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Author: Llewellyn Meredith Crain
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 290
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Book Description
Author: Llewellyn Meredith Crain
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 290
Get Book Here
Book Description
Author: Detroit Institute of Arts
Publisher:
ISBN: 9780300211610
Category : Art
Languages : en
Pages : 0
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Book Description
A landmark examination of the art and artists inspired by American dance from 1830 to 1960 As an enduring wellspring of creativity for many artists throughout history, dance has provided a visual language to express such themes as the bonds of community, the allure of the exotic, and the pleasures of the body. This book is the first major investigation of the visual arts related to American dance, offering an unprecedented, interdisciplinary overview of dance-inspired works from 1830 to 1960. Fourteen essays by renowned historians of art and dance analyze the ways dance influenced many of America's most prominent artists, including George Caleb Bingham, William Sidney Mount, Winslow Homer, John Singer Sargent, Cecilia Beaux, Isamu Noguchi, Aaron Douglas, Malvina Hoffman, Edward Steichen, Arthur Davies, William Johnson, and Joseph Cornell. The artists did not merely represent dance, they were inspired to think about how Americans move, present themselves to one another, and experience time. Their artwork, in turn, affords insights into the cultural, social, and political moments in which it was created. For some artists, dance informed even the way they applied paint to canvas, carved a sculpture, or framed a photograph. Richly illustrated, the book includes depictions of Irish-American jigs, African-American cakewalkers, and Spanish-American fandangos, among others, and demonstrates how dance offers a means for communicating through an aesthetic, static form. Distributed for the Detroit Institute of Arts Exhibition Schedule: Detroit Institute of Arts (03/20/16-06/12/16) Denver Art Museum (07/10/16-10/02/16) Crystal Bridges Museum of American Art (10/22/16-01/16/17)
Author: Janice Pomer
Publisher: Human Kinetics
ISBN: 9780736067904
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
This package contains a book and CD of music. It explores the interactive relationship between dance and the other arts including visual, musical and dramatic and literary. Each chapter contains improvisational exercises for gaining perspective and understanding the commonalities across the arts.
Author: Ken Browar
Publisher: Black Dog & Leventhal
ISBN: 0316435155
Category : Performing Arts
Languages : en
Pages : 410
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Book Description
A stunning celebration of movement and dance in hundreds of breathtaking photographs by the creative team behind NYC Dance Project. The Art of Movement is an exquisite collection of photographs by well-known dance photographers Ken Browar and Deborah Ory that capture the movement, flow, energy, and grace of many of the most accomplished dancers in the world. Featured are more than 70 dancers from companies including American Ballet Theatre, New York City Ballet, Alvin Ailey American Dance Theater, Martha Graham Dance Company, Boston Ballet, Royal Danish Ballet, The Royal Ballet, Abraham in Motion, and many more. Accompanying the photographs are intimate and inspiring words from the dancers, as well as from choreographers and artistic directors on what dance means to them.
Author: Ann Younger
Publisher:
ISBN: 9781736304914
Category :
Languages : en
Pages :
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Book Description
Author: Margaret West Kinney
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 246
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Book Description
"The Dance" by Margaret West Kinney is a book about dance as a form of art. The writing includes a chapter of explanation of the salient steps of the ballet. These steps, with superficial variations and additions, form the basis also of all-natural or "character" dances that can lay claim to any consideration as interpretative art. Direct practical instruction is furnished on the subject of present-day ballroom dancing, to the extent of clear and exact directions for the performance of steps now fashionable in Europe and America. Some notable titles are: The "Schuhplatteltanz" Classic Ballet Positions Fundamental Positions of the Feet The "Tango" Development of an Arch "À La Pirouette", etc.
Author: Emmaly Wiederholt
Publisher:
ISBN: 9780998247816
Category :
Languages : en
Pages : 154
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Book Description
Breadth of Bodies seeks to investigate and dismantle the language and stereotypes often used to describe professional dancers with disabilities. Spearheaded by dancer/writer Emmaly Wiederholt and dance educator Silva Laukkanen with illustrations by visual artist Liz Brent-Maldonado, the team collected interviews with 35 professional dance artists with disabilities from 15 countries, asking about training, access, and press, as well as looking at the state of the field.
Author: Sharyn R. Udall
Publisher: University of Wisconsin Pres
ISBN: 029928803X
Category : Performing Arts
Languages : en
Pages : 379
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Book Description
From ballet to burlesque, from the frontier jig to the jitterbug, Americans have always loved watching dance, whether in grand ballrooms, on Mississippi riverboats, or in the streets. Dance and American Art is an innovative look at the elusive, evocative nature of dance and the American visual artists who captured it through their paintings, sculpture, photography, and prints from the early nineteenth century through the mid-twentieth century. The scores of artists discussed include many icons of American art: Winslow Homer, George Caleb Bingham, Mary Cassatt, James McNeill Whistler, Alexander Calder, Joseph Cornell, Edward Steichen, David Smith, and others. As a subject for visual artists, dance has given new meaning to America’s perennial myths, cherished identities, and most powerful dreams. Their portrayals of dance and dancers, from the anonymous to the famous—Anna Pavlova, Isadora Duncan, Loïe Fuller, Josephine Baker, Martha Graham—have testified to the enduring importance of spatial organization, physical pattern, and rhythmic motion in creating aesthetic form. Through extensive research, sparkling prose, and beautiful color reproductions, art historian Sharyn R. Udall draws attention to the ways that artists’ portrayals of dance have defined the visual character of the modern world and have embodied culturally specific ideas about order and meaning, about the human body, and about the diverse fusions that comprise American culture.
