Author: Daniel Eatock
Publisher: Princeton Architectural Press
ISBN: 9781568987880
Category : Architecture
Languages : en
Pages : 234
Book Description
Imagine the work of a young designer for whom concept and humor are more important than the glossy aesthetics of mainstream periodicals and design annuals and for whom the message trumps the media, and you begin to get an idea of the refreshingly smart and thought-provoking work of Daniel Eatock. Rejecting the widely held opinion that work made without a client is "art" and work for hire is "design," Eatock challenges both categories by purposely blurring the distinction. Whether he is solving traditional client problems or those of his own choosing, Eatock’s work responds to personal fascinations and the pure desire to invent, discover, and present. The first monograph on this unconventional practitioner, "Daniel Eatock Imprint" is as unconventional as the artist himself. While utilizing and embracing the expectations of a traditional monograph, the London-based designer also challenges and subverts them, presenting works based on connections and associations through color, composition, titles, material, and format rather than in chronological or hierarchical order. Constantly oscillating between art and graphic design, this book is full of Eatock’s astute observations and eccentric obsessions.
Daniel Eatock Imprint
Author: Daniel Eatock
Publisher: Princeton Architectural Press
ISBN: 9781568987880
Category : Architecture
Languages : en
Pages : 234
Book Description
Imagine the work of a young designer for whom concept and humor are more important than the glossy aesthetics of mainstream periodicals and design annuals and for whom the message trumps the media, and you begin to get an idea of the refreshingly smart and thought-provoking work of Daniel Eatock. Rejecting the widely held opinion that work made without a client is "art" and work for hire is "design," Eatock challenges both categories by purposely blurring the distinction. Whether he is solving traditional client problems or those of his own choosing, Eatock’s work responds to personal fascinations and the pure desire to invent, discover, and present. The first monograph on this unconventional practitioner, "Daniel Eatock Imprint" is as unconventional as the artist himself. While utilizing and embracing the expectations of a traditional monograph, the London-based designer also challenges and subverts them, presenting works based on connections and associations through color, composition, titles, material, and format rather than in chronological or hierarchical order. Constantly oscillating between art and graphic design, this book is full of Eatock’s astute observations and eccentric obsessions.
Publisher: Princeton Architectural Press
ISBN: 9781568987880
Category : Architecture
Languages : en
Pages : 234
Book Description
Imagine the work of a young designer for whom concept and humor are more important than the glossy aesthetics of mainstream periodicals and design annuals and for whom the message trumps the media, and you begin to get an idea of the refreshingly smart and thought-provoking work of Daniel Eatock. Rejecting the widely held opinion that work made without a client is "art" and work for hire is "design," Eatock challenges both categories by purposely blurring the distinction. Whether he is solving traditional client problems or those of his own choosing, Eatock’s work responds to personal fascinations and the pure desire to invent, discover, and present. The first monograph on this unconventional practitioner, "Daniel Eatock Imprint" is as unconventional as the artist himself. While utilizing and embracing the expectations of a traditional monograph, the London-based designer also challenges and subverts them, presenting works based on connections and associations through color, composition, titles, material, and format rather than in chronological or hierarchical order. Constantly oscillating between art and graphic design, this book is full of Eatock’s astute observations and eccentric obsessions.
I Used to Be a Design Student
Author: Billy Kiosoglou
Publisher: Laurence King Publishing
ISBN: 1780675259
Category : Design
Languages : en
Pages : 582
Book Description
This book offers a rare chance to read what graphic designers feel about their education and profession. Fifty influential designers give the low-down about their student days and their professional lives. A piece of their college work is shown alongside an example of current work. Each designer also offers a key piece of advice and a warning, making this a must-read for anyone embarking on a career in design. The book looks at the process a designer goes through in finding their 'voice'. Topics addressed include how ideas are researched and developed; design and other cultural influences, then and now; positive and negative aspects of working as a designer; motivations for becoming a designer; and whether it's really possible to teach design. Contributors include Stefan Sagmeister, James Goggin, Karlssonwilker, Studio Dumbar, Cornel Windlin, Daniel Eatock, Spin, Hyperkit and Christian Küsters.
Publisher: Laurence King Publishing
ISBN: 1780675259
Category : Design
Languages : en
Pages : 582
Book Description
This book offers a rare chance to read what graphic designers feel about their education and profession. Fifty influential designers give the low-down about their student days and their professional lives. A piece of their college work is shown alongside an example of current work. Each designer also offers a key piece of advice and a warning, making this a must-read for anyone embarking on a career in design. The book looks at the process a designer goes through in finding their 'voice'. Topics addressed include how ideas are researched and developed; design and other cultural influences, then and now; positive and negative aspects of working as a designer; motivations for becoming a designer; and whether it's really possible to teach design. Contributors include Stefan Sagmeister, James Goggin, Karlssonwilker, Studio Dumbar, Cornel Windlin, Daniel Eatock, Spin, Hyperkit and Christian Küsters.
