Author: Manuele Gragnolati
Publisher: Oxford University Press
ISBN: 0198820747
Category : Literary Criticism
Languages : en
Pages : 778
Book Description
The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre. It gathers an intergenerational and international team of scholars encompassing diverse approaches from the fields of Anglo-American, Italian, and continental scholarship and spanning several disciplines: philology, material culture, history, religion, art history, visual studies, theory from the classical to the contemporary, queer, post- and de-colonial, and feminist studies. The volume combines a rigorous reassessment of Dante's formation, themes, and sources, with a theoretically up-to-date focus on textuality, thereby offering a new critical Dante. The volume is divided into seven sections: 'Texts and Textuality'; 'Dialogues'; 'Transforming Knowledge'; Space(s) and Places'; 'A Passionate Selfhood'; 'A Non-linear Dante'; and 'Nachleben'. It seeks to challenge the Commedia-centric approach (the conviction that notwithstanding its many contradictions, Dante's works move towards the great reservoir of poetry and ideas that is the Commedia), in order to bring to light a non-teleological way in which these works relate amongst themselves. Plurality and the openness of interpretation appear as Dante's very mark, coexisting with the attempt to create an all-encompassing mastership. The Handbook suggests what is exciting about Dante now and indicate where Dante scholarship is going, or can go, in a global context.
The Oxford Handbook of Dante
Author: Manuele Gragnolati
Publisher: Oxford University Press
ISBN: 0198820747
Category : Literary Criticism
Languages : en
Pages : 778
Book Description
The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre. It gathers an intergenerational and international team of scholars encompassing diverse approaches from the fields of Anglo-American, Italian, and continental scholarship and spanning several disciplines: philology, material culture, history, religion, art history, visual studies, theory from the classical to the contemporary, queer, post- and de-colonial, and feminist studies. The volume combines a rigorous reassessment of Dante's formation, themes, and sources, with a theoretically up-to-date focus on textuality, thereby offering a new critical Dante. The volume is divided into seven sections: 'Texts and Textuality'; 'Dialogues'; 'Transforming Knowledge'; Space(s) and Places'; 'A Passionate Selfhood'; 'A Non-linear Dante'; and 'Nachleben'. It seeks to challenge the Commedia-centric approach (the conviction that notwithstanding its many contradictions, Dante's works move towards the great reservoir of poetry and ideas that is the Commedia), in order to bring to light a non-teleological way in which these works relate amongst themselves. Plurality and the openness of interpretation appear as Dante's very mark, coexisting with the attempt to create an all-encompassing mastership. The Handbook suggests what is exciting about Dante now and indicate where Dante scholarship is going, or can go, in a global context.
Publisher: Oxford University Press
ISBN: 0198820747
Category : Literary Criticism
Languages : en
Pages : 778
Book Description
The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre. It gathers an intergenerational and international team of scholars encompassing diverse approaches from the fields of Anglo-American, Italian, and continental scholarship and spanning several disciplines: philology, material culture, history, religion, art history, visual studies, theory from the classical to the contemporary, queer, post- and de-colonial, and feminist studies. The volume combines a rigorous reassessment of Dante's formation, themes, and sources, with a theoretically up-to-date focus on textuality, thereby offering a new critical Dante. The volume is divided into seven sections: 'Texts and Textuality'; 'Dialogues'; 'Transforming Knowledge'; Space(s) and Places'; 'A Passionate Selfhood'; 'A Non-linear Dante'; and 'Nachleben'. It seeks to challenge the Commedia-centric approach (the conviction that notwithstanding its many contradictions, Dante's works move towards the great reservoir of poetry and ideas that is the Commedia), in order to bring to light a non-teleological way in which these works relate amongst themselves. Plurality and the openness of interpretation appear as Dante's very mark, coexisting with the attempt to create an all-encompassing mastership. The Handbook suggests what is exciting about Dante now and indicate where Dante scholarship is going, or can go, in a global context.
The Metaphysics of Dante's Comedy
Author: Christian Moevs
Publisher: Oxford University Press
ISBN: 0195372581
Category : Language Arts & Disciplines
Languages : en
Pages : 321
Book Description
The recovery of Dante's metaphysics-which are very different from our own-is essential, argues Christian Moevs, if we are to resolve what has been called 'the central problem in the interpretation of the Comedy.' That problem is what to make of the Comedy's claim to the status of revelation, vision, or experiential record - as something more than imaginative literature. In this book Moevs offers the first sustained treatment of the metaphysical picture that grounds and motivates the Comedy, and the relation between those metaphysics and Dante's poetics. Moevs arrives at the radical conclusion that Dante believed that all of what we perceive as reality, the spatio-temporal world, is in fact a creation or projection of conscious being. Armed with this new understanding, Moevs is able to shed light on a series of perennial issues in the interpretation of the Comedy.
