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Author: Christoph Ehland
Publisher:
ISBN:
Category : Picaresque literature
Languages : en
Pages : 424
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Book Description
Author: Christoph Ehland
Publisher:
ISBN:
Category : Picaresque literature
Languages : en
Pages : 424
Get Book Here
Book Description
Author: J. A. Garrido Ardila
Publisher: Routledge
ISBN: 1351194534
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
"Many critics regard Cervantes's Don Quixote as the most influential literary book on British literature. Indeed the impact on British authors was immense, as can be seen from 17th-century plays by Fletcher, Massinger and Beaumont, through the great 18th-century novels of Fielding, Smollett, Sterne, and Lennox, and on into more modern and contemporary novelists. 20th-century critics, fascinated by Cervantes, were moved to write what we now see as the classical works of Cervantes scholarship. Through their previous publications, the eminent contributors to this volume have helped to determine the reception of Cervantes in Britain. Together they now offer a comprehensive and innovative picture of this topic, discussing the English translations of Cervantes's works, the literary genres which developed under his shadow, and the best-known authors who consciously emulated him. Cervantes's influence upon British literature emerges as decidedly the deepest of any writer outside of English and, very possibly, of any writer since the Renaissance."
Author: Bernhard Malkmus
Publisher: Bloomsbury Publishing USA
ISBN: 1628929537
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
The German Pícaro and Modernity reads the re-emergence of the picaresque narrative in twentieth-century German-language writing as an expression of modernity and its social imaginaries. Malkmus argues that the picaresque, whose origins date back to the Spanish Renaissance and the Baroque Age, re-emerged as a reflection both of Germany's explosive modernizing processes between 1880 and 1930 and of the most barbarous implosion of modern civilization under National Socialism. Another reason for the fertility of this literary form at that particular cultural moment is rooted in the complexities of German-Jewish relations and the history of Jewish assimilation in central Europe. A considerable number of authors who used the picaresque form in the twentieth century are from a Jewish background, and Malkmus demonstrates how the picaresque narrative template also offers a medium for German-Jewish self-reflection. In highlighting these connections, he contributes not only to scholarship in European literature, but also but also to our understanding of major social, economic and political issues at stake in modernity
Author: Armen Avanessian
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110424606
Category : Literary Collections
Languages : en
Pages : 202
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Book Description
The logic of modernity is an ironical logic. Modern irony, a flash of genius produced by Romantic theorists, is first discussed, e.g. in Hegel and Kierkegaard, as an ethical problem personified in figures such as the aesthete, the seducer, the flaneur, or the dandy. It fully develops in the novel, the modern genre par excellence: in novels of the early 19th century no less than in those of postmodernity or in those of the masters of citation, parody, and pastiche of classical modernism (Musil, Joyce, and Proust). This book, however, goes one step further. Looking at how such different authors as Schmitt, Kafka, and Rorty identify the political conflicts, contradictions, and paradoxes of the 20th century as ironical and offers a comprehensive account of the constitutive irony of modernity’s ethical, poetical, and political logic.
Author: Lene Rock
Publisher: Leuven University Press
ISBN: 9462701784
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
Since the turn of the 21st century, countless literary endeavors by 'new Germans' have entered the spotlight of academic research. Yet 'minority writing', with its distinctive renegotiation of traditional concepts of cultural identity, is far from a recent phenomenon in German literature. A hundred years previously, the intense involvement of German-Jewish intellectuals in cultural and political discourses on Jewish identity put a clear stamp on German modernism. This book is the first to unfold literary parallels between these two riveting periods in German cultural history. Drawing on the philosophical oeuvre of Jean-Luc Nancy, a comparative reading of texts by, amongst others, Beer-Hofmann, Kermani, Özdamar, Roth, Schnitzler, and Zaimoglu examines a variety of literary approaches to the thorny issue of cultural identity, while developing an overarching perspective on the ‘politics of literature’.
