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Author: Tom McCarthy and Bill Dohar
Publisher: De Profundis Books
ISBN:
Category : Fiction
Languages : en
Pages : 371
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Book Description
Myles Donne is certain of nothing except that he can never return to Oxford. Two years ago, as a much-admired Jesuit at the threshold of prestige and possibility, he made two irredeemable mistakes: he fell in love with the perfect woman and then killed her in a motorcycle accident. Shattered, he lost his faith, left the priesthood, abandoned his career and decamped to his birthplace in Colorado, where he’s been working in a hardware store, languishing in ignominious limbo. When he receives a dire and dubious plea from his late beloved’s brother Jeremy—a Jesuit and Myles’ estranged friend—against nearly every impulse within him he reluctantly agrees to return to the place of his greatest joy and hardest fall. Jeremy, a genial but lackluster Oxford don, has stumbled upon a tattered and unpublished manuscript by Victorian poet Gerard Manley Hopkins. Though the unfinished poem has been ignored for well over a century, Jeremy believes it contains a series of word puzzles indicating the location of the Cuxham Chalice, a legendary treasure dating to England’s medieval past. Jeremy wants Myles’ help to decode the enigmatic sonnet, locate the chalice and, above all, to keep Jeremy safe from an unknown and dangerous adversary. Upon Myles’ arrival, Oxford is convulsing from the beheading of an innocent boy in an apparent act of Islamist terror and besieged by riots and violent reprisals. Two days into his visit, as Myles faces the discomfiting realization that his friend has exaggerated the sonnet's importance and his personal peril, Jeremy disappears. Myles soon realizes that persons other than Jeremy and his good friend Eva Bashir, college librarian and a secularized Muslim, are interested in the sonnet and its riddles. Myles and Eva appeal to police investigators who are now consumed with another wave of religious violence after a second beheading and cannot be bothered with a missing Jesuit. Determined that Jeremy’s whereabouts must hinge on something in the vexing manuscript, they strive to decipher its layered and intricate adumbrations. Nimble and unyielding interrogation of the sonnet eventually convinces Myles and Eva that Jeremy has been abducted and will be ritually murdered within a matter of hours. They’re equally stunned to discover a seminal connection between the murderer terrorizing Oxford and the cryptic Hopkins sonnet—why he wrote it on his deathbed and the chilling parallels that it draws to the present-day slayings. Interspersed throughout the twenty-first century narrative, a handful of chapters set in the nineteenth century unfold Hopkins’ story in the present tense. In revealing the origins of the poem, this parallel narrative also unveils the unlikely genesis of the serial murders tormenting Oxford. Myles and Eva decode the poem, and in finding where Hopkins hid the chalice they find Jeremy barely alive in a long-abandoned crypt. The discovery that a factotum from Jeremy’s own college is the villain comes as a shock: no one suspected the bland John Brooke of murder, racism and xenophobia, let alone a monomaniacal plot to scapegoat Muslims. Outwardly a treasure hunt, Dark Sonnet’s underlying trajectory is toward redemption: Hopkins’ painful and long-buried secret is told; Jeremy has revived his career and redeemed himself to all doubters; Eva comes to peace with her Muslim roots and agrees to support her daughter’s exploration of Islam; widespread efforts are under way in Oxford to address systemic prejudice and heal wounds through inter-religious dialogue on a grass-roots level; Myles saves Jeremy and heals the wounds from his sister’s untimely death by invoking the kinship and hope he had forsaken upon leaving Oxford. Before the novel’s end, Myles and Eva develop a gradually deepening connection and intensifying physical frisson. For Myles, their painful parting in the penultimate scene is mitigated by his receiving an astonishing and life-changing job offer, a position that would exploit his unusual skill set to investigate and recover historically significant artifacts around the globe.