Publisher: Oxford University Press
ISBN: 0195372581
Category : Language Arts & Disciplines
Languages : en
Pages : 321
Book Description
The recovery of Dante's metaphysics-which are very different from our own-is essential, argues Christian Moevs, if we are to resolve what has been called 'the central problem in the interpretation of the Comedy.' That problem is what to make of the Comedy's claim to the status of revelation, vision, or experiential record - as something more than imaginative literature. In this book Moevs offers the first sustained treatment of the metaphysical picture that grounds and motivates the Comedy, and the relation between those metaphysics and Dante's poetics. Moevs arrives at the radical conclusion that Dante believed that all of what we perceive as reality, the spatio-temporal world, is in fact a creation or projection of conscious being. Armed with this new understanding, Moevs is able to shed light on a series of perennial issues in the interpretation of the Comedy.
Dante and Aquinas
Author: Christopher Ryan
Publisher: Ubiquity Press
ISBN: 1909188115
Category : Religion
Languages : en
Pages : 170
Book Description
Christopher Ryan's study of Dante and Aquinas, touching on issues of nature and grace, of explicit and implicit faith, and of desire and destiny, is intended to mark the difference between them in key areas of theological sensibility. Re-shaped and revised by John Took on the basis of papers made available to him from Christopher Ryan's estate, it seeks to deepen our understanding of one of the great cultural encounters in European letters.
Publisher: Ubiquity Press
ISBN: 1909188115
Category : Religion
Languages : en
Pages : 170
Book Description
Christopher Ryan's study of Dante and Aquinas, touching on issues of nature and grace, of explicit and implicit faith, and of desire and destiny, is intended to mark the difference between them in key areas of theological sensibility. Re-shaped and revised by John Took on the basis of papers made available to him from Christopher Ryan's estate, it seeks to deepen our understanding of one of the great cultural encounters in European letters.
Dante and the Orient
Author: Brenda Deen Schildgen
Publisher: University of Illinois Press
ISBN: 9780252027130
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
"In Dante and the Orient, Schildgen argues that Dante's treatment of the East enabled him to use the rhetoric employed in crusade narratives and other travel literature to oppose the military and polemic goals of the Crusades and to plead for the reformation of both church and state."--BOOK JACKET.
Publisher: University of Illinois Press
ISBN: 9780252027130
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
"In Dante and the Orient, Schildgen argues that Dante's treatment of the East enabled him to use the rhetoric employed in crusade narratives and other travel literature to oppose the military and polemic goals of the Crusades and to plead for the reformation of both church and state."--BOOK JACKET.
The Dante Encyclopedia
Author:
Publisher: Routledge
ISBN: 1136849726
Category :
Languages : en
Pages : 1035
Book Description
Publisher: Routledge
ISBN: 1136849726
Category :
Languages : en
Pages : 1035
Book Description
Dante
Author: John Took
Publisher: Princeton University Press
ISBN: 069120893X
Category : Biography & Autobiography
Languages : en
Pages : 608
Book Description
"For all that has been written about the author of the Divine Comedy, Dante Alighieri (1265-1321) remains the best guide to his own life and work. Dante's writings are therefore never far away in this authoritative and comprehensive intellectual biography, which offers a fresh account of the medieval Florentine poet's life and thought before and after his exile in 1302. Beginning with the often violent circumstances of Dante's life, the book examines his successive works as testimony to the course of his passionate humanity: his lyric poetry through to the Vita nova as the great work of his first period; the Convivio, De vulgari eloquentia and the poems of his early years in exile; and the Monarchia and the Commedia as the product of his maturity. Describing as it does a journey of the mind, the book confirms the nature of Dante's undertaking as an exploration of what he himself speaks of as "maturity in the flame of love." The result is an original synthesis of Dante's life and work." --Amazon.com.
Publisher: Princeton University Press
ISBN: 069120893X
Category : Biography & Autobiography
Languages : en
Pages : 608
Book Description
"For all that has been written about the author of the Divine Comedy, Dante Alighieri (1265-1321) remains the best guide to his own life and work. Dante's writings are therefore never far away in this authoritative and comprehensive intellectual biography, which offers a fresh account of the medieval Florentine poet's life and thought before and after his exile in 1302. Beginning with the often violent circumstances of Dante's life, the book examines his successive works as testimony to the course of his passionate humanity: his lyric poetry through to the Vita nova as the great work of his first period; the Convivio, De vulgari eloquentia and the poems of his early years in exile; and the Monarchia and the Commedia as the product of his maturity. Describing as it does a journey of the mind, the book confirms the nature of Dante's undertaking as an exploration of what he himself speaks of as "maturity in the flame of love." The result is an original synthesis of Dante's life and work." --Amazon.com.
