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Author: I Wayan Dibia
Publisher: Tuttle Publishing
ISBN: 1462908675
Category : Performing Arts
Languages : en
Pages : 124
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Book Description
Discover the richness and beauty of Bali's many performing art forms. This book is a lavishly illustrated introduction to the most popular forms of traditional performing arts in Bali--among the most intricate and spectacular musical and theatrical performances found anywhere. Ideal reading for visitors to the island, as well as anyone interested in Balinese culture, this book presents the history and form of each performance--with 250 watercolor illustrations and full-color photos to aid in identification. Introductory sections discuss how the performing arts are learned in Bali and the basic religious and cultural tenets expressed through the arts. Subsequent chapters describe each form, including Gamelan Gong Keybar, Gambuh, Legong Keraton, Baris, Wayang Kulit and many more! Chapters include: What is Gamelan? Women in Non-Traditional Roles The Stories in Balinese Theatre Sacred and Ceremonial Dances And many more! Expert authors I Wayan Dibya and Rucina Ballinger discuss how the performing arts in Bali are passed from one generation to the next and the traditional values these performances convey, as well as their place within religious celebrations and how and when the performances are staged. In addition to including a bibliography and discography, the book is enhanced with over 200 stunning photographs and specially-commissioned watercolor illustrations from artist Barbara Anello.
Author: I Wayan Dibia
Publisher: Tuttle Publishing
ISBN: 1462908675
Category : Performing Arts
Languages : en
Pages : 124
Get Book Here
Book Description
Discover the richness and beauty of Bali's many performing art forms. This book is a lavishly illustrated introduction to the most popular forms of traditional performing arts in Bali--among the most intricate and spectacular musical and theatrical performances found anywhere. Ideal reading for visitors to the island, as well as anyone interested in Balinese culture, this book presents the history and form of each performance--with 250 watercolor illustrations and full-color photos to aid in identification. Introductory sections discuss how the performing arts are learned in Bali and the basic religious and cultural tenets expressed through the arts. Subsequent chapters describe each form, including Gamelan Gong Keybar, Gambuh, Legong Keraton, Baris, Wayang Kulit and many more! Chapters include: What is Gamelan? Women in Non-Traditional Roles The Stories in Balinese Theatre Sacred and Ceremonial Dances And many more! Expert authors I Wayan Dibya and Rucina Ballinger discuss how the performing arts in Bali are passed from one generation to the next and the traditional values these performances convey, as well as their place within religious celebrations and how and when the performances are staged. In addition to including a bibliography and discography, the book is enhanced with over 200 stunning photographs and specially-commissioned watercolor illustrations from artist Barbara Anello.
Author: Beryl De Zoete
Publisher:
ISBN:
Category : Balinese (Indonesian people)
Languages : en
Pages : 0
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Book Description
Author: Leon Rubin
Publisher: Routledge
ISBN: 1134324200
Category : Performing Arts
Languages : en
Pages : 199
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Book Description
Leon Rubin and I Nyoman Sedana, both international theatre professionals as well as scholars, collaborate to give an understanding of performance culture in Bali from inside and out. The book describes four specific forms of contemporary performance that are unique to Bali: Wayang shadow-puppet theatre Sanghyang ritual trance performance Gambuh classical dance-drama the virtuoso art of Topeng masked theatre. These culturally unique and beautiful theatrical events are contextualised within religious, intellectual and social backgrounds to give unparalleled insight into the mind and world of the Balinese performer.
Author: Michael Tenzer
Publisher: Tuttle Publishing
ISBN: 1462916384
Category : Music
Languages : en
Pages : 145
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Book Description
This book presents an introduction to more than a dozen different types of Balinese gamelan, each with its own established tradition, repertoire and social or religious context. The instruments and basic principles underlying the gamelan are introduced, thus providing listeners with the means to better appreciate the music. Scores of beautiful color photographs, a discography, and a brief guide to studying and hearing the music in Bali, will prove indispensible to visitors and gamelan afficionados around the world.
