terms that we have used to express extreme emotional states over the centuries—from anxiety, awe, and concern to dread, fear, and horror. He shows that the choices we make among such words to describe shades of feeling have seriously shaped the attribution of motives, causes, and effects of the word “terror” today, particularly when violence is deployed by or against the state. At a time when terror-talk is widely and damagingly exploited by politicians and the media, this book unpacks the slippery rhetoric of terror and will prove a vital resource across humanistic and social sciences disciplines.
Author: David Simpson
Publisher: University of Chicago Press
ISBN: 0226922359
Category : Language Arts & Disciplines
Languages : en
Pages : 282
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Book Description
In our post-9/11 world, the figure of the stranger—the foreigner, the enemy, the unknown visitor—carries a particular urgency, and the force of language used to describe those who are “different” has become particularly strong. But arguments about the stranger are not unique to our time. In Romanticism and the Question of the Stranger, David Simpson locates the figure of the stranger and the rhetoric of strangeness in romanticism and places them in a tradition that extends from antiquity to today. Simpson shows that debates about strangers loomed large in the French Republic of the 1790s, resulting in heated discourse that weighed who was to be welcomed and who was to be proscribed as dangerous. Placing this debate in the context of classical, biblical, and other later writings, he identifies a persistent difficulty in controlling the play between the despised and the desired. He examines the stranger as found in the works of Coleridge, Austen, Scott, and Southey, as well as in depictions of the betrayals of hospitality in the literature of slavery and exploration—as in Mungo Park's Travels and Stedman's Narrative—and portrayals of strange women in de Staël, Rousseau, and Burney. Contributing to a rich strain of thinking about the stranger that includes interventions by Ricoeur and Derrida, Romanticism and the Question of the Stranger reveals the complex history of encounters with alien figures and our continued struggles with romantic concerns about the unknown.
Author: David Simpson
Publisher: Routledge
ISBN: 1317620321
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Traditionally, Wordsworth’s greatness is founded on his identity as the poet of nature and solitude. The Wordsworthian imagination is seen as an essentially private faculty, its very existence premised on the absence of other people. In this title, first published in 1987, David Simpson challenges this established view of Wordsworth, arguing that it fails to recognize and explain the importance of the context of the public sphere and the social environment to the authentic experience of the imagination. Wordsworth’s preoccupation with the metaphors of property and labour shows him to be acutely anxious about the value of his art in a world that he regarded as corrupted. Through close examination of a few important poems, both well-known and relatively unknown, Simpson shows that there is no unitary, public Wordsworth, nor is there a conflict or tension between the private and the public. The absence of any clear kind of authority in the voice that speaks the poems makes Wordsworth’s poetry, in Simpson’s phrase, a ‘poetry of displacement’.
Author: David Simpson
Publisher: Duke University Press
ISBN: 082238373X
Category : Philosophy
Languages : en
Pages : 305
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Book Description
“Let me tell you where I'm coming from . . .”—so begins many a discussion in contemporary U.S. culture. Pressed by an almost compulsive desire to situate ourselves within a definite matrix of reference points (for example, “as a parent of two children” or “as an engineer” or “as a college graduate”) in both scholarly inquiry and everyday parlance, we seem to reject adamantly the idea of a universal human subject. Yet what does this rhetoric of self-affiliation tell us? What is its history? David Simpson’s Situatedness casts a critical eye on this currently popular form of identification, suggesting that, far from being a simple turn of phrase, it demarcates a whole structure of thinking. Simpson traces the rhetorical syndrome through its truly interdisciplinary genealogy. Discussing its roles within the fields of legal theory, social science, fiction, philosophy, and ethics, he argues that the discourse of situatedness consists of a volatile fusion of modesty and aggressiveness. It oscillates, in other words, between accepting complete causal predetermination and advocating personal agency and responsibility. Simpson’s study neither fully rejects nor endorses the present-day language of self-specification. Rather it calls attention to the limitations and opportunities of situatedness—a notion whose ideological slippage it ultimately sees as allowing late-capitalist liberal democracies to function. Given its wide scope and lively rendering, Situatedness will attract a range of scholars in the humanities and legal studies. It will also interest all those for whom the politics of subjectivity pose real problems of authority, identity, and belief.
Author: David Simpson
Publisher: University of Chicago Press
ISBN: 0226759393
Category : Education
Languages : en
Pages : 193
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Book Description
After the terrorist attacks of September 11, 2001, a general sense that the world was different—that nothing would ever be the same—settled upon a grieving nation; the events of that day were received as cataclysmic disruptions of an ordered world. Refuting this claim, David Simpson examines the complex and paradoxical character of American public discourse since that September morning, considering the ways the event has been aestheticized, exploited, and appropriated, while “Ground Zero” remains the contested site of an effort at adequate commemoration. In 9/11, Simpson argues that elements of the conventional culture of mourning and remembrance—grieving the dead, summarizing their lives in obituaries, and erecting monuments in their memory—have been co-opted for political advantage. He also confronts those who labeled the event an “apocalypse,” condemning their exploitation of 9/11 for the defense of torture and war. In four elegant chapters—two of which expand on essays originally published in the London Review of Books to great acclaim—Simpson analyzes the response to 9/11: the nationally syndicated “Portraits of Grief” obituaries in the New York Times; the debates over the rebuilding of the World Trade Center towers and the memorial design; the representation of American and Iraqi dead after the invasion of March 2003, along with the worldwide circulation of the Abu Ghraib torture photographs; and the urgent and largely ignored critique of homeland rhetoric from the domain of critical theory. Calling for a sustained cultural and theoretical analysis, 9/11 is the first book of its kind to consider the events of that tragic day with a perspective so firmly grounded in the humanities and so persuasive about the contribution they can make to our understanding of its consequences.
Author: David Simpson
Publisher: New York : Oxford University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 342
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Book Description
Language, its nature, and its uses have always been controversial topics. This engaging study brings into focus those highly charged years in America Between 1776 and 1850 when questions of language mirrored the social and political arguments of the time and generated even more arguments on both sides of the Atlantic over what American English was, what it might become, and what it ought to be. With a strong narrative line, The Politics of American English shows that by the middle of the 19th century, America had a version of English recognizably its own. To explain how this happened and why, Simpson alternates between theoretical questions of language and the way these questions make themselves felt in literature. His premise, that language is an important organizing principle in the life of human beings, one that is experienced individually as well a collectively, is brilliantly set forth.
Author: David Bender
Publisher: Berkley Trade
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 248
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Book Description
In this fictional account, O.J. Simpson accepts Fred Goldman's challenge to confess to the murders of Nicole Brown Simpson and Ronald Gaoldman in exchange for Goldman's civil settlement.
Author: David Simpson
Publisher: Createspace Independent Publishing Platform
ISBN: 9781478343981
Category : Androids
Languages : en
Pages : 0
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Book Description
Before he was Old-timer, he was Craig Emilson, a young doctor, sucked into military service at the outbreak of World War III. Enlisting to become a Special Forces suborbital paratrooper, Craig is selected to take part in the most important mission in American military history-a sortie into enemy territory to eliminate the world's first strong Artificial Intelligence. The mission is only the beginning of Craig's story, and for the story of humanity as well, as they accelerate towards a world that is post-human.
