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Author: Christopher Borsing
Publisher: Routledge
ISBN: 1317247612
Category : Literary Criticism
Languages : en
Pages : 347
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Book Description
The concept of a personal identity was a contentious issue in the early eighteenth century. John Locke’s philosophical discussion of personal identity in An Essay Concerning Human Understanding fostered a public debate upon the status of an immortal Christian soul. This book argues that Defoe, like many of this age, had religious difficulties with Locke’s empiricist analysis of human identity. In particular, it examines how Defoe explores competitive individualism as a social threat while also demonstrating the literary and psychological fiction of any concept of a separated, lone identity. This foreshadows Michel Foucault’s assertion that the idea of man is ‘a recent invention, a figure not yet two centuries old, a new wrinkle in our knowledge’. The monograph’s engagement with Defoe’s destabilization of any definition or image of personal identity across a wide range of genres – including satire, political propaganda, history, conduct literature, travel narrative, spiritual autobiography, piracy and history, economic and scientific literature, rogue biography, scandalous and secret history, dystopian documentary, science fiction and apparition narrative - is an important and original contribution to the literary and cultural understanding of the early eighteenth century as it interrogates and challenges modern presumptions of individual identity.
Author: Christopher Borsing
Publisher: Routledge
ISBN: 1317247612
Category : Literary Criticism
Languages : en
Pages : 347
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Book Description
The concept of a personal identity was a contentious issue in the early eighteenth century. John Locke’s philosophical discussion of personal identity in An Essay Concerning Human Understanding fostered a public debate upon the status of an immortal Christian soul. This book argues that Defoe, like many of this age, had religious difficulties with Locke’s empiricist analysis of human identity. In particular, it examines how Defoe explores competitive individualism as a social threat while also demonstrating the literary and psychological fiction of any concept of a separated, lone identity. This foreshadows Michel Foucault’s assertion that the idea of man is ‘a recent invention, a figure not yet two centuries old, a new wrinkle in our knowledge’. The monograph’s engagement with Defoe’s destabilization of any definition or image of personal identity across a wide range of genres – including satire, political propaganda, history, conduct literature, travel narrative, spiritual autobiography, piracy and history, economic and scientific literature, rogue biography, scandalous and secret history, dystopian documentary, science fiction and apparition narrative - is an important and original contribution to the literary and cultural understanding of the early eighteenth century as it interrogates and challenges modern presumptions of individual identity.
Author: Fred Parker
Publisher: Routledge
ISBN: 0429663641
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
"What did she say? – Just what she ought, of course. A lady always does." This book explores the act of declaring love in works of literature written between the middle of the eighteenth century and the death of Jane Austen - and uncovers the uncertain boundaries of the self in the force-field of courtship. Declaring love is understood as the hazardous attempt to find public, social terms which can communicate personal feelings and bring intimacy into being. This was a period highly sensitive to the propriety and artificiality of public forms, and hence peculiarly alive to problems around the idea of saying what you feel, problems experienced especially though not exclusively by women. Through this historical lens the author considers the ways in which we may become entangled with one another through language, the limits to our operation as independent individuals, and whether in love you can only feel what you can tell. The first part of the book examines eighteenth-century attitudes towards the independent or disengaged self, performance culture, and the feasibility of sincerity, through readings of a wide range of different works. This provides the basis for a discussion of Austen's novels in the final two chapters, focused on the dynamics of courtship and the moment of proposal, and making much of the role of Austen's narrative voice in supporting the subjectivity of the one in love.