Author: Tom McCarthy and Bill Dohar
Publisher: De Profundis Books
ISBN:
Category : Fiction
Languages : en
Pages : 371
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Book Description
Myles Donne is certain of nothing except that he can never return to Oxford. Two years ago, as a much-admired Jesuit at the threshold of prestige and possibility, he made two irredeemable mistakes: he fell in love with the perfect woman and then killed her in a motorcycle accident. Shattered, he lost his faith, left the priesthood, abandoned his career and decamped to his birthplace in Colorado, where he’s been working in a hardware store, languishing in ignominious limbo. When he receives a dire and dubious plea from his late beloved’s brother Jeremy—a Jesuit and Myles’ estranged friend—against nearly every impulse within him he reluctantly agrees to return to the place of his greatest joy and hardest fall. Jeremy, a genial but lackluster Oxford don, has stumbled upon a tattered and unpublished manuscript by Victorian poet Gerard Manley Hopkins. Though the unfinished poem has been ignored for well over a century, Jeremy believes it contains a series of word puzzles indicating the location of the Cuxham Chalice, a legendary treasure dating to England’s medieval past. Jeremy wants Myles’ help to decode the enigmatic sonnet, locate the chalice and, above all, to keep Jeremy safe from an unknown and dangerous adversary. Upon Myles’ arrival, Oxford is convulsing from the beheading of an innocent boy in an apparent act of Islamist terror and besieged by riots and violent reprisals. Two days into his visit, as Myles faces the discomfiting realization that his friend has exaggerated the sonnet's importance and his personal peril, Jeremy disappears. Myles soon realizes that persons other than Jeremy and his good friend Eva Bashir, college librarian and a secularized Muslim, are interested in the sonnet and its riddles. Myles and Eva appeal to police investigators who are now consumed with another wave of religious violence after a second beheading and cannot be bothered with a missing Jesuit. Determined that Jeremy’s whereabouts must hinge on something in the vexing manuscript, they strive to decipher its layered and intricate adumbrations. Nimble and unyielding interrogation of the sonnet eventually convinces Myles and Eva that Jeremy has been abducted and will be ritually murdered within a matter of hours. They’re equally stunned to discover a seminal connection between the murderer terrorizing Oxford and the cryptic Hopkins sonnet—why he wrote it on his deathbed and the chilling parallels that it draws to the present-day slayings. Interspersed throughout the twenty-first century narrative, a handful of chapters set in the nineteenth century unfold Hopkins’ story in the present tense. In revealing the origins of the poem, this parallel narrative also unveils the unlikely genesis of the serial murders tormenting Oxford. Myles and Eva decode the poem, and in finding where Hopkins hid the chalice they find Jeremy barely alive in a long-abandoned crypt. The discovery that a factotum from Jeremy’s own college is the villain comes as a shock: no one suspected the bland John Brooke of murder, racism and xenophobia, let alone a monomaniacal plot to scapegoat Muslims. Outwardly a treasure hunt, Dark Sonnet’s underlying trajectory is toward redemption: Hopkins’ painful and long-buried secret is told; Jeremy has revived his career and redeemed himself to all doubters; Eva comes to peace with her Muslim roots and agrees to support her daughter’s exploration of Islam; widespread efforts are under way in Oxford to address systemic prejudice and heal wounds through inter-religious dialogue on a grass-roots level; Myles saves Jeremy and heals the wounds from his sister’s untimely death by invoking the kinship and hope he had forsaken upon leaving Oxford. Before the novel’s end, Myles and Eva develop a gradually deepening connection and intensifying physical frisson. For Myles, their painful parting in the penultimate scene is mitigated by his receiving an astonishing and life-changing job offer, a position that would exploit his unusual skill set to investigate and recover historically significant artifacts around the globe.
Author: Sonnet L'Abbe
Publisher: McClelland & Stewart
ISBN: 0771073097
Category : Poetry
Languages : en
Pages : 194
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Book Description
Bronwen Wallace Memorial Award-winning poet Sonnet L'Abbé returns with her third collection, in which a mixed-race woman decomposes her inheritance of Shakespeare by breaking open the sonnet and inventing an entirely new poetic form. DOROTHY LIVESAY POETRY PRIZE FINALIST RAYMOND SOUSTER AWARD FINALIST How can poetry grapple with how some cultures assume the place of others? How can English-speaking writers use the English language to challenge the legacy of colonial literary values? In Sonnet's Shakespeare, one young, half-dougla (mixed South Asian and Black) poet tries to use "the master's tools" on the Bard's "house," attempting to dismantle his monumental place in her pysche and in the poetic canon. In a defiant act of literary patricide and a feat of painstaking poetic labour, Sonnet L'Abbé works with the pages of Shakespeare's sonnets as a space she will inhabit, as a place of power she will occupy. Letter by letter, she sits her own language down into the white spaces of Shakespeare's poems, until she overwhelms the original text and effectively erases Shakespeare's voice by subsuming his words into hers. In each of the 154 dense new poems of Sonnet's Shakespeare sits one "aggrocultured" Shakespearean sonnet--displaced, spoken over, but never entirely silenced. L'Abbé invented the process of Sonnet's Shakespeare to find a way to sing from a body that knows both oppression and privilege. She uses the procedural techniques of Oulipian constraint and erasure poetries to harness the raw energies of her hyperconfessional, trauma-forged lyric voice. This is an artist's magnum opus and mixed-race girlboy's diary; the voice of a settler on stolen Indigenous territories, a sexual assault survivor, a lover of Sylvia Plath and Public Enemy. Touching on such themes as gender identity, pop music, nationhood, video games, and the search for interracial love, this book is a poetic achievement of undeniable scope and significance.
