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Author: Tilottama Rajan
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Author: Tilottama Rajan
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 292
Get Book Here
Book Description
Author: Charles J. Rzepka
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754668718
Category : History
Languages : en
Pages : 308
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Book Description
Charles J. Rzepka's important contributions to scholarship on the Romantic period and twentieth-century literature and culture are gathered together for the first time. Included are award-winning essays on Keats and Wordsworth, critical studies of De Quincey, and Austen; and interventions into popular culture and detective fiction. Together, the essays are both a career retrospective and a roadmap of the innovations and controversies that have influenced literary studies from the early 1980s to the present.
Author: Robert Nystrom
Publisher: Genever Benning
ISBN: 0990582949
Category : Computers
Languages : en
Pages : 1021
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Book Description
Despite using them every day, most software engineers know little about how programming languages are designed and implemented. For many, their only experience with that corner of computer science was a terrifying "compilers" class that they suffered through in undergrad and tried to blot from their memory as soon as they had scribbled their last NFA to DFA conversion on the final exam. That fearsome reputation belies a field that is rich with useful techniques and not so difficult as some of its practitioners might have you believe. A better understanding of how programming languages are built will make you a stronger software engineer and teach you concepts and data structures you'll use the rest of your coding days. You might even have fun. This book teaches you everything you need to know to implement a full-featured, efficient scripting language. You'll learn both high-level concepts around parsing and semantics and gritty details like bytecode representation and garbage collection. Your brain will light up with new ideas, and your hands will get dirty and calloused. Starting from main(), you will build a language that features rich syntax, dynamic typing, garbage collection, lexical scope, first-class functions, closures, classes, and inheritance. All packed into a few thousand lines of clean, fast code that you thoroughly understand because you wrote each one yourself.
Author: Jhumpa Lahiri
Publisher: Houghton Mifflin Harcourt
ISBN: 039592720X
Category : East Indian Americans
Languages : en
Pages : 195
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Book Description
In nine stories imbued with the sensual details of Indian culture, Lahiri charts the emotional journeys of characters seeking love beyond the barriers of nations and generations.
Author: Michael O'Neill
Publisher: Routledge
ISBN: 1317896351
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Attacked by T.S. Eliot and F.R. Leavis, Shelley's poetry has, over the last few decades, enjoyed a revival of critical interest. His radical politics and arrestingly original poetic strategies have been studied from a variety of perspectives - formalist, deconstructionist, new historicist, feminist and others. Of all the Romantics, Shelly has benefited most from the so-called 'theoretical revolution', as is borne out by the wide range of recent critical work represented in this volume. The 134 essays selected analyse many of Shelley's finest poems, including Alastor, Julian and Maddalo, Prometheus Unbound, Adonais and The Triumph of Life. Michael O'Neill's informed Introduction explores the contours of this debate. Detailed headnotes to the individual essays, explanations of difficult terms, and a further reading section provide invaluable guides to the reader. This collection illuminates the enduring and contemporary significance of the work of a major poet.
Author: Thomas De Quincey
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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Book Description
Author: Thomas De Quincey
Publisher: OUP Oxford
ISBN: 0191637904
Category : Fiction
Languages : en
Pages : 384
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Book Description
'I took it: - and in an hour, oh! Heavens! what a revulsion! what an upheaving, from its lowest depths, of the inner spirit! what an apocalypse of the world within me!' Thomas De Quincey's Confessions of an English Opium-Eater (1821) launched a fascination with drug use and abuse that has continued from his day to ours. In the Confessions De Quincey invents recreational drug taking, but he also details both the lurid nightmares that beset him in the depths of his addiction as well as his humiliatingly futile attempts to renounce the drug. Suspiria de Profundis centres on the deep afflictions of De Quincey's childhood, and examines the powerful and often paradoxical relationship between drugs and human creativity. In 'The English Mail-Coach', the tragedies of De Quincey's past are played out with horrifying repetitiveness against a backdrop of Britain as a Protestant and an imperial power. This edition presents De Quincey's finest essays in impassioned autobiography, together with three appendices that are highlighted by a wealth of manuscript material related to the three main texts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author: Paul Tarsleh
Publisher: iUniverse
ISBN: 1532098111
Category : Religion
Languages : en
Pages : 157
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Book Description
As science is now on the verge of altering evolution narrative due to new discovery about what they called "ghost ancestry" in Africa, this new religious book is also about changing the biblical narrative of how we all were made, and culminates in the telling of black story of evolution. It observes deeply why black race is lagging behind other races, and reveals the secret part of black's retardation. In part I, it compares two races (semi-white and black races) to the White race that continues to exert above the other two. There it enumerates racial developments, with a focus on science of technology.
