The Brecht Yearbook / Das Brecht-Jahrbuch 46 PDF Download
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Author: Rikard Hoogland
Publisher: Camden House
ISBN: 9780985195694
Category : Drama
Languages : en
Pages : 310
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Book Description
Annual volume with contributions on writers and artists whose work intersects with Brecht's from three thematic perspectives: Brecht in a global age, women and Brecht, and Brecht's learning plays.
Author: Rikard Hoogland
Publisher: Camden House
ISBN: 9780985195694
Category : Drama
Languages : en
Pages : 310
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Book Description
Annual volume with contributions on writers and artists whose work intersects with Brecht's from three thematic perspectives: Brecht in a global age, women and Brecht, and Brecht's learning plays.
Author: Tom Kuhn
Publisher: Boydell & Brewer
ISBN: 0985195657
Category : Drama
Languages : en
Pages : 308
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Book Description
The leading publication on Brecht, his work, and topics of interest to him; this annual volume documents the International Brecht Society's 2016 symposium, "Recycling Brecht." Published for the International Brecht Society by Camden House, the Brecht Yearbook is the central scholarly forum for discussion of Brecht's life and work and of topics of particular interest to him, especially the politics of literature and of theater in a global context. It includes a wide variety of perspectives and approaches, and, like Brecht himself, is committed to the concept of the use value of literature, theater, and theory. Volume42 features a selection of the papers given and protocols of the events held at the International Brecht Society's "Recycling Brecht" symposium at St. Hugh's College, Oxford, in June 2016. The theme of recycling is understood bothas a description of Brecht's own creative practice and as an activity applied to his works by others. The volume includes keynote papers by Hans-Thies Lehmann and Amal Allana on Brecht's reception of Antigone and on the reception and recycling of Brecht in India, respectively. Other papers are on a wide range of topics, from Brecht's own "recycling" of Shakespeare and others, through the reception of his own works in a range of contexts and by later writers, to contemporary works that may be understood as post-Brechtian. The final section, introduced by an extended interview with American playwright Tony Kushner, documents additional creative responses to the theme. Volume co-editors Tom Kuhn and David Barnett are, respectively, Professor of Twentieth-Century German Literature at the University of Oxford and Professor of Theatre at the University of York. Managing Editor Theodore F. Rippey is Associate Professor of German at Bowling Green State University.
Author: Theodore F. Rippey
Publisher: Boydell & Brewer
ISBN: 0985195649
Category : Drama
Languages : en
Pages : 328
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Book Description
Alongside the usual wide-ranging lineup of research articles, volume 41 features an interview with Berliner Ensemble actor Annemone Haase and an extensive special section on teaching Brecht. Now published for the International Brecht Society by Camden House, the Brecht Yearbook is the central scholarly forum for discussion of Bertolt Brecht's life and work and of topics of particular interest to Brecht, especially the politics of literature and of theater in a global context. It includes a wide variety of perspectives and approaches, and, like Brecht himself, is committed to the concept of the use value of literature, theater, and theory. Volume 41 features an interview with longtime Berliner Ensemble actor Annemone Haase by Margaret Setje-Eilers. A special section on teaching Brecht, guest-edited by Per Urlaub and Kristopher Imbrigotta, includes articles on creative appropriation in the foreign-language classroom (Caroline Weist), satire in Arturo Ui and The Great Dictator (Ari Linden), performative discussion (Cohen Ambrose), Brecht for theater majors (Daniel Smith), teaching performance studies with the Lehrstück model (Ian Maxwell), Verfremdung and ethics (Elena Pnevmonidou), Brecht on the college stage (Julie Klassen and Ruth Weiner), and methods of teaching Brechtian Stückschreiben (Gerd Koch). Other research articles focus on Harry Smith's Mahagonny (Marc Silberman), inhabiting empathy in the contemporary piece Temping (James Ball), Brecht's appropriation of Kurt Lewin's psychology (Ines Langemeyer), and Brecht's collaborations with women, both across his career (Helen Fehervary) and in exile in Skovsbostrand (Katherine Hollander). Editor Theodore F. Rippey is Associate Professor of German at Bowling Green State University.
Author: Markus Wessendorf
Publisher: Camden House
ISBN: 9781640141650
Category :
Languages : en
Pages : 0
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Book Description
Brecht Yearbook 48 features a section on Brecht's and Heiner Müller's engagement with modern living, a group of essays on "Brecht Post-2020," and additional new Brecht research on various topics. The Brecht Yearbook, published on behalf of the International Brecht Society, is the central scholarly forum for the study of Brecht's life and work and of topics relevant to him. Volume 48 opens with an article on the research that informed the 2022 exhibition Brecht's Paper War. The next section examines Brecht's and Heiner Müller's engagement with modern living: from the housing question in the 1920s to the dramaturgical function of furniture to dialectical stage-auditorium configurations in the early GDR. The following section on "Brecht Post-2020" explores dramaturgical approaches to the learning play under pandemic conditions as well as the "spectrological" aspects of Drums in the Night. Additional new research includes essays on the critical edition of Brecht's notebooks, his reception in fascist Italy, the ambivalence of the heroic in his work, the prioritization of political parable over avant-garde aesthetics in Round Heads and Pointed Head, boxing as inspiration for epic theater, Hegelian aspects of Refugee Conversations and The Measures Taken, and the working alliance of Brecht and Kurt Weill. Edited by Markus Wessendorf. Contributors: Fanti Baum, Luke Beller, Manuel Clancett, Daniel Cuonz, Raffaella Di Tizio, Patrick Eiden-Offe, Anja Hartl, Fritz Hennenberg, Matthew Hines, Alba Knijff, Sophie König, Grischa Meyer, Marie Millutat, Ramona Mosse, Zafiris Nikitas, Cornelia Ortlieb, Joseph Prestwich, Matthias Rothe, Kumars Salehi, Francesco Sani, Fadi Skeiker, Stephan Strunz, Lara Tarbuk, Julia Weber, Marten Weise, Noah Willumsen, Claus Zittel.
