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Author: Megan Sherritt
Publisher: Springer Nature
ISBN: 3031423275
Category : Psychology
Languages : en
Pages : 241
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Book Description
This book provides the first in-depth analysis of Lacanian psychoanalytic theory and the art of dance and explores what each practice can offer the other. It takes as its starting point Jacques Lacan’s assertion that James Joyce’s literary works helped him create what Lacan terms a sinthome, thereby preventing psychosis. That is, Joyce’s use of written language helped him maintain a “normal” existence despite showing tendencies towards psychosis. Here it is proposed that writing was only the method through which Joyce worked but that the key element in his sinthome was play, specifically the play of the Lacanian real. The book moves on to consider how dance operates similarly to Joyce’s writing and details the components of Joyce’s sinthome, not as a product that keeps him sane, but as an interminable process for coping with the (Lacanian) real. The author contends that Joyce goes beyond words and meaning, using language’s metre, tone, rhythm, and cadence to play with the real, mirroring his experience of it and confining it to his works, creating order in the chaos of his mind. The art of dance is shown to be a process that likewise allows one to play with the real. However, it is emphasized that dance goes further: it also teaches someone how to play if one doesn't already know how. This book offers a compelling analysis that sheds new light on the fields of psychoanalysis and dance and looks to what this can tell us about—and the possibilities for—both practices, concluding that psychoanalysis and dance both offer processes that open possibilities that might otherwise seem impossible. This original analysis will be of particular interest to those working in the fields of psychoanalysis, aesthetics, psychoanalytic theory, critical theory, art therapy, and dance studies.
Author: Megan Sherritt
Publisher: Springer Nature
ISBN: 3031423275
Category : Psychology
Languages : en
Pages : 241
Get Book Here
Book Description
This book provides the first in-depth analysis of Lacanian psychoanalytic theory and the art of dance and explores what each practice can offer the other. It takes as its starting point Jacques Lacan’s assertion that James Joyce’s literary works helped him create what Lacan terms a sinthome, thereby preventing psychosis. That is, Joyce’s use of written language helped him maintain a “normal” existence despite showing tendencies towards psychosis. Here it is proposed that writing was only the method through which Joyce worked but that the key element in his sinthome was play, specifically the play of the Lacanian real. The book moves on to consider how dance operates similarly to Joyce’s writing and details the components of Joyce’s sinthome, not as a product that keeps him sane, but as an interminable process for coping with the (Lacanian) real. The author contends that Joyce goes beyond words and meaning, using language’s metre, tone, rhythm, and cadence to play with the real, mirroring his experience of it and confining it to his works, creating order in the chaos of his mind. The art of dance is shown to be a process that likewise allows one to play with the real. However, it is emphasized that dance goes further: it also teaches someone how to play if one doesn't already know how. This book offers a compelling analysis that sheds new light on the fields of psychoanalysis and dance and looks to what this can tell us about—and the possibilities for—both practices, concluding that psychoanalysis and dance both offer processes that open possibilities that might otherwise seem impossible. This original analysis will be of particular interest to those working in the fields of psychoanalysis, aesthetics, psychoanalytic theory, critical theory, art therapy, and dance studies.
Author: Agnieszka Piotrowska
Publisher: Routledge
ISBN: 1317636481
Category : Psychology
Languages : en
Pages : 411
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Book Description
What is the role of the unconscious in our visceral approaches to cinema? Embodied Encounters offers a unique collection of essays written by leading thinkers and writers in film studies, with a guiding principle that embodied and material existence can, and perhaps ought to, also allow for the unconscious. The contributors embrace work which has brought ‘the body’ back into film theory and question why psychoanalysis has been excluded from more recent interrogations. The chapters included here engage with Jung and Freud, Lacan and Bion, and Klein and Winnicott in their interrogations of contemporary cinema and the moving image. In three parts the book presents examinations of both classic and contemporary films including Black Swan, Zero Dark Thirty and The Dybbuk: Part 1 – The Desire, the Body and the Unconscious Part 2 – Psychoanalytical Theories and the Cinema Part 3 – Reflections and Destructions, Mirrors and Transgressions Embodied Encounters is an eclectic volume which presents in one book the voices of those who work with different psychoanalytical paradigms. It will be essential reading for psychoanalysts and psychotherapists, scholars and students of film and culture studies and film makers.