Author: Mark Bruhn
Publisher: Routledge
ISBN: 1351045415
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Drawing extensively upon archival resources and manuscript evidence, Wordsworth Before Coleridge rewrites the early history of Wordsworth’s intellectual development and thereby overturns a century-old consensus that derives his most important philosophical ideas from Coleridge. Beginning with Wordsworth’s mathematical and poetic studies at Hawkshead Grammar School and Cambridge University, both of which tutored the young poet in mind-matter dualism, the book charts the process by which Wordsworth came, not to reject this philosophical foundation, but to reevaluate the indispensable role of passion within it. Prompted by his reading in 1793 or early 1794 of Dugald Stewart’s Elements of the Philosophy of the Human Mind, Wordsworth rejected the exclusive rationality of William Godwin’s political philosophy and the anti-passionate morality of Alexander Pope’s philosophical poetics. Subsequent exposure, between 1795 and 1797, to Cambridge Platonism and English Kantianism supplied the key ideas of mind-nature fitness and multilevel psychological activity that, along with Stewart’s analysis of imaginative association, animate Wordsworth’s signature philosophy of "feeling intellect," from the initial drafts of The Pedlar and The Prelude in 1798 to the "Prospectus" to The Recluse and The Excursion, published together in 1814. By presenting for the first time a fully nuanced account of Wordsworth’s intellectual formation prior to the advent of Coleridge as his close companion and creative collaborator, Wordsworth Before Coleridge reveals at long last the true sources and abiding originality of the poet’s philosophical mind.
Author: Nicholas Seager
Publisher: Oxford University Press
ISBN: 0198827172
Category : History
Languages : en
Pages : 721
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Book Description
The Oxford Handbook of Daniel Defoe is the most comprehensive overview available of the author's life, times, writings, and reception. Daniel Defoe (1660-1731) is a major author in world literature, renowned for a succession of novels including Robinson Crusoe, Moll Flanders, and A Journal of the Plague Year, but more famous in his lifetime as a poet, journalist, and political agent. Across his vast oeuvre, which includes books, pamphlets, and periodicals, Defoe commented on virtually every development and issue of his lifetime, a turbulent and transformative period in British and global history. Defoe has proven challenging to position--in some respects he is a traditional and conservative thinker, but in other ways he is a progressive and innovative writer. He therefore benefits from the range of critical appraisals offered in this Handbook. The Handbook ranges from concerns of gender, class, and race to those of politics, religion, and economics. In accessible but learned chapters, contributors explore salient contexts in ways that show how they overlap and intersect, such as in chapters on science, environment, and empire. The Handbook provides both a thorough introduction to Defoe and to early eighteenth-century society, culture, and literature more broadly. Thirty-six chapters by leading literary scholars and historians explore the various genres in which Defoe wrote; the sociocultural contexts that inform his works; his writings on different locales, from the local to the global; and the posthumous reception and creative responses to his works.
Author: Roeland Goorts
Publisher: Leuven University Press
ISBN: 9462701318
Category : History
Languages : en
Pages : 419
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Book Description
Small power diplomacy in seventeenth century Europe War, State and Society in Liège is a fascinating case study of the consequences of war in the Prince-Bishopric of Liège and touches upon wider issues in early modern history, such as small power diplomacy in the seventeenth century and during the Nine Years’ War. For centuries, the small semi-independent Holy Roman Principality of Liège succeeded in preserving a non-belligerent role in European conflicts. During the Nine Years’ War (1688–1697), however, Liège’s leaders had to abolish the practice of neutrality. For the first time in its early modern history, the Prince-Bishopric had to raise a regular army, reconstruct ruined defence structures, and supply army contributions in both money and material. The issues under discussion in War, State and Society in Liège offer the reader insight into how Liège politically protected its powerful institutions and how the local elite tried to influence the interplay between domestic and external diplomatic relationships.