Dante's Multitudes
Author: Teodolinda Barolini
Publisher: University of Notre Dame Pess
ISBN: 0268202923
Category : Religion
Languages : en
Pages : 508
Book Description
A critical addition to Dante studies that illuminates the poet’s disruptive impact within Italian culture and foregrounds Barolini’s marked contribution to the field. In Dante’s Multitudes, the newest addition to the renowned William and Katherine Devers Series in Dante and Medieval Italian Literature, Teodolinda Barolini gathers sixteen of her essays exploring the revolutionary character of Dante’s work. Embracing the Vita Nuova, De vulgari eloquentia, Convivio, Epistles, Monarchia, and Rime, and of course the Divine Comedy, these essays together feature the many facets of the poet’s enduring legacy. Dante’s Multitudes showcases the poet’s embrace of multiplicity, difference, and disruption in five parts, each with its own general focus. It begins with an introductory essay on method and the use of history in order to set the stage for the expert analyses that follow. Barolini treats various topics in Dante studies, including sexualized and racialized others in the Comedy, Dante’s unorthodox conception of limbo, his celebration of metaphysical difference within the paradoxical unity of the Paradiso, and his use of Aristotle to think disruptively about wealth and society, on the one hand, and about love and compulsion, on the other. The volume closes with a final meditation on method and “critical philology,” highlighting the ways in which philology has been used uncritically to bolster fallacious hermeneutical narratives about one of the West’s most celebrated and influential poets. Barolini once again opens avenues for further research in this compelling collection of essays. This volume will be of interest to scholars in Dante studies, Italian studies, and medieval and Renaissance literature more broadly.
Publisher: University of Notre Dame Pess
ISBN: 0268202923
Category : Religion
Languages : en
Pages : 508
Book Description
A critical addition to Dante studies that illuminates the poet’s disruptive impact within Italian culture and foregrounds Barolini’s marked contribution to the field. In Dante’s Multitudes, the newest addition to the renowned William and Katherine Devers Series in Dante and Medieval Italian Literature, Teodolinda Barolini gathers sixteen of her essays exploring the revolutionary character of Dante’s work. Embracing the Vita Nuova, De vulgari eloquentia, Convivio, Epistles, Monarchia, and Rime, and of course the Divine Comedy, these essays together feature the many facets of the poet’s enduring legacy. Dante’s Multitudes showcases the poet’s embrace of multiplicity, difference, and disruption in five parts, each with its own general focus. It begins with an introductory essay on method and the use of history in order to set the stage for the expert analyses that follow. Barolini treats various topics in Dante studies, including sexualized and racialized others in the Comedy, Dante’s unorthodox conception of limbo, his celebration of metaphysical difference within the paradoxical unity of the Paradiso, and his use of Aristotle to think disruptively about wealth and society, on the one hand, and about love and compulsion, on the other. The volume closes with a final meditation on method and “critical philology,” highlighting the ways in which philology has been used uncritically to bolster fallacious hermeneutical narratives about one of the West’s most celebrated and influential poets. Barolini once again opens avenues for further research in this compelling collection of essays. This volume will be of interest to scholars in Dante studies, Italian studies, and medieval and Renaissance literature more broadly.
Reading Dante's Stars
Author: Alison Cornish
Publisher: Yale University Press
ISBN: 9780300133493
Category : Science
Languages : en
Pages : 246
Book Description
Astronomy is one of the most prominent and perplexing features of Dante's Divine Comedy. In the final rhyme of the poem's three parts, and in scores of descriptions and analogies, the stars are an intermediate goal and a constant point of reference for the spiritual journey the poem narrates. This book makes a sustained analysis of Dante's use of astronomy, not only in terms of the precepts of medieval science but also in relation to specific moral, philosophical, and poetic problems laid out in each chapter.For Dante, Alison Cornish says, the stars offer optical representations of invisible realities, from divine providence to the workings of the human soul. Dante's often puzzling celestial figures call attention to the physical world as a scene of reading in which visible phenomena are subject to more than one explanation, Cornish contends. The poetry of Dante's astronomy, as well as its difficulty, rests on this imperative of interpretation. Reading the stars, like reading literature, is an ethical undertaking fraught with risk, not just an exercise in technical understanding. Cornish's book is the first guide to the astronomy of Dante's masterpiece to encompass both ways of reading his work.