Author: Barbara Hannah
Publisher:
ISBN: 9781630510619
Category : Psychology
Languages : en
Pages : 408
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Book Description
Barbara Hannah was a straightforward, modest, yet a grand woman, a lover of literature, and a colleague and friend of C. G. Jung, Emma Jung, and Marie-Louise von Franz. A first-generation Jungian psychologist, she was an original member of the Psychological Club of Zurich and a founder of the Jung Institute in Zurich. She lectured extensively in Switzerland and England and wrote several books on C. G. Jung and Jungian psychology. The Animus, in two volumes, presents her psychological analysis of the animus, gleaned from handwritten notes, typed manuscripts, previously published articles, her own drafts of her lectures, and notes taken by those present. She tackled the theme of the animus with a comprehensiveness unsurpassed in Jungian literature. Her insights and vigor stem from personally grappling with her own animus, while integrating the experience and reflections of many psychotherapists who worked directly with C. G. Jung. Authenticity and comprehensiveness were priorities in editing this work, as well as the preservation of the excellence of her work on the animus--a complex and vexing topic--while retaining the wonderfully natural spirit of Barbara Hannah herself. Themes include the case of the sixteenth-century nun, Jeanne Fery; the animus in the Book of Tobit (or Tobias); literature in general (the Brontes in particular); and the meaning of the animus for modern women. The Animus, volumes 1 and 2, are part of the "Polarities of the Psyche" series from Chiron Publications. Other books in the series are Lectures on Jung's Aion and The Archetypal Symbolism of Animals.
Author: Tim Themi
Publisher: SUNY Press
ISBN: 1438450397
Category : Psychology
Languages : en
Pages : 210
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Book Description
Brings Lacan and Nietzsche together as part of a common effort to rethink the tradition of Western ethics. Bringing together Jacques Lacan and Friedrich Nietzsche, Tim Themi focuses on their conceptions of ethics and on their accounts of the history of ethical thinking in the Western tradition. Nietzsche blames Plato for setting in motion a degenerative process that turned ethics away from nature, the body, and its senses, and thus eventually against our capacities for reason, science, and a creative, flourishing life. Dismissing Platos Supreme Good as a mirage, Lacan is very much in sympathy with Nietzsches reading. Following this premise, Themi shows how Lacans ethics might build on Nietzsches work, thus contributing to our understanding of Nietzsche, and also how Nietzsches critique can strengthen our understanding of Lacan.
Author: William Hughes
Publisher: Manchester University Press
ISBN: 1526125455
Category : Social Science
Languages : en
Pages : 209
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Book Description
Queering the Gothic is the first multi-authored book concerned with the developing interface between Gothic criticism and queer theory. Considering a range of Gothic texts produced between the eighteenth century and the present, the contributors explore the relationship between reading Gothically and reading Queerly, making this collection both an important reassessment of the Gothic tradition and a significant contribution to scholarship on queer theory. Writers discussed include William Beckford, Matthew Lewis, Mary Shelley, George Eliot, George Du Maurier, Oscar Wilde, Eric, Count Stenbock. E. M. Forster, Antonia White, Melanie Tem, Poppy Z. Brite, and Will Self. There is also exploration of non-text media including an analysis of Michael Jackson’s pop videos. Arranged chronologically, the book establishes links between texts and periods and examines how conjunctions of ‘queer’, ‘gay’, and ‘lesbian’ can be related to, and are challenged by, a Gothic tradition. All of the chapters were specially commissioned for the collection, and the contributors are drawn from the forefront of academic work in both Gothic and Queer Studies.
Author: Alison Bancroft
Publisher: Bloomsbury Publishing
ISBN: 0857731122
Category : Social Science
Languages : en
Pages : 259
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Book Description
There is an increasing trend within both the study of visual culture and fashion itself to restore fashion to an aesthetic role - one that moves beyond its commercial success as a global industry and places fashion within a nexus of art, the body, and femininity. This emphasis aims to separate fashion from mere clothing, and illustrate its cultural power as an integral aspect of modern life. In this innovative new book, Alison Bancroft re-examines significant moments in twentieth-century fashion history through the focal lens of psychoanalytic theory. Her discussion centres on studies of fashion photography, haute couture, queer dressing, and fashion/art in an attempt to shed new light on these key issues. According to Bancroft, problems of subjectivity are played out through fashion, in the public arena, and not just in the dark, unknowable unconscious mind. The question of what can be said, and what can only be experienced, and how these two issues may be reconciled, become questions that fashion addresses on an almost daily basis. Psychoanalysis has been profoundly influential in the arts, thanks to its capacity to add layers of meaning to things that, without it, would remain obtuse and intractable. It has proved crucial to the development of film studies, art theory and literary criticism. What it has not yet been brought into dialogue with in great depth is fashion. By interpreting fashion within a psychoanalytic frame, Bancroft illustrates how fashion articulates some of the essential, and sometimes frightening, truths about the body, femininity and the self.