Author: Seyda Ozil
Publisher: Göttingen University Press
ISBN: 3863953568
Category : Electronic books
Languages : en
Pages : 212
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Book Description
The articles in this volume bear witness to the productive energy of the interplay between tradition and modernity, whether in theater, literature, or popular culture. At the same time, they emphasize the importance of cultural intermediaries, including translators. The volume thus illustrates that - despite (or precisely because of) political developments in Turkey and Germany, alike - a multitude of Turkish-German themes remain vital in both society and the academy, urging further consideration, investigation, discussion, and presentation.
Author: Maren Lickhardt
Publisher: transcript Verlag
ISBN: 3839444004
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
Is the pícaro, the roguish hero of early modern Spanish adventure fiction, a 'real man'? What position does he hold in the gender hierarchy of his fictional social context? Why is the pícara so 'non-female'? What effect has her gender constitution on her fictional social context? In terms of a gendered subject, the picaresque figure has hardly been analyzed so far. Although scholars have recognized it as a transgressive and subversive model, the 'queer' effect of the figure is yet to be examined. With regard to the categories of class, generation, topography, and gender, the contributions assembled in this volume explore Spanish, French, English, and German novels narratologically from the perspective of culture and gender theories.
Author: Emily Petermann
Publisher: Boydell & Brewer
ISBN: 1571135928
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Analyzes two groups of "musical novels" -- novels that take music as a model for their construction -- including jazz novels by Toni Morrison and Michael Ondaatje, and novels based on Bach's Goldberg Variations. What is a "musical novel"? This book defines the genre as musical not primarily in terms of its content, but in its form. The musical novel crosses medial boundaries, aspiring to techniques, structures, and impressions similar tothose of music. It takes music as a model for its own construction, borrowing techniques and forms that range from immediately perceptible, essential aspects of music (rhythm, timbre, the simultaneity of multiple voices) to microstructural (jazz riffs, call and response, leitmotifs) and macrostructural elements (themes and variations, symphonies, albums). The musical novel also evokes the performance context by imitating elements of spontaneity that characterize improvised jazz or audience interaction. The Musical Novel builds upon theories of intermediality and semiotics to analyze the musical structures, forms, and techniques in two groups of musical novels, which serve as case studies. The first group imitates an entire musical genre and consists of jazz novels by Toni Morrison, Albert Murray, Xam Wilson Cartiér, Stanley Crouch, Jack Fuller, Michael Ondaatje, and Christian Gailly. The secondgroup of novels, by Richard Powers, Gabriel Josipovici, Rachel Cusk, Nancy Huston, and Thomas Bernhard, imitates a single piece of music, J. S. Bach's Goldberg Variations. Emily Petermann is Assistant Professor of American Literature at the University of Konstanz.
Author: J. A. Garrido Ardila
Publisher: Cambridge University Press
ISBN: 131629854X
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Since the sixteenth century, Western literature has produced picaresque novels penned by authors across Europe, from Alemán, Cervantes, Lesage and Defoe to Cela and Mann. Contemporary authors of neopicaresque are renewing this traditional form to express twenty-first-century concerns. Notwithstanding its major contribution to literary history, as one of the founding forms of the modern novel, the picaresque remains a controversial literary category, and its definition is still much contested. The Picaresque Novel in Western Literature examines the development of the picaresque, chronologically and geographically, from its origins in sixteenth-century Spain to the neopicaresque in Europe and the United States.
Author: Robert A. Folger
Publisher: BRILL
ISBN: 900421142X
Category : History
Languages : en
Pages : 166
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Book Description
Colonial Spanish bureaucracy produced masses of “autobiographical” texts ('relaciones de méritos and servicios') which forced/invited individuals to present themselves as perfect subjects of the King in order to be rewarded. Bureaucracy produced the officials of the colonial regime, and, at the same time, it provided individuals with the possibility of exploring the literary potential of writing one’s curriculum vitae. This book helps contextualize a body of often-used yet understudied historic sources; it indicates that the fabric of early modern society was held together by a pervasive economy of 'mercedes' (rewards); and it shows that the tension between state-induced production of autobiographical documents and the individual’s endeavor to outsmart this system is at the origin of modern forms of literature.
