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Author: George Corbett
Publisher: Cambridge University Press
ISBN: 1108489419
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
This book is a major re-appraisal of the Commedia as originally envisaged by Dante: as a work of ethics. Privileging the ethical, Corbett increases our appreciation of Dante's eschatological innovations and literary genius. Drawing upon a wider range of moral contexts than in previous studies, this book presents an overarching account of the complex ordering and political programme of Dante's afterlife. Balancing close readings with a lucid overview of Dante's Commedia as an ethical and political manifesto, Corbett cogently approaches the poem through its moral structure. The book provides detailed interpretations of three particularly significant sins - pride, sloth, and avarice - and the three terraces of Purgatory devoted to them. While scholars register Dante's explicit confession of pride, the volume uncovers Dante's implicit confession of sloth and prodigality (the opposing subvice of avarice) through Statius, his moral cypher.
Author: George Corbett
Publisher: Cambridge University Press
ISBN: 1108489419
Category : Literary Criticism
Languages : en
Pages : 249
Get Book Here
Book Description
This book is a major re-appraisal of the Commedia as originally envisaged by Dante: as a work of ethics. Privileging the ethical, Corbett increases our appreciation of Dante's eschatological innovations and literary genius. Drawing upon a wider range of moral contexts than in previous studies, this book presents an overarching account of the complex ordering and political programme of Dante's afterlife. Balancing close readings with a lucid overview of Dante's Commedia as an ethical and political manifesto, Corbett cogently approaches the poem through its moral structure. The book provides detailed interpretations of three particularly significant sins - pride, sloth, and avarice - and the three terraces of Purgatory devoted to them. While scholars register Dante's explicit confession of pride, the volume uncovers Dante's implicit confession of sloth and prodigality (the opposing subvice of avarice) through Statius, his moral cypher.
Author: Rod Dreher
Publisher: Simon and Schuster
ISBN: 1941393772
Category : Religion
Languages : en
Pages : 343
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Book Description
The opening lines of The Divine Comedy by Dante Alighieri launched Rod Dreher on a journey that rescued him from exile and saved his life. Dreher found that the medieval poem offered him a surprisingly practical way of solving modern problems. Following the death of his little sister and the publication of his New York Times bestselling memoir The Little Way of Ruthie Leming, Dreher found himself living in the small community of Starhill, Louisiana where he grew up. But instead of the fellowship he hoped to find, he discovered that fault lines within his family had deepened. Dreher spiraled into depression and a stress-related autoimmune disease. Doctors told Dreher that if he didn’t find inner peace, he would destroy his health. Soon after, he came across The Divine Comedy in a bookstore and was enchanted by its first lines, which seemed to describe his own condition. In the months that followed, Dante helped Dreher understand the mistakes and mistaken beliefs that had torn him down and showed him that he had the power to change his life. Dreher knows firsthand the solace and strength that can be found in Dante’s great work, and distills its wisdom for those who are lost in the dark wood of depression, struggling with failure (or success), wrestling with a crisis of faith, alienated from their families or communities, or otherwise enduring the sense of exile that is the human condition. Inspiring, revelatory, and packed with penetrating spiritual, moral, and psychological insights, How Dante Can Save Your Life is a book for people, both religious and secular, who find themselves searching for meaning and healing. Dante told his patron that he wrote his poem to bring readers from misery to happiness. It worked for Rod Dreher. Dante saved Rod Dreher’s life—and in this book, Dreher shows you how Dante can save yours.
Author: Christian Moevs
Publisher: Oxford University Press
ISBN: 0195372581
Category : Language Arts & Disciplines
Languages : en
Pages : 321
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Book Description
The recovery of Dante's metaphysics-which are very different from our own-is essential, argues Christian Moevs, if we are to resolve what has been called 'the central problem in the interpretation of the Comedy.' That problem is what to make of the Comedy's claim to the status of revelation, vision, or experiential record - as something more than imaginative literature. In this book Moevs offers the first sustained treatment of the metaphysical picture that grounds and motivates the Comedy, and the relation between those metaphysics and Dante's poetics. Moevs arrives at the radical conclusion that Dante believed that all of what we perceive as reality, the spatio-temporal world, is in fact a creation or projection of conscious being. Armed with this new understanding, Moevs is able to shed light on a series of perennial issues in the interpretation of the Comedy.
Author: P. Levine
Publisher: Springer
ISBN: 023010469X
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Through an analysis of Dante's story of Paolo and Francesco, this book combines contemporary ethical theory, literary interpretation, and historical narrative to defend the humanities as a source of moral guidance.
Author: Rachel Jacoff
Publisher: Cambridge University Press
ISBN: 0521844304
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
A fully updated 2007 edition of this useful and accessible coursebook on Dante's works, context and reception history.
