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Author: Federica Coluzzi
Publisher: Manchester University Press
ISBN: 1526152436
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Dante beyond influence is the first study to conceptualise and historicise the hermeneutic turn in Dante reception history and Victorian cultural history, charting its development across intellectual realms, agents and forms of readerly and writerly engagement. Unearthing previously unseen manuscript and print evidence, the book conducts a material and book-historical inquiry into the formation and popularisation of the critical and scholarly discourse on Dante through Victorian periodicals, mass-publishing, traditional and Extramural higher education. The book demonstrates that the transformation of Dante from object of amateur interest (dantophilia) to subject of systematic interpretive endeavours (dantismo) reflected paradigmatic changes in Victorian intellectual and socio-cultural history.
Author: Federica Coluzzi
Publisher: Manchester University Press
ISBN: 1526152436
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Dante beyond influence is the first study to conceptualise and historicise the hermeneutic turn in Dante reception history and Victorian cultural history, charting its development across intellectual realms, agents and forms of readerly and writerly engagement. Unearthing previously unseen manuscript and print evidence, the book conducts a material and book-historical inquiry into the formation and popularisation of the critical and scholarly discourse on Dante through Victorian periodicals, mass-publishing, traditional and Extramural higher education. The book demonstrates that the transformation of Dante from object of amateur interest (dantophilia) to subject of systematic interpretive endeavours (dantismo) reflected paradigmatic changes in Victorian intellectual and socio-cultural history.
Author: Nick Havely
Publisher: Legenda
ISBN: 9781781888308
Category :
Languages : en
Pages : 412
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Book Description
Dante engaged with an extraordinary range of traditions, disciplines and media, and a variety of speech-communities, cultures, genres and media have received his work: from Spain, France and Germany to North America and the Indian sub-continent; and from medieval multilingualism and early modern humanism to contemporary politics, translations and databases. Those multiple contexts and this prolific afterlife form the subject of the book's 27 essays, which have been commissioned from an international group of scholars to mark the 2021Dante centenary. Contributors include members of several historic Dante Societies: The Dante Society of America, (founded 1881); the Deutsche Dante-Gesellschaft (founded 1865); and the Oxford Dante Society (founded 1876); and their essays present a variety of interdisciplinary and cross-cultural approaches to a major transnational poet. Nick Havely is Emeritus Professor of English and Related Literature at the University of York and is an Honorary Member of the Dante Society of America. Jonathan Katz is a Fellow of St Anne's College and Public Orator at the University of Oxford. Richard Cooper is Professor of French at the University of Oxford; Emeritus Fellow of Brasenose College; and Master of St Benet's Hall.
Author: Joseph Luzzi
Publisher: Princeton University Press
ISBN: 0691255644
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
The life and times of Dante’s soaring poetic allegory of the soul’s redemptive journey toward God Written during his exile from Florence in the early 1300s, Dante Alighieri’s Divine Comedy describes the poet’s travels through hell, purgatory, and paradise, exploring the state of the human soul after death. His poema sacro, sacred poem, profoundly influenced Renaissance writers and artists such as Giovanni Boccaccio and Sandro Botticelli and was venerated by modern critics including Erich Auerbach and Harold Bloom. Dante’s “Divine Comedy” narrates the remarkable reception of Dante’s masterpiece, one of the most consequential religious books ever written. Tracing the many afterlives of Dante’s epic poem, Joseph Luzzi shows how it left its mark on the work of such legendary authors as John Milton, Mary Shelley, and James Joyce while serving as a source of inspiration for writers like Primo Levi and Antonio Gramsci as they faced the most extreme forms of political oppression. He charts how the dialogue between religious and secular ideas in The Divine Comedy has shaped issues ranging from changing conceptions of women’s identity and debates about censorship to the role of canonical literature in popular culture. An intimate portrait of a work that has challenged and inspired generations of readers, Dante’s “Divine Comedy” reveals how Dante’s strikingly original and controversial vision of the afterlife can help us define our spiritual beliefs, better understand ourselves, and navigate the complexities of modern life.
Author: Federica Coluzzi
Publisher: Taylor & Francis
ISBN: 1000637131
Category : Language Arts & Disciplines
Languages : en
Pages : 236
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Book Description
This volume provides the first systematic study of the translation and reception of Dante’s Vita Nova in the Anglophone world, reconstructing for the first time the contexts and genesis of its English-language afterlife from the early nineteenth century to the present day. Dante is one of the foremost authors of the Western canon, and his Vita Nova has been repeatedly translated into English over the past two centuries. However, there exists no comprehensive account of the critical, scholarly, and creative English-language reception of Dante’s work. This collection brings together scholars from Dante studies, translation studies, English studies, and book history to examine the translation and reception of the Vita Nova among modern English-speaking publics, in both academic and non-academic contexts, and thus represents a major contribution to Dante studies. The Afterlife of Dante’s Vita Nova in the Anglophone World will be an essential reference point for scholars and students in English and Italian studies, literary and cultural studies, and translation and reception studies in the UK, Ireland, the USA, and Italy, where Dante is taught and researched.