Author: Alice Kaplan
Publisher: Simon and Schuster
ISBN: 0743274814
Category : History
Languages : en
Pages : 265
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Book Description
No story of World War II is more triumphant than the liberation of France, made famous in countless photos of Parisians waving American flags and kissing GIs, as columns of troops paraded down the Champs Élysées. Yet liberation is a messy, complex affair, in which cultural understanding can be as elusive as the search for justice by both the liberators and the liberated. Occupying powers import their own injustices, and often even magnify them, away from the prying eyes of home. One of the least-known stories of the American liberation of France, from 1944 to 1946, is also one of the ugliest and least understood chapters in the history of Jim Crow. The first man to grapple with this failure of justice was an eyewitness: the interpreter Louis Guilloux. Now, in The Interpreter, prize-winning author Alice Kaplan combines extraordinary research and brilliant writing to recover the story both as Guilloux first saw it, and as it still haunts us today. When the Americans helped to free Brittany in the summer of 1944, they were determined to treat the French differently than had the Nazi occupiers of the previous four years. Crimes committed against the locals were not to be tolerated. General Patton issued an order that any accused criminals would be tried by court-martial and that severe sentences, including the death penalty, would be imposed for the crime of rape. Mostly represented among service troops, African Americans made up a small fraction of the Army. Yet they were tried for the majority of capital cases, and they were found guilty with devastating frequency: 55 of 70 men executed by the Army in Europe were African American -- or 79 percent, in an Army that was only 8.5 percent black. Alice Kaplan's towering achievement in The Interpreter is to recall this outrage through a single, very human story. Louis Guilloux was one of France's most prominent novelists even before he was asked to act as an interpreter at a few courts-martial. Through his eyes, Kaplan narrates two mirror-image trials and introduces us to the men and women in the courtrooms. James Hendricks fired a shot through a door, after many drinks, and killed a man. George Whittington shot and killed a man in an open courtyard, after an argument and many drinks. Hendricks was black. Whittington was white. Both were court-martialed by the Army VIII Corps and tried in the same room, with some of the same officers participating. Yet the outcomes could not have been more different. Guilloux instinctively liked the Americans with whom he worked, but he could not get over seeing African Americans condemned to hang, Hendricks among them, while whites went free. He wrote about what he had observed in his diary, and years later in a novel. Other witnesses have survived to talk to Kaplan in person. In Kaplan's hands, the two crimes and trials are searing events. The lawyers, judges, and accused are all sympathetic, their actions understandable. Yet despite their best intentions, heartbreak and injustice result. In an epilogue, Kaplan introduces us to the family of James Hendricks, who were never informed of his fate, and who still hope that his remains will be transferred back home. James Hendricks rests, with 95 other men, in a U.S. military cemetery in France, filled with anonymous graves.
Author: Paul Hamilton
Publisher: University of Chicago Press
ISBN: 0226314804
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
This bracing study redefines romanticism in terms of its philosophical habits of self-consciousness. According to Paul Hamilton, metaromanticism, or the ways in which writers of the romantic period generalized their own practices, was fundamentally characteristic of the romantic project itself. Through a close look at the aesthetics of Friedrich Schiller and Jean-Jacques Rousseau, and key works by Samuel Taylor Coleridge, Percy and Mary Shelley, John Keats, Sir Walter Scott, Jane Austen, and many others, Hamilton shows how the romantic movement's struggle with its own tenets was not an effort to seek an alternative way of thought, but instead a way of becoming what it already was. And yet, as he reveals, the romanticists were still not content with their own self-consciousness. Pushed to the limit, such contemplation either manifested itself as self-disgust or found aesthetic ideas regenerated in discourses outside of aesthetics altogether.