Author: Mark Knights
Publisher: OUP Oxford
ISBN: 019151456X
Category : Literary Criticism
Languages : en
Pages : 448
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Book Description
In this original and illuminating new study, Mark Knights reveals how the political culture of the eighteenth century grew out of earlier trends and innovations. Arguing that the period from 1675 needs to be seen as the second stage of a seventeenth-century revolution that ran on until c.1720, Representation and Misrepresentation in Later Stuart Britain charts the growth of a national political culture and traces the development of the public as an arbiter of politics. In doing so, it uncovers a crisis of public discourse and credibility, and finds a political enlightenment rooted in local and national partisan conflict. The later Stuart period was characterized by frequent elections, the lapse of pre-publication licensing, the emergence of party politics, the creation of a public debt, and ideological conflict over popular sovereignty. These factors combined to enhance the status of the 'public', not least in requiring it to make numerous acts of judgement. Contemporaries from across the political spectrum feared that the public might be misled by the misrepresentations pedalled by their rivals. Each side, and those ostensibly of no side, discerned a culture of passion, slander, libel, lies, hypocrisy, dissimulation, conspiracy, private languages, and fictions. 'Truth' appeared an ambiguous, political matter. Yet the reaction to partisanship was also creative, for it helped to construct an ideal form of political discourse. This was one based on reason rather than passion, on moderation rather than partisan zeal, on critical reading rather than credulity; and an increasing realization that these virtues arose from infrequent rather than frequent elections. Finding synergies between social, political, religious, scientific, literary, cultural, and intellectual history, Representation and Misrepresentation in Later Stuart Britain reinvigorates the debate about the emergence of 'the public sphere' in the later Stuart period.
Author: Daniel Defoe
Publisher: Broadview Press
ISBN: 1770487166
Category : Fiction
Languages : en
Pages : 426
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Book Description
Following the success of Robinson Crusoe, Daniel Defoe wrote a new fiction, the story of an English pirate whose success eclipsed every buccaneer the Atlantic world had seen. Featuring a haunted, unreliable narrator, a daring trek across the continent of Africa, and mercantile adventures in the China Seas, Captain Singleton is a tale of loneliness, brotherhood, and the lust for profit. Appendices to this Broadview Edition include materials on pirate fiction, travel writing, and earlier pirate tales that may have provided models for Captain Singleton.
Author: Wendy Helsby
Publisher: Bloomsbury Publishing
ISBN: 1839021039
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
This is the third book in the 'Understanding the Moving Image' series. Like other books in the series, it aims to provide a strong critical and theoretical base for the study of the media. It has been co-authored by experienced Media and Film Studies tutors, offering fresh and innovative ways of talking about the key concept of representation. How is the world mediated to deliver messages and create beliefs about groups such as the mentally ill, institutions like the family and schools, minority and marginalised people and issues of nation seen through football and films? It also looks outside our ethnocentric mediated world to see how we are represented to others. The choice of texts reflects both an attempt to push the boundaries of the study of representation with new research, but also to make it accessible and stimulating for students coming into this area for the first time. Case studies reflect contemporary concerns in the media, often from different perspectives.
Author: Barbara Schaff
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110497050
Category : Literary Criticism
Languages : en
Pages : 509
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Book Description
This handbook offers a systematic exploration of current key topics in travel writing studies. It addresses the history, impact, and unique discursive variety of British travel writing by covering some of the most celebrated and canonical authors of the genre as well as lesser known ones in more than thirty close-reading chapters. Combining theoretically informed, astute literary criticism of single texts with the analysis of the circumstances of their production and reception, these chapters offer excellent possibilities for understanding the complexity and cultural relevance of British travel writing.
Author: Areti Dragas
Publisher: Bloomsbury Publishing
ISBN: 1623561949
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Focusing on the figure of the storyteller, this study breaks new ground in the approach to reading contemporary literature by identifying a growing interest in storytelling. For the last thirty years contemporary fiction has been influenced by theoretical discourses, textuality and writing. Only since the rise of postcolonialism have academic critics been more overtly interested in stories, where high theory frameworks are less applicable. However, as we move through various contemporary contexts engaging with postcolonial identities and hybridity, to narratives of disability and evolutionary accounts of group and individual survival, a common feature of all is the centrality of story, which posits both the idea of survival and the passing on of traditions. The Return of the Storyteller in Contemporary Fiction closely examines this preoccupation with story and storytelling through a close reading of six contemporary international novelists that are either about actual 'storytellers' or engage with the figure of the storyteller, revealing how death of the author has given birth to the storyteller.