Author: Barbara Hannah
Publisher:
ISBN: 9781888602463
Category : Animus (Psychoanalysis)
Languages : en
Pages : 0
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Book Description
Barbara Hannah tackled the theme of the animus in women's psyche with a comprehensiveness unsurpassed in Jungian literature. Her insight and vigor stem directly from personally grappling with her own animus while integrating the experience and reflections of psychotherapists working directly with C.G. Jung. Her psychological analysis of the animus is presented here in two volumes in essays gleaned from her handwritten notes, typed manuscripts, previously published articles (as well as her notes for those articles) and from her own drafts of her lectures, given at the C.G. Jung Institute in Zurich and to various audiences in Switzerland and England. The main objective of these two volumes is to present the reader with an all-inclusive synthesis of the many and complex essays and lectures Barbara Hannah presented on the animus while rendering the wonderful spirit and voice of Barbara Hannah herself. --Book Jacket.
Author: Patricia Gherovici
Publisher: Routledge
ISBN: 1135276935
Category : Psychology
Languages : en
Pages : 487
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Book Description
"I have the worst birth defect a woman can have: I was born with a penis and a pair of testicles." Thus we meet Hera, who shares her reason for starting psychoanalysis and whose statement embodies the debate over transgenderism, rigorously dissected in Please Select Your Gender. Is it a mental disorder, as some would claim, or a matter of sexual identity? An orientation or a life choice? Despite differing opinions, transgenderism has lost much of its stigma over the past decade or so – though perhaps none of its shock value. Nevertheless, the door is open for a reformulation of the hysterical question, "Am I a man or a woman?" Utilizing rich clinical vignettes and elements of Lacanian theory, Patricia Gherovici demonstrates how the transgender discourse has both reoriented psychoanalytic practice and reframed debates about gender in American society at large. She traverses historical, theoretical, and clinical grounds to explore what has been termed the "democratizing of gender" – for what could be more democratic than the choice of one’s own gender, now able to be changed on demand? Arguing for the depathologization of transgenderism, Please Select Your Gender aims to revise current notions of human sexuality in general. In doing so, it challenges the theory and practice of psychoanalysis with questions typically addressed only indirectly, but which are themselves transforming how analysis is done, advancing new ideas for the clinic that can be extrapolated to social and intellectual contexts in an effort to engage the broader dialogues of gender and sexuality.
Author: Richard Middleton
Publisher: Routledge
ISBN: 1136092749
Category : Music
Languages : en
Pages : 343
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Book Description
How does popular music produce its subject? How does it produce us as subjects? More specifically, how does it do this through voice--through "giving voice"? And how should we understand this subject--"the people"--that it voices into existence? Is it singular or plural? What is its history and what is its future? Voicing the Popular draws on approaches from musical interpretation, cultural history, social theory and psychoanalysis to explore key topics in the field, including race, gender, authenticity and repetition. Taking most of his examples from across the past hundred years of popular music development--but relating them to the eighteenth- and nineteenth-century "pre-history"--Richard Middleton constructs an argument that relates "the popular" to the unfolding of modernity itself. Voicing the Popular renews the case for ambitious theory in musical and cultural studies, and, against the grain of much contemporary thought, insists on the progressive potential of a politics of the Low.
Author: Laurence Simmons
Publisher: Springer Nature
ISBN: 3030624366
Category : Performing Arts
Languages : en
Pages : 367
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Book Description
Maverick Slovenian cultural theorist, philosopher and psychoanalyst Slavoj Žižek has made his name elaborating the complexities of psychoanalytic and Marxist theory through the exotic use of examples from film and popular culture. But what if we were to take Žižek’s pretensions to cinephilia and film criticism seriously? In this book, adopting Žižek’s own tactic of counterintuitive observation, we shall read the corpus of Alfred Hitchcock’s films (‘one of the great achievements of Western civilization’) and Žižek’s idiosyncratic citation of them in order to arrive at a position where we can identify the core commitments that inform Žižek’s own work. From the practice of Hitchcock we shall (hopefully) arrive at a theory of Žižek (just as Žižek in his collection Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock) (Verso, 1992) arrives at a theory of Lacan from the practice of Hitchcock). To achieve this goal each chapter looks at a specific film by Hitchcock and explores a specific key concept crucial to the elaboration and core of Žižek’s ideas.