Author: André Lepecki
Publisher: Documents of Contemporary Art
ISBN: 9780854882038
Category : Art and dance
Languages : en
Pages : 0
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Book Description
Part of the acclaimed 'Documents of Contemporary Art' series of anthologies . This collection surveys the choreographic turn in the artistic imagination from the 1950s onwards, and in doing so outlines the philosophies of movement instrumental to the development of experimental dance. By introducing and discussing the concepts of embodiment and corporeality, choreopolitics, and the notion of dance in an expanded field, Dance establishes the aesthetics and politics of dance as a major impetus in contemporary culture. It offers testimonies and writings by influential visual artists whose work has taken inspiration from dance and choreography. Dance - because of its ephemerality, corporeality, precariousness, scoring, and performativity - is arguably the art form that most clearly engages the politics of aesthetics in contemporary culture. Dance's ephemerality suggests the possibility of an escape from the regimes of commodification and fetishization in the arts. Its corporeality can embody critiques of representation inscribed in bodies and subjects. Its precariousness underlines the fragility of contemporary states of being. Scoring links it with conceptual art, as language becomes the articulator for possible as well as impossible modes of action. Finally, because dance always establishes a contract, or promise, between its choreographic planning and its actualization in movement, it reveals an essential performativity in its aesthetic project - a central concern for both art and critical thought in our time. Artists and choreographers surveyed include: Marina Abramovic, Pina Bausch, Jérôme Bel, Seydou Boro, Trisha Brown, Rosemary Butcher, John Cage, Boris Charmatz, Ananya Chatterjea, Merce Cunningham, João Fiadeiro, William Forsythe, Simone Forti, Bruno Freire, Anna Halprin, Deborah Hay, Tatsumi Hijikata, Ishmael Houston-Jones, Mette Ingvartsen, Joan Jonas, Akira Kasai, Pichet Klunchun, Ralph Lemon, Xavier Le Roy, Babette Mangolte, Vera Mantero, Mathilde Monnier, Robert Morris, Bruce Nauman, Hélio Oiticica, Lygia Pape, Steve Paxton, Adrian Piper, Yvonne Rainer, Robert Rauschenberg, La Ribot, Lia Rodrigues, Hooman Sharifi and Meg Stuart. Writers include: Giorgio Agamben, Bruce Altshuler, Charles Atlas, Sally Banes, Nicholas Birns, Terry Brennan, Barbara Browning, Jonathan Burrows, Mary Connolly, Bojana Cvejic, Arlene Croce, Gilles Deleuze, Kattrin Deufert, DD Dorvillier, Douglas Dunn, Eiko & Koma, Tim Etchells, Jan Fabre, Matteo Fargion, Peter Eleey, Tim Etchells, Susan Foster, Sondra Fraleigh, Mark Franko, Adrian Heathfield, Graley Herren, Andrew Hewitt, Bill T. Jones, Jeff Kelley, Rosalind E. Krauss, Bojana Kunst, Henri Lefebvre, Boyan Manchev, Jean-Luc Nancy, Tamah Nakamura, Lloyd Newson, Yoko Ono, Halifu Osumare, Jeroen Peeters, Thomas Plischke, Yvonne Rainer, Richard Serra, Gerald Siegmund, Mårten Spångberg, Luc Van den Dries, Myriam Van Imschoot and Pascale Weber.
Author: K. Mitchell Snow
Publisher: University Press of Florida
ISBN: 0813072735
Category : Art
Languages : en
Pages : 284
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Book Description
Honorable Mention, Latin American Studies Association Mexico Section Best Book in the Humanities A Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance—the emulation of Diaghilev’s Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s. Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivate Mexico to express its own national identity through dance. He discusses the work of muralists and other visual artists in tandem with Mexico’s theatrical dance world, including Diego Rivera’s collaborations with ballet composer Carlos Chávez; Carlos Mérida’s leadership of the National School of Dance; José Clemente Orozco’s involvement in the creation of the Ballet de la Ciudad de México; and Miguel Covarrubias, who led the “golden age” of Mexican modern dance. Snow draws from a rich trove of historical newspaper accounts and other contemporary documents to show how these collaborations produced an image of modern Mexico that would prove popular both locally and internationally and continues to endure today.