Author: Markus Wessendorf
Publisher: Camden House
ISBN: 9781640141421
Category :
Languages : en
Pages : 304
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Book Description
Author: Theodore F. Rippey
Publisher: Boydell & Brewer
ISBN: 0985195630
Category : Drama
Languages : en
Pages : 266
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Book Description
Newest volume of the central scholarly forum for discussion of Brecht and aspects of theater and literature of particular interest to him, especially the politics of literature and theater in a global context.
Author: Theodore F. Rippey
Publisher: Camden House
ISBN: 9780985195625
Category : Art
Languages : en
Pages : 0
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Book Description
This volume includes a special section of five articles focused on Bertolt Brecht and Georg Büchner, revolutionary playwright of an earlier era. Also featured are articles and keynote addresses from the International Brecht Society symposium held in Brazil in 2013, under the theme "The Creative Spectator." New research on Brecht and Puccini, Brecht and tragedy, and George Tabori's play Nathans Tod rounds out the volume, along with reviews of recent books and a tribute to scholar Jost Hermand. The Brecht Yearbook is a venue for discussion about aspects of theater and literature that were of particular interest to Bertolt Brecht, especially the politics of literature and the politics of theater in a global context.
Author: Markus Wessendorf
Publisher: Camden House (NY)
ISBN: 0985195673
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
Annual volume, this time featuring special sections on Brecht's dramatic fragments and on comedy in post-Brechtian theater, along with a variety of other contributions.
Author: Markus Wessendorf
Publisher: Camden House (NY)
ISBN: 9781640141865
Category : Drama
Languages : en
Pages : 0
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Book Description
The Brecht Yearbook, published by Camden House on behalf of the International Brecht Society, is the central scholarly forum for the study of Brecht's life and work and of topics relevant to him. Volume 49 features the proceedings of the 17th IBS Symposium, which took place at the universities of Tel Aviv, Haifa, and Jerusalem in December 2022 under the motto "Bertolt Brecht in Dark Times: Racism, Political Oppression, and Dictatorship." It contains three thematic sections: "Brecht's Work in Israeli and Palestinian Contexts," "Brecht and Becoming, Futurity, and Thanatopolitics," and "(Anti-) Heroism and Resistance in Dark Times." The contributions discuss artists and theatre companies who have engaged with Brecht's work or can be associated with it under these thematic aspects, including David Avidan, the Habima National Theater, Jindřich Honzl, the Jenin Freedom Theater, Ghassan Kanafani, Tetsuo Kogawa, Yosef Milo, Omri Nitzan, Manuel Chaves Nogales, the Ohel Theater, the Prague Liberated Theater, Samìh al-Qāsim, Johan Taub, Jiři Voskovec, Günther Weisenborn, Jan Werich, and Arnold Zweig. Contributors are Fanti Baum, Micha Braun, Bettina Christner, Manuel Clancett, Amir Farjoun, Leon Gabriel, Torben Ibs, Gad Kaynar-Kissinger, Ferdinand Klüsener, Jan Kühne, Joachim Lucchesi, Nikolaus Müller-Schöll, Riki Ophir, Avraham Oz, Rebecca Rovit, Julia Schade, and Florian Vaßen. Book Reviews edited by Lydia J. White. Reviewers: Stephen Brockmann, Ann M. Fox, Hasibe Kalkan, Sabine Kebir, Yu Wei Jie, and Gregor Schwering.
Author: Tom Kuhn
Publisher: Camden House
ISBN: 9780985195656
Category : Art
Languages : en
Pages : 0
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Book Description
The leading publication on Brecht, his work, and topics of interest to him; this annual volume documents the International Brecht Society's 2016 symposium, "Recycling Brecht." Published for the International Brecht Society by Camden House, the Brecht Yearbook is the central scholarly forum for discussion of Brecht's life and work and of topics of particular interest to him, especially the politics of literature and of theater in a global context. It includes a wide variety of perspectives and approaches, and, like Brecht himself, is committed to the concept of the use value of literature, theater, and theory. Volume42 features a selection of the papers given and protocols of the events held at the International Brecht Society's "Recycling Brecht" symposium at St. Hugh's College, Oxford, in June 2016. The theme of recycling is understood bothas a description of Brecht's own creative practice and as an activity applied to his works by others. The volume includes keynote papers by Hans-Thies Lehmann and Amal Allana on Brecht's reception of Antigone and on the reception and recycling of Brecht in India, respectively. Other papers are on a wide range of topics, from Brecht's own "recycling" of Shakespeare and others, through the reception of his own works in a range of contexts and by later writers, to contemporary works that may be understood as post-Brechtian. The final section, introduced by an extended interview with American playwright Tony Kushner, documents additional creative responses to the theme. Volume co-editors Tom Kuhn and David Barnett are, respectively, Professor of Twentieth-Century German Literature at the University of Oxford and Professor of Theatre at the University of York. Managing Editor Theodore F. Rippey is Associate Professor of German at Bowling Green State University.
