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Author: Sherrie Tucker
Publisher: Duke University Press
ISBN: 9780822328179
Category : History
Languages : en
Pages : 428
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Book Description
The story, based on extensive individual interviews, of the women’s swing bands that toured extensively during World War II and after -- a kind of “League of their Own” for jazz.
Author: Sherrie Tucker
Publisher: Duke University Press
ISBN: 9780822328179
Category : History
Languages : en
Pages : 428
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Book Description
The story, based on extensive individual interviews, of the women’s swing bands that toured extensively during World War II and after -- a kind of “League of their Own” for jazz.
Author: John R. Tumpak
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
Fifteen-piece swinging dance bands swept the country in popularity during the big band era of 1935-1946, the only time in America's history to-date when jazz was the most popular form of music. This book provides detailed profiles, many based on personal interviews, of the era's bandleaders, musicians, vocalists, arrangers, and contributors.--Publisher's information.
Author: David Ware Stowe
Publisher: Harvard University Press
ISBN: 9780674858268
Category : History
Languages : en
Pages : 340
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Book Description
Drawing on memoirs, oral histories, newspapers, magazines, recordings, photographs, literature, and films, Stowe looks at New Deal America through its music and shows us how the contradictions and tensions within swing--over race, politics, its own cultural status, the role of women--mirrored those played out in the larger society.
Author: Lewis A. Erenberg
Publisher: University of Chicago Press
ISBN: 0226215180
Category : Music
Languages : en
Pages : 345
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Book Description
During the 1930s, swing bands combined jazz and popular music to create large-scale dreams for the Depression generation, capturing the imagination of America's young people, music critics, and the music business. Swingin' the Dream explores that world, looking at the racial mixing-up and musical swinging-out that shook the nation and has kept people dancing ever since. "Swingin' the Dream is an intelligent, provocative study of the big band era, chiefly during its golden hours in the 1930s; not merely does Lewis A. Erenberg give the music its full due, but he places it in a larger context and makes, for the most part, a plausible case for its importance."—Jonathan Yardley, Washington Post Book World "An absorbing read for fans and an insightful view of the impact of an important homegrown art form."—Publishers Weekly "[A] fascinating celebration of the decade or so in which American popular music basked in the sunlight of a seemingly endless high noon."—Tony Russell, Times Literary Supplement
Author: Elijah Wald
Publisher: OUP USA
ISBN: 019975697X
Category : Music
Languages : en
Pages : 339
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Book Description
How the Beatles Destroyed Rock 'n' Roll is an alternative history of American music that, instead of recycling the familiar cliches of jazz and rock, looks at what people were playing, hearing and dancing to over the course of the 20th century, using a wealth of original research, curious quotations, and an irreverent fascination with the oft-despised commercial mainstream.
Author: Jeffrey Magee
Publisher: Oxford University Press
ISBN: 0195358147
Category : Biography & Autobiography
Languages : en
Pages : 353
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Book Description
If Benny Goodman was the "King of Swing," then Fletcher Henderson was the power behind the throne. Now Jeffrey Magee offers a fascinating account of Henderson's musical career, throwing new light on the emergence of modern jazz and the world that created it. Drawing on an unprecedented combination of sources, including sound recordings and hundreds of scores that have been available only since Goodman's death, Magee illuminates Henderson's musical output, from his early work as a New York bandleader, to his pivotal role in building the Kingdom of Swing. He shows how Henderson, standing at the forefront of the New York jazz scene during the 1920s and '30s, assembled the era's best musicians, simultaneously preserving jazz's distinctiveness and performing popular dance music that reached a wide audience. Magee reveals how, in Henderson's largely segregated musical world, black and white musicians worked together to establish jazz, how Henderson's style rose out of collaborations with many key players, how these players deftly combined improvised and written music, and how their work negotiated artistic and commercial impulses. Whether placing Henderson's life in the context of the Harlem Renaissance or describing how the savvy use of network radio made the Henderson-Goodman style a national standard, Jeffrey Magee brings to life a monumental musician who helped to shape an era. "An invaluable survey of Henderson's life and music." --Don Heckman, Los Angeles Times "Magee has written an important book, illuminating an era too often reduced to its most familiar names. Goodman might have been the King of Swing, but Henderson here emerges as that kingdom's chief architect." --Boston Globe "Excellent.... Jazz fans have waited 30 years for a trained musicologist...to evaluate Henderson's strengths and weaknesses and attempt to place him in the history of American music." --Will Friedwald, New York Sun
Author: Steven Suskin
Publisher: Oxford University Press
ISBN: 0199718822
Category : Music
Languages : en
Pages : 673
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Book Description
Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.
Author: George T. Simon
Publisher: Schirmer Trade Books
ISBN: 0857128124
Category : Music
Languages : en
Pages : 966
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Book Description
In this book you will find an astounding 400 biographies that highlight the history and personnel of the great bands. It is organized into four sections: “The Big Bands--Then” (the scene, the leaders, the public, the musicians, vocalists, arrangers and businessmen, recordings, radio, movies and the press); “Inside the Big Bands” (profiles of 72 top bands); “Inside More of the Big Bands” (hundreds of additional profiles arranged by categories (“The Arranging Leaders,” “The Horn-playing Leaders,” etc.); and “The Big Bands Now.” The Big Bands is one of the best books on the subject. It is both readable and an invaluable reference source for the study of jazz standards since many were written by big band leaders or musicians or were popularized through their performances and recordings. The index is comprehensive with names but lists no songs. George T. Simon was one of the original organizers and members of the Glenn Miller Orchestra for which he played the drums. He was also one of the first writers for Metronome Magazine where he remained from 1935 until 1955.
Author: Degen Pener
Publisher: Hachette UK
ISBN: 0316076678
Category : Music
Languages : en
Pages : 256
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Book Description
Ten years ago a revival of swing took place, originating in San Francisco, snowballing into today's international resurgence. This book presents the complete history of swing music and dancing, then and now.
Author: Jack Behrens
Publisher: Author House
ISBN: 1425969771
Category : Music
Languages : en
Pages : 207
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Book Description
Where did big bands and swing music go? They didn't leave. . . but many Americans actually believe they disappeared along with ballrooms, jukeboxes, bobby sox and zoot suits decades ago. Band leader Brooks Tegler, who has recreated the great music of World War II with his Army Air Corps Review Big Band, offers a good response. "In order for something to come back, it needs to have gone away. Big bands have wrongly been put in that category. They never went away." And that's the essence of the chapters of my book about America's big bands, ballrooms and dancing's past and present. And there's a good look at the future through the eyes of a number of young bandleaders from the east to west coast who carry on in the tradition of Guy Lombardo, Glenn Miller, Harry James, Woody Herman, Duke Ellington and a host of other music legends in their own distinctive way. The struggle to survive in the music business hasn't been without losses and a need for life support. It did when Miller, Benny Goodman, James and Ellington were in their heyday. It's a financially precarious business regardless of your talent. Inevitably, music and dancing evolved and matured. The reasons are numerous and linked to our heritage. But like marching bands on the 4th of July, imagine a country club new year's eve without live dance music and a big band. Think about the many community social events and high school and college proms let alone wedding receptions that still insist on having live bands to play the foxtrots and swing numbers people enjoy. My research shows that while there were approximately 800 big bands on the road during the swing era of the 1940s, today there are nearly 1,300 big bands, according to a Google search and a review of hundreds of territory bands. Consequently, neither the bands nor the music vanished. . . they scattered throughout the American countryside.
