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Author: Kariamu Welsh-Asante
Publisher: Infobase Publishing
ISBN: 1604134771
Category : Dance
Languages : en
Pages : 137
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Book Description
The ancient tradition of African dance has influenced dance styles all over the world. It is used to commemorate many annual ceremonies and activities, such as rites of passage and the harvest, and it is also an important form of recreation, religious expression, and storytelling. In African Dance, Second Edition, the varied cultures of Africa and their respective dances are explored, along with the effects that colonialism had on the art form.
Author: Kariamu Welsh-Asante
Publisher: Infobase Publishing
ISBN: 1604134771
Category : Dance
Languages : en
Pages : 137
Get Book Here
Book Description
The ancient tradition of African dance has influenced dance styles all over the world. It is used to commemorate many annual ceremonies and activities, such as rites of passage and the harvest, and it is also an important form of recreation, religious expression, and storytelling. In African Dance, Second Edition, the varied cultures of Africa and their respective dances are explored, along with the effects that colonialism had on the art form.
Author: Geoffrey Gorer
Publisher: Eland Classics
ISBN: 9781780602141
Category : Family & Relationships
Languages : en
Pages : 0
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Book Description
This book captures the rich physical and psychological detail of African village life - from food and architecture to dance and magic.
Author: Kariamu Welsh
Publisher: University of Illinois Press
ISBN: 0252051815
Category : Performing Arts
Languages : en
Pages : 446
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Book Description
The popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories lived and learned by people in the field. Concentrating on eight major cities in the United States, the essays challenges myths about African dance while demonstrating its power to awaken identity, self-worth, and community respect. These voices of experience share personal accounts of living African traditions, their first encounters with and ultimate embrace of dance, and what teaching African-based dance has meant to them and their communities. Throughout, the editors alert readers to established and ongoing research, and provide links to critical contributions by African and Caribbean dance experts. Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh
Author: Jill Flanders Crosby
Publisher: University Press of Florida
ISBN: 1683403797
Category : Social Science
Languages : en
Pages : 274
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Book Description
Using storytelling and performance to explore shared religious expression across continents Through a revolutionary ethnographic approach that foregrounds storytelling and performance as alternative means of knowledge, Situated Narratives and Sacred Dance explores shared ritual traditions between the Anlo-Ewe people of West Africa and their descendants, the Arará of Cuba, who were brought to the island in the transatlantic slave trade. The volume draws on two decades of research in four communities: Dzodze, Ghana; Adjodogou, Togo; and Perico and Agramonte, Cuba. In the ceremonies, oral narratives, and daily lives of individuals at each fieldsite, the authors not only identify shared attributes in religious expression across continents, but also reveal lasting emotional, spiritual, and personal impacts in the communities whose ancestors were ripped from their homeland and enslaved. The authors layer historiographic data, interviews, and fieldnotes with artistic modes such as true fiction, memoir, and choreographed narrative, challenging the conventional nature of scholarship with insights gained from sensorial experience. Including reflections on the making of an art installation based on this research project, the volume challenges readers to imagine the potential of approaching fieldwork as artists. The authors argue that creative methods can convey truths deeper than facts, pointing to new possibilities for collaboration between scientists and artists with relevance to any discipline. Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Author: Ulrike Groß
Publisher: Waxmann Verlag
ISBN: 3830988745
Category : Language Arts & Disciplines
Languages : en
Pages : 176
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Book Description
The study centres on the subject of Dance in West Africa, namely a dance of the Ewe in Southern Ghana. Although modernity is having an adverse effect on traditional dancing, it is still important in the society and may be viewed as a mirror of culture. The objectives are to describe the dance and embed this form of expression within a theoretical framework. Every movement has a meaning and in this way it is possible to explain a whole story, a person is speaking through dance. Ulrike Groß studied Phonetic Sciences, Linguistics and Slavonic Languages at the University of Cologne; Dance at Laban Centre London and in Westafrican Countries. She also studied Fine Arts at the University of Zuid Limburg, Academie Beeldende Kunsten, Maastricht, NL. Her research interests are in Non-verbal Communication and Phonetics in Second Language Acquisition.
Author: Christy Lane
Publisher: Human Kinetics
ISBN: 9780880119054
Category : Fiction
Languages : en
Pages : 60
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Book Description
Countries included in this volume are : Israel, Germany, Ghana, China. Looks at country of origin, costume and history of the dance.
Author: Paschal Yao Younge
Publisher: McFarland
ISBN: 0786485310
Category : Performing Arts
Languages : en
Pages : 477
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Book Description
The music and dance traditions of Ghana's four main ethnic groups are covered comprehensively in this book. It discusses concepts of music, dance and performance in general, and also goes into cultural perspectives, performance practices and the form and structure of 22 musical types or dance drumming ceremonies. As a guide to multicultural education, it provides teaching methods and components of curriculum development. Numerous photographs, maps, and musical scores generously illustrate the book.