Publisher: Yale University Press
ISBN: 9780300133493
Category : Science
Languages : en
Pages : 246
Book Description
Astronomy is one of the most prominent and perplexing features of Dante's Divine Comedy. In the final rhyme of the poem's three parts, and in scores of descriptions and analogies, the stars are an intermediate goal and a constant point of reference for the spiritual journey the poem narrates. This book makes a sustained analysis of Dante's use of astronomy, not only in terms of the precepts of medieval science but also in relation to specific moral, philosophical, and poetic problems laid out in each chapter.For Dante, Alison Cornish says, the stars offer optical representations of invisible realities, from divine providence to the workings of the human soul. Dante's often puzzling celestial figures call attention to the physical world as a scene of reading in which visible phenomena are subject to more than one explanation, Cornish contends. The poetry of Dante's astronomy, as well as its difficulty, rests on this imperative of interpretation. Reading the stars, like reading literature, is an ethical undertaking fraught with risk, not just an exercise in technical understanding. Cornish's book is the first guide to the astronomy of Dante's masterpiece to encompass both ways of reading his work.
Science and Literature in Italian Culture from Dante to Calvino
Author: Pierpaolo Antonello
Publisher: Routledge
ISBN:
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
This collection of essays explores the relationship between literature and science in Italian culture. Encompassing a variety of authors and topics across four broad periods, the volume presents connections between the discourses of literature and science and offers critical readings.
Publisher: Routledge
ISBN:
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
This collection of essays explores the relationship between literature and science in Italian culture. Encompassing a variety of authors and topics across four broad periods, the volume presents connections between the discourses of literature and science and offers critical readings.
Dante's "Other Works"
Author: Zygmunt G. Baranski
Publisher: University of Notre Dame Pess
ISBN: 0268202370
Category : Literary Criticism
Languages : en
Pages : 633
Book Description
Prominent Dante scholars from the United States, Italy, and the United Kingdom contribute original essays to the first critical companion in English to Dante’s “other works.” Rather than speak of Dante’s “minor works,” according to a tradition of Dante scholarship going back at least to the eighteenth century, this volume puts forward the designation “other works” both in light of their enhanced status and as part of a general effort to reaffirm their value as autonomous works. Indeed, had Dante never written the Commedia, he would still be considered the most important writer of the late Middle Ages for the originality and inventiveness of the other works he wrote besides his monumental poem, including the Rime, the Fiore, the Detto d’amore, the Vita nova, the Epistles, the Convivio, the De vulgari eloquentia, the Monarchia, the Egloge, and the Questio de aqua et terra. Each contributor to this volume addresses one of the “other works” by presenting the principal interpretative trends and questions relating to the text, and by focusing on aspects of particular interest. Two essays on the relationship between the “other works” and the issues of philosophy and theology are included. Dante’s “Other Works” will interest Dantisti, medievalists, and literary scholars at every stage of their career. Contributors: Manuele Gragnolati, Christopher Kleinhenz, Zygmunt G. Barański, Claire E. Honess, Simon Gilson, Mirko Tavoni, Paola Nasti, Theodore J. Cachey, Jr., David G. Lummus, Luca Bianchi, and Vittorio Montemaggi.
Publisher: University of Notre Dame Pess
ISBN: 0268202370
Category : Literary Criticism
Languages : en
Pages : 633
Book Description
Prominent Dante scholars from the United States, Italy, and the United Kingdom contribute original essays to the first critical companion in English to Dante’s “other works.” Rather than speak of Dante’s “minor works,” according to a tradition of Dante scholarship going back at least to the eighteenth century, this volume puts forward the designation “other works” both in light of their enhanced status and as part of a general effort to reaffirm their value as autonomous works. Indeed, had Dante never written the Commedia, he would still be considered the most important writer of the late Middle Ages for the originality and inventiveness of the other works he wrote besides his monumental poem, including the Rime, the Fiore, the Detto d’amore, the Vita nova, the Epistles, the Convivio, the De vulgari eloquentia, the Monarchia, the Egloge, and the Questio de aqua et terra. Each contributor to this volume addresses one of the “other works” by presenting the principal interpretative trends and questions relating to the text, and by focusing on aspects of particular interest. Two essays on the relationship between the “other works” and the issues of philosophy and theology are included. Dante’s “Other Works” will interest Dantisti, medievalists, and literary scholars at every stage of their career. Contributors: Manuele Gragnolati, Christopher Kleinhenz, Zygmunt G. Barański, Claire E. Honess, Simon Gilson, Mirko Tavoni, Paola Nasti, Theodore J. Cachey, Jr., David G. Lummus, Luca Bianchi, and Vittorio Montemaggi.