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Author: Edwin Denby
Publisher: Yale University Press
ISBN: 9780300069853
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
Edwin Denby, who died in 1983, was the most important and influential American dance critic of this century. His reviews and essays, which he wrote for almost thirty years, were possessed of a voice, vision, and passion as compelling and inspiring as his subject. He was also a poet of distinction -- a friend to Frank O'Hara, James Schuyler, and John Ashbery. This book presents a sampling of his reviews, essays, and poems, an exemplary collection that exhibits the elegance, lucidity, and timelessness of Denby's writings.The volume includes Denby's reactions to choreography ranging from Martha Graham to George Balanchine to the Rockettes, as well as his reflections on such general topics as dance in film, dance criticism, and meaning in dance. Denby's writings are presented chronologically, and they not only provide a picture of how his dance theories and reviewing methods evolved but also give an informal history of dance in New York from the late 1930s to the early 1960s. The book -- the Only collection of Denby's writings currently in print -- is an essential resource for students and lover of dance.
Author: Edwin Denby
Publisher: Random House Incorporated
ISBN: 9780394749846
Category : Performing Arts
Languages : en
Pages : 608
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Book Description
Collects a variety of articles on dance by influential New York journalist and master critic Edwin Denby which he wrote for Dance Magazine, Modern Music journal, and the Herald Tribune
Author: Wendy Oliver
Publisher: Human Kinetics Publishers
ISBN: 9780736076104
Category : Language Arts & Disciplines
Languages : en
Pages : 181
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Book Description
This comprehensive guide provides students with instructions for writing about dance in many different contexts. It brings together the many different kinds of writing that can be effectively used in a variety of dance classes from technique to appreciation.
Author: Sejal Shah
Publisher: University of Georgia Press
ISBN: 0820357235
Category : Biography & Autobiography
Languages : en
Pages : 201
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Book Description
Deluxe -- Thank You -- Pelham Road -- There Is No Mike Here -- Things People Said: An Essay in Seven Steps -- Temporary Talismans -- Six Hours from Anywhere You Want to Be -- No One Is Ordinary; Everyone Is Ordinary -- Ring Theory -- Saris and Sorrows -- Voice Texting with My Mother.
Author: Doris Humphrey
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 152
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Book Description
"This collection of essays, lectures and notes reveals the inspiration behind the creation of the choreography of modern dance founder Doris Humphrey. The fundamentals of her composition: form, content and execution are expressed in her own spirited words, providing an intimate look at the creative process"--Dust jacket.
Author: Edwin Denby
Publisher: Yale University Press
ISBN: 9780300069853
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
Edwin Denby, who died in 1983, was the most important and influential American dance critic of this century. His reviews and essays, which he wrote for almost thirty years, were possessed of a voice, vision, and passion as compelling and inspiring as his subject. He was also a poet of distinction -- a friend to Frank O'Hara, James Schuyler, and John Ashbery. This book presents a sampling of his reviews, essays, and poems, an exemplary collection that exhibits the elegance, lucidity, and timelessness of Denby's writings.The volume includes Denby's reactions to choreography ranging from Martha Graham to George Balanchine to the Rockettes, as well as his reflections on such general topics as dance in film, dance criticism, and meaning in dance. Denby's writings are presented chronologically, and they not only provide a picture of how his dance theories and reviewing methods evolved but also give an informal history of dance in New York from the late 1930s to the early 1960s. The book -- the Only collection of Denby's writings currently in print -- is an essential resource for students and lover of dance.
Author: André Levinson
Publisher: Wesleyan
ISBN: 9780819552273
Category : Performing Arts
Languages : en
Pages : 163
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Book Description
Author: Carl Van Vechten
Publisher: New York : Dance Horizons
ISBN:
Category : Addresses, essays, lectures
Languages : en
Pages : 234
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Book Description
Author: Susanne Franco
Publisher: Routledge
ISBN: 1134947127
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
Focusing on politics, gender, and identities, a group of international dance scholars provide a broad overview of new methodological approaches – with specific case studies – and how they can be applied to the study of ballet and modern dance. With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, the book is then divided into three parts: politics explores 'Ausdruckstanz' – an expressive dance tradition first formulated in the 1920s by dancer Mary Wigman and carried forward in the work of Pina Bausch and others gender examines eighteenth century theatrical dance – a time when elaborate sets, costumes, and plots examined racial and sexual stereotypes identity is concerned with modern dance. Exploring contemporary analytical approaches to understanding performance traditions, Dance Discourses' pedagogical structure makes it ideal for courses in performing arts and humanities.
Author: Edwin Denby
Publisher: Dance Books Limited
ISBN:
Category : Performing Arts
Languages : en
Pages : 632
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Book Description
Edwin Denby (1903-1983) was the most important and influential American dance critic of the 20th century. His reviews and essays were possessed of a voice, vision, and passion as compelling and inspiring as his subject. As dance critic, first for "Modern Music" and then for the "New York Herald Tribune", Denby permanently changed the way we think and talk about dance. This volume presents his reviews from "Modern Music" and the "Tribune" in chronological order, providing not only a picture of how Denby's dance theories and reviewing methods evolved, but also an informal history of the dance in New York from 1936 through 1945. The reviews glimpse the vanished dancers and dances that were most particularly of their time, especially Alicia Markova, Alexandra Danilova, Martha Graham, and George Balanchine. It was Balanchine on whom Denby focused after he left the "Tribune", and all of his post-"Tribune" writings on Balanchine and the New York City Ballet are presented here in one section, providing a history of the early artistic development of the company and of Balanchine himself, while also showing Denby's most eloquent and deeply felt writing. Finally there are his post-1945 reviews, essays, and lectures on such general dance subjects as the phenomenon of a truly good leap, classicism in ballet, and dance criticism itself. Courtly, unassertive but precise, concerned, concise and sometimes severe in his criticism, Denby was convinced that dance was not only a social and physical activity but also a joyous, moral one that "affirmed the beauty of the human spirit." As well as his exemplary artists Denby also wrote with care and generosity about dancers as varied as Nijinsky, Pearl Primus, Merce Cunningham and Sonja Henie. Cornfield's introduction is both appreciative and discerning; Mackay's biography sensitively describes a poet, dancer, novelist, translator and critic of high standards who was widely liked and admired. Essential for serious balletomanes.
Author:
Publisher: BRILL
ISBN: 1848881703
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
This volume was first published by Inter-Disciplinary Press in 2013. The chapters in this book provide an overview of both global and interdisciplinary perspectives on Writing. In an era when technology in general and social media in particular has appeared to overtaken academic discussion in regard to how we communicate; the thoughts, research and praxes in this volume reveal that while the concept of writing has changed dramatically in the past decades, the flow of words on a page or computer screen as a large flow of text still remains one of the key forms in which humans are able to crystallize thoughts. Each chapter reveals a particular facet of this process, revealing that it is only through the crafting process of producing words through the conduit of head to heart to hand that we can create and understand the external composite of internal creativity and reveal the power of human reflection. The clearly demonstrates that writing is encapsulated humanity.