Author: Kendra Stepputat
Publisher:
ISBN: 9781800103092
Category : Business & Economics
Languages : en
Pages : 320
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Book Description
"The Kecak is one of the most well-known dramatic dance performance practices on Bali. It is based on stories from the Old-Indian epic Ramayana, performed by an ensemble of male and female solo dancers and accompanied by a group consisting of approximately 100 men, who function both as musical accompaniment and living scenery that can be flexibly choreographed. Since its genesis in the 1930s the Kecak has been almost solely performed in a tourist context. This book gives a thorough analysis and description of the Kecak in its present form and explores how the Kecak became and stayed a tourist genre for more than 80 years. The book is divided into two parts. The first part focuses on the Kecak in its present form, including musical, choreographic, and dramatic elements. The connection between cultural tourism on Bali and Kecak performance practice is analyzed in detail, including the dependency between tourism professionals and artists and ways of promoting the kecak. Tourists' perspectives on the Kecak are addressed separately. The second part deals with the genesis and development of the Kecak from the 1930s onward"--
Author: R.M. Soedarsono
Publisher: UGM PRESS
ISBN: 979420174X
Category : Performing Arts
Languages : en
Pages : 511
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Book Description
Preface I have been teaching the history of performing arts and Javanese dance, Yogyakarta style, for twenty years, and there have always been two features of this history that made me think and rethink: (1) wayang wong was never performed outside the palace’s walls until the first quarter of the twentieth century, becase it was considered a pusaka (sacred heiloom): and (2) wayang wong performances were always put on the Tratag Bangsal Kĕncana stage and started at dawn. Numerous ex-wayang wong dancers of the Yogyakarta court gave me the same answers to my questions about hese facts. They said that: (1) wayang wong was a pusaka because it was created by Sultan Hamĕngkubuwana I; and (2) wayang wong performances we put on stage at the dawn of the day because it was karsa-Dalĕm, the Sultan’s will. In my opinion, there must be something particularly significant behind the creation of wayang wong, because the Surakarta court never performed this dance genre, and I realized that to obtain satisfactory answers to these questions I would have to do extensive research on this subject. In August, 1977, when I participated in the World Music Congress at Berkeley, I met Professor Judith Becker. On onve occasion I taled with her concerning the possibility of my pursuin a Ph.D. degree at the University of Michigan with a dissertation topic, “Wayang Wong”. She responded wholeheartedly and, without any delay, made a long distance call to her husband, Professor Alton L. Becker. Both of them became my teachers, advisors and co-chairmen. After my return from Berkeley I started to do research on some aspects of wayang wong. In 1980 I began my course work in Southeast Asian Studies at the University of Michigan emphasizing three areas of study: (1) Southeast Asian Performance Traditions; (2) Southeast Asian History; and (3) Southeast Asian Literature. With the assistance of the Asian Cultural Council I continued my research at the Asia Society and the Library of Performing Arts in New York. There I scrutinized wayang wong films, especially the one of the lakon Mintaraga made by Mr. Tassilo Adam in 1926. Although the film is very choppy, it gave me priceless information about he magnificent production and also about the large audience of kawula-Dalĕm, the Sultan’s subjects. Who witnessed the perfor-mance. With the assistance of the Asian Cultural Council, the Ford Foundation and the University of Michigan I returned to Java during the summer of 1981 to continue by research at the Yogya-karta court libraries. The Sanabudaya Museum, and to interview numerous ex-wayang wong dancers. From these activities the first evidence for my hypothesis emerged, i.e., that wayang wong was a state ritual and not just a mere entertainment in the Yogyakarta court. By reading numerous wayang wong texts –Sĕrat Kandha and Sĕrat Pocapan, all in Javanese handwriting--, manuscripts about he Yogyakarta’s pusakas, and by analysing the conception of kingship of Mataram, I obtainded enough data to confirm my hypothesis further. It became apparent to me that wayang wong was created by Sultan Hamĕngkubuwana I in the late 1970’s as a revival of the Old javanese wayang wang. Photographs play a significant role in this work, since visual information about this dance drama gives us a clear image of numerous scenes. With the exception of figures nos. 1317, 69 and 84 all the photographs and pictures are from my own collection and drawing. Photographs are, nevertheless, motionless shots of dance movement and, therefore, cannot distinguish the movements of one character from another. Hence I have felt it necessary to put the basic movements of the twenty-one wayang wong types of character in Labanotation.
Author: Trebbe Johnson
Publisher: North Atlantic Books
ISBN: 1623172632
Category : Nature
Languages : en
Pages : 249
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Book Description
In a time of uncertainty and devastation--from pandemics to environmental catastrophe--a call to action for finding beauty, creating art, and healing in community. When a beloved place is decimated by physical damage, many may hit the donate button or call their congressperson. But award-winning author Trebbe Johnson argues that we need new methods for coping with these losses and invites readers to reconsider what constitutes “worthwhile action.” She discusses real wounded places ranging from weapons-testing grounds at Eglin Air Force Base, to Appalachian mountain tops destroyed by mining. These stories, along with tools for community engagement—ceremony, vigil, apology, and the creation of art with on-site materials—show us how we can find beauty in these places and discover new sources of meaning and community.
Author: I Made Bandem
Publisher:
ISBN:
Category : Performing Arts
Languages : id
Pages : 220
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Book Description
This is an updated edition of the classic history of Balinese dance. Ranging from the sacred to the secular, the authors look at the many genres of the form, their description, classification, and analysis.
Author: Judy Slattum
Publisher: Tuttle Publishing
ISBN: 9780804841849
Category : Art
Languages : en
Pages : 0
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Book Description
The unique and stunning masks used in Balinese rituals are explored in great detail in Balinese Masks. Masked performances are an ancient and integral part of Balinese rituals and are much more than mere spectacles for audiences. The masks serve both as visual aids in the portrayal of Bali's courtly legends and as harnessers of invisible forces. As "members of their own village communities," the masks are given a chance to "speak" and "move around" and be entertained by their human servants in parades and temple ceremonies. The great variety of Bali's masks, many of them sacred and rarely displayed, and the dance performances within which they appear, are well represented in this book. The spectacular detail and craftsmanship of the masks, revealed in Paul Schraub's stunning photographs, together with an informed text by Judy Slattum on their artistry, symbolism, religious significance, and manufacture, will take readers on a fascinating visual, spiritual, and dramatic journey into the sacred rituals of Bali. A foreword by Hildred Geertz further explains the significance of the masks and their role in Balinese village life.
Author: Walter Spies
Publisher: Periplus Editions
ISBN:
Category : History
Languages : en
Pages : 488
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Book Description
The classic introduction to Bali's dance and drama, this edition includes a preface by Arthur Waley, the renowned scholar and translator