Author: Lindsay Guarino
Publisher: University Press of Florida
ISBN: 0813072115
Category : Performing Arts
Languages : en
Pages : 279
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Book Description
National Dance Education Organization Ruth Lovell Murray Book Award UNCG | Susan W. Stinson Book Award for Dance Education An African American art form, jazz dance has an inaccurate historical narrative that often sets Euro-American aesthetics and values at the inception of the jazz dance genealogy. The roots were systemically erased and remain widely marginalized and untaught, and the devaluation of its Africanist origins and lineage has largely gone unchallenged. Decolonizing contemporary jazz dance practice, this book examines the state of jazz dance theory, pedagogy, and choreography in the twenty-first century, recovering and affirming the lifeblood of jazz in Africanist aesthetics and Black American culture. Rooted Jazz Dance brings together jazz dance scholars, practitioners, choreographers, and educators from across the United States and Canada with the goal of changing the course of practice in future generations. Contributors delve into the Africanist elements within jazz dance and discuss the role of Whiteness, including Eurocentric technique and ideology, in marginalizing African American vernacular dance, which has resulted in the prominence of Eurocentric jazz styles and the systemic erosion of the roots. These chapters offer strategies for teaching rooted jazz dance, examples for changing dance curricula, and artist perspectives on choreographing and performing jazz. Above all, they emphasize the importance of centering Africanist and African American principles, aesthetics, and values. Arguing that the history of jazz dance is closely tied to the history of racism in the United States, these essays challenge a century of misappropriation and lean into difficult conversations of reparations for jazz dance. This volume overcomes a major roadblock to racial justice in the dance field by amplifying the people and culture responsible for the jazz language. Contributors: LaTasha Barnes | Lindsay Guarino | Natasha Powell | Carlos R.A. Jones | Rubim de Toledo | Kim Fuller | Wendy Oliver | Joanne Baker | Karen Clemente | Vicki Adams Willis | Julie Kerr-Berry | Pat Taylor | Cory Bowles | Melanie George | Paula J Peters | Patricia Cohen | Brandi Coleman | Kimberley Cooper | Monique Marie Haley | Jamie Freeman Cormack | Adrienne Hawkins | Karen Hubbard | Lynnette Young Overby | Jessie Metcalf McCullough | E. Moncell Durden Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Author: Eleni Bizas
Publisher: Berghahn Books
ISBN: 1782382577
Category : Performing Arts
Languages : en
Pages : 168
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Book Description
Based on extensive ethnographic fieldwork in New York and Dakar, this book explores the Senegalese dance-rhythms Sabar from the research position of a dance student. It features a comparative analysis of the pedagogical techniques used in dance classes in New York and Dakar, which in turn shed light on different aesthetics and understandings of dance, as well as different ways of learning, in each context. Pointing to a loose network of teachers and students who travel between New York and Dakar around the practice of West African dance forms, the author discusses how this movement is maintained, what role the imagination plays in mobilizing participants and how the ‘cultural flow’ of the dances is ‘punctuated’ by national borders and socio-economic relationships. She explores the different meanings articulated around Sabar’s transatlantic movement and examines how the dance floor provides the grounds for contested understandings, socio-economic relationships and broader discourses to be re-choreographed in each setting.
Author: Terez Mertes Rose
Publisher:
ISBN: 9780986093456
Category :
Languages : en
Pages : 374
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Book Description
Fiona Garvey, ballet dancer and recent college graduate, joins the Peace Corps to escape a painful family situation and ends up in Gabon, an African country she's never heard of, hoping its wild beauty will speak to her artist's soul. Instead Fiona quickly realizes she¿s in over her head. Her job teaching English, executed in breezy Western style, crashes hard into Africa's complicated reality. One of her older students becomes menacingly fixated on Fiona, until her former trainer, Christophe, a charismatic, philandering Gabonese man she¿s incapable of forgetting, uses his privilege and connections to make the problem go away.Surrounded by the roots of African dance, Fiona¿s abandoned ballet practice gradually morphs into something feral and mystical. This, along with her pale blue eyes, prompts the locals to believe she holds the power to access the spirit world. And when her former student returns, bent on confronting Fiona one last time, it is not Christophe but Fiona who can¿and must¿reach inside herself to find her own personal power and fight back.Blending humor and pathos, A DANCER¿S GUIDE TO AFRICA takes the reader along on a suspenseful, sensual journey through Africa¿s complex beauty, mystery and mysticism.