In the Good Name of the Company
Author: Christopher Michlig
Publisher: Picturebox, Incorporated
ISBN: 9781939799036
Category : Art
Languages : en
Pages : 0
Book Description
The Los Angeles-based Colby Poster Printing Company has been a friend to local artists ever since Ed Ruscha's seminal Colby-printed announcement for the 1962 Pasadena Art Museum exhibition New Paintings of Common Objects. Their fluorescent posters have been disseminated on every high-traffic surface across the city, and their collection of over 150 wood and metal typefaces have remained an integral part of Los Angeles' visual aesthetic. This book is a unique tribute to Colby and the visual and cultural impact it continues to hold today.
Publisher: Picturebox, Incorporated
ISBN: 9781939799036
Category : Art
Languages : en
Pages : 0
Book Description
The Los Angeles-based Colby Poster Printing Company has been a friend to local artists ever since Ed Ruscha's seminal Colby-printed announcement for the 1962 Pasadena Art Museum exhibition New Paintings of Common Objects. Their fluorescent posters have been disseminated on every high-traffic surface across the city, and their collection of over 150 wood and metal typefaces have remained an integral part of Los Angeles' visual aesthetic. This book is a unique tribute to Colby and the visual and cultural impact it continues to hold today.
Nov York
Author: Dumar Brown
Publisher: Xlibris Corporation
ISBN: 9781401052645
Category :
Languages : en
Pages : 0
Book Description
Publisher: Xlibris Corporation
ISBN: 9781401052645
Category :
Languages : en
Pages : 0
Book Description
The Annotated Reader
Author: RYAN GANDER AND. JONATHAN P. WATTS
Publisher:
ISBN: 9781907908545
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781907908545
Category :
Languages : en
Pages :
Book Description
Graphic Design
Author: Walker Art Center
Publisher:
ISBN: 9780935640984
Category : Art and society
Languages : en
Pages : 0
Book Description
Published on the occasion of an exhibition held at the Walker Art Center, Minneapolis, Minn. and four other institutions between Oct. 22. 2011 and Dec. 2013.
Publisher:
ISBN: 9780935640984
Category : Art and society
Languages : en
Pages : 0
Book Description
Published on the occasion of an exhibition held at the Walker Art Center, Minneapolis, Minn. and four other institutions between Oct. 22. 2011 and Dec. 2013.
Dimension
Author: Daniel Eatock
Publisher: 306090
ISBN:
Category : Architecture
Languages : en
Pages : 230
Book Description
306090 has emerged as an essential forum for issues of architectural practice and theory. Each volume addresses a pressingissue and offers diverse, cross-disciplinary solutions in the form of projects, ideas, buildings, and other media. Dimension (306090 12) reconsiders the act of measurement and definition in architectural design practice. Architecture in the past two decades has been transformed by the ongoing revolution in digital design and fabrication techniques. Dimension explores how the data, design, and invention derived from the act of measurement can help architects respond to economic, political, and environmental factors.
Publisher: 306090
ISBN:
Category : Architecture
Languages : en
Pages : 230
Book Description
306090 has emerged as an essential forum for issues of architectural practice and theory. Each volume addresses a pressingissue and offers diverse, cross-disciplinary solutions in the form of projects, ideas, buildings, and other media. Dimension (306090 12) reconsiders the act of measurement and definition in architectural design practice. Architecture in the past two decades has been transformed by the ongoing revolution in digital design and fabrication techniques. Dimension explores how the data, design, and invention derived from the act of measurement can help architects respond to economic, political, and environmental factors.
Function, Restraint, and Subversion in Typography
Author: J. Namdev Hardisty
Publisher: Princeton Architectural Press
ISBN: 9781568989662
Category : Design
Languages : en
Pages : 256
Book Description
The beauty of contemporary graphic design is that dozens of movements emerge and re-emerge from view. Yet, too often we are left with only the vague impression that something is going on. To appreciate what that might be requires us to slow down, ignore superficial trends, and take a more in-depth look. This is the approach taken by Function, Restraint, and Subversion in Typography, a survey of minimalist and brutalist typography in contemporary graphic design. This international collection documents the work of more than twenty-four graphic designers who engage in an aggressively simple typography. Lavishly illustrated with commentary by author J. Namdev Hardisty, the book explores the innovative posters, books, signage, and other forms of print design by such well-known designers as Daniel Eatock, Experimental Jetset, Spin, the Walker Art Center's design studio, as well as those just beginning to make a mark onthe design world, including MGMT., Project Projects, SEA, Xavier Encinas, Manuel Raeder, YES, and more.
