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Author: Michael Moon
Publisher: Duke University Press
ISBN: 0822351560
Category : Art
Languages : en
Pages : 170
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Book Description
Moon turns his attention to the artist Henry Darger, an eccentric and self-taught artist whose work was only discovered after his death. Since then the work has become famous, but Darger himself has generally been seen as a withdrawn outsider artist whose work may have been the result of mental illness. Moon provides a contrasting view of a creative and gifted artist very responsive to the world around him.
Author: Michael Moon
Publisher: Duke University Press
ISBN: 0822351560
Category : Art
Languages : en
Pages : 170
Get Book Here
Book Description
Moon turns his attention to the artist Henry Darger, an eccentric and self-taught artist whose work was only discovered after his death. Since then the work has become famous, but Darger himself has generally been seen as a withdrawn outsider artist whose work may have been the result of mental illness. Moon provides a contrasting view of a creative and gifted artist very responsive to the world around him.
Author: Henry Darger
Publisher: Rizzoli International Publications
ISBN: 9780847822843
Category : Art
Languages : en
Pages : 272
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Book Description
The epic vision of outsider artist Henry Darger is captured for the first time in this comprehensive survey of his art and writings. A janitor by day, he spent his nights creating a vast, imaginative world describing a cosmic battle between the forces of good and evil. 125 color illustrations.
Author: Henry Darger
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 136
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Book Description
Henry Darger, who died in 1973, was a secretive Chicago janitor who has since been recognised as one of the supreme self-taught artists of the 20th century. This volume catalogues the American Folk Art Museum's recent acquisition of 37 Darger paintings.
Author: Joe Darger
Publisher: Harper Collins
ISBN: 0062088815
Category : Biography & Autobiography
Languages : en
Pages : 386
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Book Description
For decades, polygamous families have been forced to hide their lifestyle. But this first-ever memoir of a polygamous family is a riveting inside look at a world we can hardly imagine, revealing the extraordinary workings of one family’s day-to-day life. In this intimate story, the Dargers explain why they chose this path despite the pressures of keeping their relationships secret and the jealousy and personal challenges that naturally ensue; why they believe polygamy should be an accepted lifestyle; and, ultimately, why they hope that by revealing their way of life in public, laws that criminalize polygamy might change. Despite the risk of legal action, the Dargers know that it’s time to counteract Hollywood’s sensational interpretation and the general public’s misunderstanding of polygamy with the truth.
Author: John M. MacGregor
Publisher: gce
ISBN: 9788887469196
Category : Art
Languages : en
Pages : 110
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Book Description
The fifteen works by Darger, property of the Collection de l'art brut in Lausanne, are being exhibited for the first time in their totality at the Galleria Gottardo. In addition to the author's essays, the book also contains a selection of texts in Darger's original language. All of the works in the collection have been reproduced in large format, along with detail photographs, original drawings and pictures of the artist, and of the room exactly as it was found at the time of his death.
Author: Jim Elledge
Publisher: Harry N. Abrams
ISBN: 9781590208557
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
"Henry Darger was utterly unknown during his lifetime, keeping a quiet, secluded existence as a janitor on Chicago's North Side. When he died his landlord discovered a treasure trove of more than three hundred canvases and more than 30,000 manuscript pages depicting a rich, shocking fantasy world-many showing hermaphroditic children being eviscerated, crucified and strangled. While some art historians tend to dismiss Darger as an unhinged psychopath, in Henry Darger, Throw-Away Boy, Jim Elledge cuts through the cloud of controversy and rediscovers Darger as a damaged, fearful, gay man, raised in a world unaware of the consequences of child abuse or gay shame. This thoughtful, sympathetic biography tells the true story of a tragically misunderstood artist. Drawn from fascinating histories of the vice-ridden districts of 1900s Chicago, tens of thousands of pages of primary source material, and Elledge's own work in queer history, the book also features a full-color reproduction of a never-before-seen canvas from a private gallery in New York, as well as a previously undiscovered photograph of Darger with his life-partner Whillie. Engaging and arresting, Henry Darger, Throw-Away Boy brings alive a complex, brave, and compelling man whose outsider art is both challenging and a triumph over trauma"--
Author: Allen C. Shelton
Publisher: University of Chicago Press
ISBN: 9780226063645
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
On a warm summer’s night in Athens, Georgia, Patrik Keim stuck a pistol into his mouth and pulled the trigger. Keim was an artist, and the room in which he died was an assemblage of the tools of his particular trade: the floor and table were covered with images, while a pair of large scissors, glue, electrical tape, and some dentures shared space with a pile of old medical journals, butcher knives, and various other small objects. Keim had cleared a space on the floor, and the wall directly behind him was bare. His body completed the tableau. Art and artists often end in tragedy and obscurity, but Keim’s story doesn’t end with his death. A few years later, 180 miles away from Keim’s grave, a bulldozer operator uncovered a pine coffin in an old beaver swamp down the road from Allen C. Shelton’s farm. He quickly reburied it, but Shelton, a friend of Keim’s who had a suitcase of his unfinished projects, became convinced that his friend wasn’t dead and fixed in the ground, but moving between this world and the next in a traveling coffin in search of his incomplete work. In Where the North Sea Touches Alabama, Shelton ushers us into realms of fantasy, revelation, and reflection, paced with a slow unfurling of magical correspondences. Though he is trained as a sociologist, this is a genre-crossing work of literature, a two-sided ethnography: one from the world of the living and the other from the world of the dead. What follows isn’t a ghost story but an exciting and extraordinary kind of narrative. The psycho-sociological landscape that Shelton constructs for his reader is as evocative of Kafka, Bataille, and Benjamin as it is of Weber, Foucault, and Marx. Where the North Sea Touches Alabama is a work of sociological fictocriticism that explores not only the author’s relationship to the artist but his physical, historical, and social relationship to northeastern Alabama, in rare style.
Author: Leisa Rundquist
Publisher:
ISBN: 9780999001066
Category :
Languages : en
Pages :
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Book Description
Author: Brooke Davis Anderson
Publisher: Prestel Publishing
ISBN: 9783791342108
Category : Art
Languages : en
Pages : 0
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Book Description
An authoritative, balanced, and insightful look at American master Henry Darger (1892-1972). Presents his art and an exploration of his complex role in the art of our time.
Author: Christopher Nealon
Publisher: Duke University Press
ISBN: 0822380617
Category : Social Science
Languages : en
Pages : 223
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Book Description
What is it like to “feel historical”? In Foundlings Christopher Nealon analyzes texts produced by American gay men and lesbians in the first half of the twentieth century—poems by Hart Crane, novels by Willa Cather, gay male physique magazines, and lesbian pulp fiction. Nealon brings these diverse works together by highlighting a coming-of-age narrative he calls “foundling”—a term for queer disaffiliation from and desire for family, nation, and history. The young runaways in Cather’s novels, the way critics conflated Crane’s homosexual body with his verse, the suggestive poses and utopian captions of muscle magazines, and Beebo Brinker, the aging butch heroine from Ann Bannon’s pulp novels—all embody for Nealon the uncertain space between two models of lesbian and gay sexuality. The “inversion” model dominant in the first half of the century held that homosexuals are souls of one gender trapped in the body of another, while the more contemporary “ethnic” model refers to the existence of a distinct and collective culture among gay men and lesbians. Nealon’s unique readings, however, reveal a constant movement between these two discursive poles, and not, as is widely theorized, a linear progress from one to the other. This startlingly original study will interest those working on gay and lesbian studies, American literature and culture, and twentieth-century history.