Author: Bernard Schweizer
Publisher: Routledge
ISBN: 0429589662
Category : Religion
Languages : en
Pages : 232
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Book Description
This book traces the development of religious comedy and leverages that history to justify today’s uses of religious humor in all of its manifestations, including irreverent jokes. It argues that regulating humor is futile and counterproductive, illustrating this point with a host of comedic examples. Humor is a powerful rhetorical tool for those who advocate and for those who satirize religious ideals. The book presents a compelling argument about the centrality of humor to the story of Western Christianity’s cultural and artistic development since the Middle Ages, taking a multi-disciplinary approach that combines literary criticism, religious studies, philosophy, theology, and social science. After laying out the conceptual framework in Part 1, Part 2 analyzes key works of religious comedy across the ages from Dante to the present, and it samples the breadth of contemporary religious humor from Brad Stine to Robin Williams, and from Monty Python to South Park. Using critical, historical, and conceptual lenses, the book exposes and overturns past attempts by church authorities, scholars, and commentators to limit and control laughter based on religious, ideological, or moral criteria. This is a unique look into the role of humor and comedy around religion. It will, therefore, appeal to readers interested in multiple fields of inquiry, including religious studies, humor studies, the history of ideas, and comparative literature.
Author: Peter Hainsworth
Publisher: Oxford University Press, USA
ISBN: 0199684774
Category : Literary Criticism
Languages : en
Pages : 145
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Book Description
In this Very Short Introduction, Peter Hainsworth and David Robey take a different approach to Dante, by examining the main themes and issues that run through all of his work, ranging from autobiography, to understanding God and the order of the universe. In doing so, they highlight what has made Dante a vital point of reference for modern writers and readers, both inside and outside Italy. They emphasize the distinctive and dynamic interplay in Dante's writing between argument, ideas, and analysis on the one hand, and poetic imagination on the other. Dante was highly concerned with the political and intellectual issues of his time, demonstrated most powerfully in his notorious work,The Divine Comedy. Tracing the tension between the medieval and modern aspects, Hainsworth and Robey provide a clear insight into the meaning of this masterpiece of world literature. They highlight key figures and episodes in the poem, bringing out the originality and power of Dante's writing to help readers understand the problems that Dante wanted his audience to confront but often left up to the reader to resolve. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Vittorio Montemaggi
Publisher: University of Notre Dame Pess
ISBN: 026816200X
Category : Poetry
Languages : en
Pages : 400
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Book Description
In Dante's Commedia: Theology as Poetry, an international group of theologians and Dante scholars provide a uniquely rich set of perspectives focused on the relationship between theology and poetry in the Commedia. Examining Dante's treatment of questions of language, personhood, and the body; his engagement with the theological tradition he inherited; and the implications of his work for contemporary theology, the contributors argue for the close intersection of theology and poetry in the text as well as the importance of theology for Dante studies. Through discussion of issues ranging from Dante's use of imagery of the Church to the significance of the smile for his poetic project, the essayists offer convincing evidence that his theology is not what underlies his narrative poem, nor what is contained within it: it is instead fully integrated with its poetic and narrative texture. As the essays demonstrate, the Commedia is firmly rooted in the medieval tradition of reflection on the nature of theological language, while simultaneously presenting its readers with unprecedented, sustained poetic experimentation. Understood in this way, Dante emerges as one of the most original theological voices of the Middle Ages. Contributors: Piero Boitani, Oliver Davies, Theresa Federici, David F. Ford, Peter S. Hawkins, Douglas Hedley, Robin Kirkpatrick, Christian Moevs, Vittorio Montemaggi, Paola Nasti, John Took, Matthew Treherne, and Denys Turner.
Author: Patrick Boyde
Publisher: Cambridge University Press
ISBN: 9780521026659
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Patrick Boyde brings Dante's thought and poetry into focus for the modern reader by restoring the Comedy to its intellectual and literary context in 1300. He begins by describing the authorities that Dante acknowledged in the field of ethics and the modes of thought he shared with the great thinkers of his time. After giving a clear account of the differing approaches and ideals embodied in Aristotelian philosophy, Christianity and courtly literature, Boyde concentrates on the poetic representation of the most important vices and virtues in the Comedy. He stresses the heterogeneity and originality of Dante's treatment, and the challenges posed by his desire to harmonize these divergent value-systems. The book ends with a detailed case study of the 'vices and worth' of Ulysses in which Boyde throws light on recent controversies by deliberately remaining within the framework of the thirteenth-century assumptions, methods and concepts explored in previous chapters.
Author: Wendell Berry
Publisher: Catapult
ISBN: 1582436894
Category : Fiction
Languages : en
Pages : 385
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Book Description
“This is a book about Heaven,” says Jayber Crow, “but I must say too that . . . I have wondered sometimes if it would not finally turn out to be a book about Hell.” It is 1932 and he has returned to his native Port William to become the town's barber. Orphaned at age ten, Jayber Crow’s acquaintance with loneliness and want have made him a patient observer of the human animal, in both its goodness and frailty. He began his search as a “pre–ministerial student” at Pigeonville College. There, freedom met with new burdens and a young man needed more than a mirror to find himself. But the beginning of that finding was a short conversation with “Old Grit,” his profound professor of New Testament Greek. “You have been given questions to which you cannot be given answers. You will have to live them out—perhaps a little at a time.” “And how long is that going to take?” “I don't know. As long as you live, perhaps.” “That could be a long time.” “I will tell you a further mystery,” he said. “It may take longer.” Wendell Berry’s clear–sighted depiction of humanity’s gifts—love and loss, joy and despair—is seen though his intimate knowledge of the Port William Membership.