Author: Fulvio Conti
Publisher: Taylor & Francis
ISBN: 1000812766
Category : History
Languages : en
Pages : 304
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Book Description
This book shows how Dante Alighieri has been represented in the Italian collective imagination from the late eighteenth century to the present day. Often held to be a precursor of Italian unity, the author of the Divine Comedy has been put forward both as a standard-bearer of a secular, anti-clerical Italy and the embodiment of the concept of a deeply religious and Catholic nation; while he was later adopted by nationalist and fascists as well as a pop icon in the age of the internet and globalization. The book describes this long and fascinating history from a completely original point of view: the centuries-old myth of Dante is analysed from the perspective of cultural history. The sources employed include Dante commemorations, festivals and monuments, pilgrimages to his tomb, films and other media productions about Dante, as well as comic strips, advertisements and other cultural items dedicated to him.
Author: Amilcare A. Iannucci
Publisher: University of Toronto Press
ISBN: 9780802088277
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
The Divine Comedy of Dante Alighieri (1265-1321) is one of the seminal works of western literature. Its impact on modern culture has been enormous, nourishing a plethora of twentieth century authors from Joyce and Borges to Kenzaburo Oe. Although Dante's influence in the literary sphere is well documented, very little has been written on his equally determining role in the evolution of the visual media unique to our times, namely, cinema and television. Dante, Cinema, and Television corrects this oversight. The essays, from a broad range of disciplines, cover the influence of the Divine Comedy from cinema's silent era on through to the era of sound and the advent of television, as well as its impact on specific directors, actors, and episodes, on national/regional cinema and television, and on genres. They also consider the different modes of appropriation by cinema and television. Dante, Cinema, and Television demonstrates the many subtle ways in which Dante's Divine Comedy has been given 'new life' by cinema and television, and underscores the tremendous extent of Dante's staying power in the modern world.
Author: Simone Marchesi
Publisher: University of Toronto Press
ISBN: 1442642106
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
At several junctures in his career, Dante paused to consider what it meant to be a writer. The questions he posed were both simple and wide-ranging: How does language, in particular 'poetic language,' work? Can poetry be translated? What is the relationship between a text and its commentary? Who controls the meaning of a literary work? In Dante and Augustine, Simone Marchesi re-examines these questions in light of the influence that Augustine's reflections on similar issues exerted on Dante's sense of his task as a poet. Examining Dante's life-long dialogue with Augustine from a new point of view, Marchesi goes beyond traditional inquiries to engage more technical questions relating to Dante's evolving ideas on how language, poetry, and interpretation should work. In this engaging literary analysis, Dante emerges as a versatile thinker, committed to a radical defence of poetry and yet always ready to rethink, revise, and rewrite his own positions on matters of linguistics, poetics, and hermeneutics.
Author: Harold Bloom
Publisher: Oxford University Press, USA
ISBN: 9780195112214
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
The book remains a central work of criticism for all students of literature.
Author: Jan M. Ziolkowski
Publisher: Fordham Univ Press
ISBN: 0823263886
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
Dante put Muhammad in one of the lowest circles of Hell. At the same time, the medieval Christian poet placed several Islamic philosophers much more honorably in Limbo. Furthermore, it has long been suggested that for much of the basic framework of the Divine Comedy Dante was indebted to apocryphal traditions about a “night journey” taken by Muhammad. Dante scholars have increasingly returned to the question of Islam to explore the often surprising encounters among religious traditions that the Middle Ages afforded. This collection of essays works through what was known of the Qur’an and of Islamic philosophy and science in Dante’s day and explores the bases for Dante’s images of Muhammad and Ali. It further compels us to look at key instances of engagement among Muslims, Jews, and Christians.
Author: Bryan Brazeau
Publisher: Bloomsbury Publishing
ISBN: 1350078956
Category : Philosophy
Languages : en
Pages : 252
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Book Description
Using new and cutting-edge perspectives, this book explores literary criticism and the reception of Aristotle's Poetics in early modern Italy. Written by leading international scholars, the chapters examine the current state of the field and set out new directions for future study. The reception of classical texts of literary criticism, such as Horace's Ars Poetica, Longinus's On the Sublime, and most importantly, Aristotle's Poetics was a crucial part of the intellectual culture of Renaissance Italy. Revisiting the translations, commentaries, lectures, and polemic treatises produced, the contributors apply new interdisciplinary methods from book history, translation studies, history of the emotions and classical reception to them. Placing several early modern Italian poetic texts in dialogue with twentieth-century literary theory for the first time, The Reception of Aristotle's Poetics in the Italian Renaissance and Beyond models contemporary practice and maps out avenues for future study.