Author: Sally O'Reilly
Publisher: Myriad Editions (US&CA)
ISBN: 1908434422
Category : Fiction
Languages : en
Pages : 405
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Book Description
"For I have sworn thee fair, and thought thee bright; Who art as black as hell, as dark as night." —William Shakespeare, Sonnet 147 In the boldest imagining of the era since Shakespeare in Love and Elizabeth, a finalist for the Italian Premio del Castello del Terriccio, this spellbinding novel of witchcraft, poetry, and passion, brings to life Aemilia Lanyer, the "Dark Lady" of Shakespeare's Sonnets—the playwright's muse and his one true love. The daughter of a Venetian musician but orphaned as a young girl, Aemilia Bassano grows up in the court of Elizabeth I, becoming the Queen's favorite. She absorbs a love of poetry and learning, maturing into a striking young woman with a sharp mind and a quick tongue. Now brilliant, beautiful, and highly educated, she becomes mistress of Lord Hunsdon, the Lord Chamberlain and Queen's cousin. But her position is precarious; when she falls in love with court playwright William Shakespeare, her fortunes change irrevocably. A must-read for fans of Tracy Chevalier (Girl With a Pearl Earring) and Sarah Dunant (The Birth of Venus), Sally O'Reilly's richly atmospheric novel compellingly re-imagines the struggles for power, recognition, and survival in the brutal world of Elizabethan London. She conjures the art of England's first professional female poet, giving us a character for the ages—a woman who is ambitious and intelligent, true to herself, and true to her heart.
Author: Nikita Gill
Publisher: Hachette UK
ISBN: 0316519839
Category : Poetry
Languages : en
Pages : 160
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Book Description
Discover a powerful and relatable poetry collection of love, loss, and healing -- perfect for fans of Rupi Kaur and Amanda Lovelace. In this magical poetry collection, Nikita Gill unflinchingly explores the fire in every woman and the emotions that lie deep in one's soul. Featuring rewritten fairytale heroines, goddess wisdom, and verse that burns with magnificent beauty, this raw and powerful collection is an explosion of femininity, empowerment, and personal growth. In these words, readers will find the magnificent energy to spark resistance and revolution.
Author: Timo Mueller
Publisher: Univ. Press of Mississippi
ISBN: 1496817869
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Some of the best known African American poems are sonnets: Claude McKay's "If We Must Die," Countee Cullen's "Yet Do I Marvel," Gwendolyn Brooks's "First fight. Then fiddle." Yet few readers realize that these poems are part of a rich tradition that formed after the Civil War and comprises more than a thousand sonnets by African American poets. Paul Laurence Dunbar, Jean Toomer, Langston Hughes, Margaret Walker, and Rita Dove all wrote sonnets. Based on extensive archival research, The African American Sonnet: A Literary History traces this forgotten tradition from the nineteenth century to the present. Timo Müller uses sonnets to open up fresh perspectives on African American literary history. He examines the struggle over the legacy of the Civil War, the trajectories of Harlem Renaissance protest, the tensions between folk art and transnational perspectives in the thirties, the vernacular modernism of the postwar period, the cultural nationalism of the Black Arts movement, and disruptive strategies of recent experimental poetry. In this book, Müller examines the inventive strategies African American poets devised to occupy and reshape a form overwhelmingly associated with Europe. In the tightly circumscribed space of sonnets, these poets mounted evocative challenges to the discursive and material boundaries they confronted.
Author: Eva Sammel
Publisher: GRIN Verlag
ISBN: 3638507092
Category : Literary Criticism
Languages : en
Pages : 23
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Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,3, Saarland University (Anglisitik), course: Proseminar: Shakespeare's Love Tragedies, language: English, abstract: 1. Introduction William Shakespeare’s (1564-1616) collection of 154 sonnets belongs surely to one of the greatest and most famous ones, although there are many discrepancies about it; for example, discrepancies in authorship, composition, publication and contents. Shakespeare’s 154 sonnets can be divided into two great sections: The first section contains the sonnets 1-126 which are addressed to a young man, obviously a very good friend of the author who appears again in the second section; and the poems from 127 to 152 are the so-called “dark lady” sonnets. The last two sonnets, 153 and 154, are about Cupid, the god of love, and revisions of an epigram of the Anthologia Graeca . This paper will have a closer look at the “dark lady” sonnets, at what they are about, why they are called this way and what it is that makes them so special. Furthermore, several important images that can be found again and again in these sonnets will be named and analysed, amongst others images of sexuality, hell, darkness, death, religion, illness and so on. There will also be a quick introduction why most people speak of Antipetrarchan sonnets in form and content.
Author: John Ruggles Strong
Publisher:
ISBN:
Category : Sonnets, English
Languages : en
Pages : 224
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Book Description
Author: Arthur Acheson
Publisher:
ISBN:
Category :
Languages : en
Pages : 354
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Author: Federico García Lorca
Publisher: Createspace Independent Publishing Platform
ISBN: 9781717119896
Category :
Languages : en
Pages : 60
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Book Description
Sonnets of Dark Love by Federico Garcia Lorca (1898-1936) have been translated into English by Mar Escribano. These poems were written in 1935, but were not published until after his death by the ABC Spanish newspaper on the 17th of March 1984, (clandestine editions were released before this date). This bilingual edition includes vintage images to get a better understanding of the romantic love he had for Ramirez de Lucas, together with explanations and comments for each sonnet. Lorca did not go to Mexico on exile (despite warnings that he may be killed) because Ramirez de Lucas' family refused him permission to travel with Lorca abroad. Ramirez de Lucas was under 21, and in Spain, at the time, you could not legally travel without parental permission.
Author: Bernard Shaw
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
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Book Description