Publisher: Princeton Architectural Press
ISBN: 9781568989662
Category : Design
Languages : en
Pages : 256
Book Description
The beauty of contemporary graphic design is that dozens of movements emerge and re-emerge from view. Yet, too often we are left with only the vague impression that something is going on. To appreciate what that might be requires us to slow down, ignore superficial trends, and take a more in-depth look. This is the approach taken by Function, Restraint, and Subversion in Typography, a survey of minimalist and brutalist typography in contemporary graphic design. This international collection documents the work of more than twenty-four graphic designers who engage in an aggressively simple typography. Lavishly illustrated with commentary by author J. Namdev Hardisty, the book explores the innovative posters, books, signage, and other forms of print design by such well-known designers as Daniel Eatock, Experimental Jetset, Spin, the Walker Art Center's design studio, as well as those just beginning to make a mark onthe design world, including MGMT., Project Projects, SEA, Xavier Encinas, Manuel Raeder, YES, and more.
One for Me and One to Share
Author: Gregory Elgstrand
Publisher: Yyz Books
ISBN: 9780920397527
Category : Art and society
Languages : en
Pages : 0
Book Description
Illustrated with over thirty-six colour reproductions, the essays and interviews in One For Me and Once To Share: Artists' Multiples and Editions addresses artists' multiples as a new means of reproduction, circulations, and reception.
Publisher: Yyz Books
ISBN: 9780920397527
Category : Art and society
Languages : en
Pages : 0
Book Description
Illustrated with over thirty-six colour reproductions, the essays and interviews in One For Me and Once To Share: Artists' Multiples and Editions addresses artists' multiples as a new means of reproduction, circulations, and reception.
Oracles
Author: Barbara Fédier
Publisher:
ISBN: 9783906803166
Category : Art as a profession
Languages : en
Pages : 318
Book Description
This book presents 123 calling cards of artists (painters, sculptors, photographers, architects, graphic designers, illustrators etc.) from the 18th century to the present day. The facsimiled cards are slipped like bookmarks into a book by several authors on the history of the use of calling cards, the social context in which they were produced, and related historical and fictional narratives. The often unexpected graphic qualities of these personalized objects, each designed to capture an individual identity within the narrow confines of a tiny rectangle card, implicitly recount a history of taste and typographic codes in the West. But this calling card collection also lays the foundations for a microhistory of art, inspired by the Italian microstoria, or a looser narrative that breaks free from geographic contexts and historical periods. We can imagine how social networks were formed before the advent of Facebook, and how artists defined themselves in the social sphere, whether they were students or teachers, dean of the art school or museum curator, founder of a journal, firm, restaurant or political party, and so on. Superimposed on this imaginary or idealized network formed by chance encounters is a living network of students of art or history, historians or anthropologists, librarians, archivists, gallerists, museum curators and artists themselves, the network upon which this pocket museum is constructed. The sheer variety of perspectives and stories brought together here makes this book a prodigious forum for discussion. (source : éditeur).
Publisher:
ISBN: 9783906803166
Category : Art as a profession
Languages : en
Pages : 318
Book Description
This book presents 123 calling cards of artists (painters, sculptors, photographers, architects, graphic designers, illustrators etc.) from the 18th century to the present day. The facsimiled cards are slipped like bookmarks into a book by several authors on the history of the use of calling cards, the social context in which they were produced, and related historical and fictional narratives. The often unexpected graphic qualities of these personalized objects, each designed to capture an individual identity within the narrow confines of a tiny rectangle card, implicitly recount a history of taste and typographic codes in the West. But this calling card collection also lays the foundations for a microhistory of art, inspired by the Italian microstoria, or a looser narrative that breaks free from geographic contexts and historical periods. We can imagine how social networks were formed before the advent of Facebook, and how artists defined themselves in the social sphere, whether they were students or teachers, dean of the art school or museum curator, founder of a journal, firm, restaurant or political party, and so on. Superimposed on this imaginary or idealized network formed by chance encounters is a living network of students of art or history, historians or anthropologists, librarians, archivists, gallerists, museum curators and artists themselves, the network upon which this pocket museum is constructed. The sheer variety of perspectives and stories brought together here makes this book a prodigious forum for discussion. (source : éditeur).