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Author: John Arthos
Publisher: New York : Humanities Press
ISBN:
Category : English poetry
Languages : en
Pages : 124
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Book Description
Author: John Arthos
Publisher: New York : Humanities Press
ISBN:
Category : English poetry
Languages : en
Pages : 124
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Book Description
Author: Paul Barolsky
Publisher: John Wiley & Sons
ISBN: 0271032723
Category :
Languages : en
Pages : 194
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Book Description
An exploration of the ways in which Michelangelo created himself.
Author: Catherine Martin
Publisher: Routledge
ISBN: 1317208293
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
This book joins a growing trend toward transnational literary studies and revives a venerable tradition of Anglo-Italian scholarship centering on John Milton. Correcting misperceptions that have diminished the international dimensions of his life and work, it broadly surveys Milton’s Italianate studies, travels, poetics, politics, and religious convictions. While his debts to Machiavelli and other classical republicans are often noted, few contemporary critics have explored the Italian sources of his anti-papal, anti-episcopal, and anti-formalist religious outlook. Relying on Milton’s own testimony, this book explores its roots in Dante, Petrarch, Ariosto, and that great "Venetian enemy of the pope," Paolo Sarpi, thereby correcting a recent tendency to make native English contexts dominate his development. This tendency is partly due to a mistaken belief that Italy was in steep decline during and after Milton’s travels of 1638-1639, the period immediately before he produced his prose critiques of the English Church, its canon law, and its censorship. Yet these were also fundamentally "Italian" issues that he skillfully adapted to meet contemporary English needs, a practice enabled by his extraordinarily positive experience of the Italian language, cities, academies, and music, the latter of which ultimately influenced Milton’s "operatic" drama, Samson Agonistes. Besides republicanism and theology (radical doctrines of free grace and free will), equally strong influences treated here include Italian Neoplatonism, cosmology, and romance epic. By making these traditions his own, Milton became what John Steadman once described as an "Italianate Englishman" whose classical "literary tastes and critical orientation...were...to a considerable extent" molded by Italian critics (1976), a view that is fully credited and updated here.
Author: Chris Ryan
Publisher: A&C Black
ISBN: 0567012018
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
One of the greatest artists of all time, Michelangelo's work as a poet has been unjustly ignored. This thorough introduction outlines the broad chronological evolution of the poems, includes the poetry in both the original Italian and in translation and explores the themes raised in the poems.
Author: Sarah Rolfe Prodan
Publisher: Cambridge University Press
ISBN: 110704376X
Category : Art
Languages : en
Pages : 269
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Book Description
In this book, Sarah Rolfe Prodan examines the spiritual poetry of Michelangelo in light of three contexts: the Catholic Reformation movement, Renaissance Augustinianism, and the tradition of Italian religious devotion. Prodan combines a literary, historical, and biographical approach to analyze the mystical constructs and conceits in Michelangelo's poems, thereby deepening our understanding of the artist's spiritual life in the context of Catholic Reform in the mid-sixteenth century. Prodan also demonstrates how Michelangelo's poetry is part of an Augustinian tradition that emphasizes mystical and moral evolution of the self. Examining such elements of early modern devotion as prayer, lauda singing, and the contemplation of religious images, Prodan provides a unique perspective on the subtleties of Michelangelo's approach to life and to art. Throughout, Prodan argues that Michelangelo's art can be more deeply understood when considered together with his poetry, which points to a spirituality that deeply informed all of his production.
Author: Hitesh Parmar
Publisher: Sarup & Sons
ISBN: 9788176253208
Category : Philosophy in literature
Languages : en
Pages : 200
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Book Description
Author: William Fairfield Warren
Publisher:
ISBN:
Category : Cosmography
Languages : en
Pages : 92
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Book Description
Author:
Publisher: BRILL
ISBN: 9004696040
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
The articles in Myths of Origins provide insights into the universality of myths of origins as patterns of literary creation from Antiquity to the present. The essays range from an investigation of the six models of beginnings in Western literature to the workings of modern myths of origins in postcolonial literature and relocate the discussion on myths of origin in a wider context that besides the humanities considers linguistics and the impact of new technologies. The contributing authors to the volume shed light on issues relating to myths of origins by linking this subject to literary creation and adopting a multidisciplinary approach.
Author: A.B. Altizer
Publisher: Springer Science & Business Media
ISBN: 9401024596
Category : History
Languages : en
Pages : 128
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Book Description
Alienation, ecstasy, death, rebirth: in the poetry of Michelangelo, Donne, and d' Aubigne these archetypal themes make possible the ultimate formulation of new poetic symbolizations of self and world. As their poetry evolves from a primarily rhetorical towards a fully symbolic mode, images of loss of self (in ecstasy or in alienation), of death and rebirth, recur with increasing frequency and intensity. Whether the context is love poetry or religious poetry, the basic problem remains the same; love is the link between the two kinds of poetry. And love is indeed a problem for these three poets, since it involves the self in relation to the "other," the other being either God or another human being. Increasingly, the work of each poet centers on a need to analyze or abolish the gulf separating subject and object, self and other. The dominant mode of most of the three poets' work is neither rhetorical nor symbolic, but expressive. This transitional mode reveals the individual poet's most urgent concerns and conflicts, his sense of self in Its most isolated or burdensome, affirmative or struggling state. Under lying most of their poems is a profound self-consciousness - a heightened awareness of self as a powerful, separate entity, with a corresponding objectification of all reality outside of self. The Renaissance in general is a time of increasing individualism and 1 self-consciousness.
Author: Valeria Tinkler-Villani
Publisher: BRILL
ISBN: 9004489118
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
