Darío, Borges, Neruda and the Ancient Quarrel Between Poets and Philosophers PDF Download
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Author: Jason Wilson
Publisher:
ISBN:
Category : Poets, Spanish American
Languages : en
Pages : 34
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Book Description
Author: Jason Wilson
Publisher:
ISBN:
Category : Poets, Spanish American
Languages : en
Pages : 34
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Book Description
Author: Jason Wilson
Publisher: Boydell & Brewer Ltd
ISBN: 1855662809
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Pablo Neruda was without doubt one of the greatest poets of the twentieth century but his work is extremely uneven. There is a view that there are two Nerudas, an early Romantic visionary and a later Marxist populist, who denied his earlier poetic self. By focussing on the poet's apprenticeship, and by looking closely at how Neruda created his poetic persona within his poems, this Companion tries to establish what should survive of his massive output. By seeing his early work as self exploration through metaphor and sound, as well as through varieties of love and direct experience, the Companion outlines a unity behind all the work, based on voice and a public self. Neruda's debt to reading and books is studied in depth and the change in poetics re-examined by concentrating on the early work up to Residencia en la tierra I and II and why he wanted to become a poet. Debate about quality and representativity is grounded in his Romantic thinking, sensibility and sincerity. Unlike a Borges or a Paz who accompanied their creative work with analytical essays, Neruda distilled all his experiences into his poems, which remainhis true biography. Jason Wilson is Professor Emeritus in the Department of Spanish and Latin American Studies, University College London.
Author: Sara Castro-Klaren
Publisher: John Wiley & Sons
ISBN: 111969261X
Category : Literary Criticism
Languages : en
Pages : 772
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Book Description
Cutting-edge and insightful discussions of Latin American literature and culture In the newly revised second edition of A Companion to Latin American Literature and Culture, Sara Castro-Klaren delivers an eclectic and revealing set of discussions on Latin American culture and literature by scholars at the cutting edge of their respective fields. The included essays—whether they're written from the perspective of historiography, affect theory, decolonial approaches, or human rights—introduce readers to topics like gaucho literature, postcolonial writing in the Andes, and baroque art while pointing to future work on the issues raised. This work engages with anthropology, history, individual memory, testimonio, and environmental studies. It also explores: A thorough introduction to topics of coloniality, including the mapping of the pre-Columbian Americas and colonial religiosity Comprehensive explorations of the emergence of national communities in New Imperial coordinates, including discussions of the Muisca and Mayan cultures Practical discussions of global and local perspectives in Latin American literature, including explorations of Latin American photography and cultural modalities and cross-cultural connections In-depth examinations of uncharted topics in Latin American literature and culture, including discussions of femicide and feminist performances and eco-perspectives Perfect for students in undergraduate and graduate courses tackling Latin American literature and culture topics, A Companion to Latin American Literature and Culture, Second Edition will also earn a place in the libraries of members of the general public and PhD students interested in Latin American literature and culture.
Author: Michela Coletta
Publisher: Liverpool University Press
ISBN: 1786948818
Category : History
Languages : en
Pages : 200
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Book Description
How did Latin Americans represent their own countries as modern? Through a comparative analysis of Argentina, Uruguay and Chile, the book investigates four themes that were central to definitions of Latin American modernity at the turn of the twentieth century: race, the autochthonous, education, and aesthetics.
Author: Gustavo San Román
Publisher: University of London Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 128
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Book Description
Jose Enrique Rodo (1871-1917) is a key figure in the history of Latin American culture. His best known work is 'Ariel', an influential essay published a hundred years ago in his native Montevideo. Partly inspired by Spain's defeat over Cuba and Puerto Rico two years earlier, 'Ariel' is the subcontinent's foremost call for a concerted Latin Americanism to counter the cultural impact of the United States, and has influenced later interpretations of that relationship. The essays gathered in this volume provide a complex view of Rodo and make a significant contribution to the current renewal of interest in the work of a writer whose message is likely to need further reinterpreting efforts well into the second centenary of 'Ariel'. contributors include: Iain A.D. Stewart, University of St. Andrews; Jason Wison, University College, London; Gordon Brotherston, Stanford University; Stephen M. Hart, University College, London; Stephen G.H. Roberts, University of Nottingham.
Author: Richard Gott
Publisher:
ISBN:
Category : Cuba
Languages : en
Pages : 32
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Book Description
Author: University of London. Institute of Latin American Studies
Publisher:
ISBN: 9781900039444
Category : Caribbean Area
Languages : en
Pages : 292
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Book Description
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 806
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Book Description
Author: University of London. Institute of Latin American Studies
Publisher:
ISBN:
Category : Latin America
Languages : en
Pages : 312
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Book Description
Author: Octavio Paz
Publisher: Harvard University Press
ISBN: 9780674116290
Category : Fiction
Languages : en
Pages : 212
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Book Description
Octavio Paz launches a far-ranging excursion into the "incestuous and tempestuous" relations between modern poetry and the modern epoch. From the perspective of a Spanish-American and a poet, he explores the opposite meanings that the word "modern" has held for poets and philosophers, artists, and scientists. Tracing the beginnings of the modern poetry movement to the pre-Romantics, Paz outlines its course as a contradictory dialogue between the poetry of the Romance and Germanic languages. He discusses at length the unique character of Anglo-American "modernism" within the avant-garde movement, and especially vis- -vis French and Spanish-American poetry. Finally he offers a critique of our era's attitude toward the concept of time, affirming that we are at the "twilight of the idea of the future." He proposes that we are living at the end of the avant-garde, the end of that vision of the world and of art born with the first Romantics.
