Author: Dan Graham
Publisher: Lars Muller Publishers
ISBN: 9783037782590
Category : Architectural photography
Languages : en
Pages : 0
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Book Description
"Dan Graham, one of North America's most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its surfaces in the context of postmodern everyday culture represents an extremely important facet of his work. This publication presents new photographs by Dan Graham together with original photographs from the Homes for America series. The new images exhibit stark similarities to the old pictures, as they were taken in the same locations, the same deserts of suburban streets and housing that Graham photographed in the sixties. Creating a fascinating, multilayered reference system of repetitions and differences, both spatially as well as temporally, it raises questions about architecture and public space and their function in society."--Publisher's description.
Author: Alex Kitnick
Publisher: National Geographic Books
ISBN: 0262515776
Category : Art
Languages : en
Pages : 0
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Book Description
A collection of essays on a key figure in postminimalist art, with texts spanning thirty years. Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham, who came of age during the emergence of earth art, minimalism, and conceptualism, has situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham's artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham's extensive writings on his own work (collected in Rock My Religion and Two-Way Mirror Power, both published by the MIT Press) have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham's art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.
Author: Kodwo Eshun
Publisher: MIT Press
ISBN: 1846380855
Category : Art
Languages : en
Pages : 121
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Book Description
Dan Graham's Rock My Religion (1982-84) is a video essay populated by punk and rock performers (Patti Smith, Jim Morrison, Black Flag and Glenn Branca) and historical figures (including Ann Lee, founder of the Shakers). This coming together of several narrative voice-overs, of singing and shouting voices, of jarring sounds and text overlaid onto shaky, gritty images, proposes a historical genealogy of rock music and an ambitious thesis on the origins of America. In this illustrated book, Kodwo Eshun examines this landmark work of contemporary moving image in relation to Graham's wider body of work and to the broader culture of the time, especially in relation to history, popular culture, and individual and communal identity.
Author: Dan Graham
Publisher: Yale University Press
ISBN: 0300208758
Category : Art
Languages : en
Pages : 67
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Book Description
Dan Graham’s commissioned installation for the roof garden of The Metropolitan Museum of Art, as well as his previous related site-specific architectural works, is the focus of this fascinating publication.
Author: Kelly Baum
Publisher:
ISBN: 9780943012506
Category : Art, American
Languages : en
Pages : 159
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Book Description
"Between 1950 and 1975, some of the postwar era's most innovative artists flocked to a very unexpected place: New Jersey. Appreciating what others tended to ignore or mock, they gravitated to the state's most desolate peripheries: its industrial wastescapes, crumbling cities, crowded highways, and banal suburbs. There they produced some of the most important work of their careers. The breakthroughs in land, conceptual, performance, and site-specific art that New Jersey helped catalyze are the subject of New Jersey as Non-Site, whose title evokes the mixed-media sculptures that Robert Smithson began to create in 1968 while driving the state's highways with Nancy Holt. This catalogue examines more than 100 works by sixteen artists, including Amiri Baraka, George Brecht, Dan Graham, Allan Kaprow, Gordon Matta-Clark, and George Segal. Organized around three themes--ruin, cooperation, and displacement--Kelly Baum's essay considers their work in relationship to seismic shifts in the world of art and equally dramatic changes to New Jersey's economy, infrastructure, landscape, demography, and social stability."--
Author: Dan Graham
Publisher: MIT Press
ISBN: 9780262571302
Category : Architecture
Languages : en
Pages : 228
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Book Description
Essays charting the diverse works of renowned conceptual artist Dan Graham.
Author: James A. Hessler
Publisher: Savas Beatie
ISBN: 1611210453
Category : History
Languages : en
Pages : 505
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Book Description
“Sickles is as dividing a figure in Civil War history as there is. In his masterful work . . . Hessler . . . puts him out there with all his wrinkles” (Confederate Book Review). Winner of the Robert E. Lee Civil War Roundtable of Central New Jersey’s Bachelder-Coddington Literary Award Winner of the Gettysburg Civil War Roundtable’s Distinguished Book Award By licensed battlefield guide James Hessler, this is the most deeply-researched, full-length biography to appear on this remarkable American icon. No individual who fought at Gettysburg was more controversial, both personally and professionally, than Major General Daniel E. Sickles. By 1863, Sickles was notorious as a disgraced former Congressman who murdered his wife’s lover on the streets of Washington and used America’s first temporary insanity defense to escape justice. With his political career in ruins, Sickles used his connections with President Lincoln to obtain a prominent command in the Army of the Potomac’s 3rd Corps—despite having no military experience. At Gettysburg, he openly disobeyed orders in one of the most controversial decisions in military history. Hessler’s critically acclaimed biography is a balanced and entertaining account of Sickles colorful life. Civil War enthusiasts who want to understand General Sickles’ scandalous life, Gettysburg’s battlefield strategies, the in-fighting within the Army of the Potomac, and the development of today’s National Park will find Sickles at Gettysburg a must-read. “The few other Sickles biographies available will now take a back seat to Hessler’s powerful and evocative study of the man, the general, and the legacy of the Gettysburg battlefield that old Dan left America. I highly recommend this book.”—J. David Petruzzi, coauthor of Plenty of Blame to Go Around: Jeb Stuart’s Controversial Ride to Gettysburg
Author: Dan Graham
Publisher:
ISBN: 9783037783009
Category : Closed-circuit television
Languages : en
Pages : 0
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Book Description
This title was first published in 1979. The original book was released in the series of publications Source Materials of the Contemporary Arts initiated by Kasper Konig and produced by the Press of the Nova Scotia College of Art and Design. The publication represents an important document in Dan Graham's artistic examination of the video medium. Graham's installations and performances with video from the years 1970 - 1978 are documented with numerous illustrations, photos, and brief descriptions. In addition, the volume contains an essay by the artist in which he examines the various possibilities and forms of representation offered by the video medium, and draws the boundaries between these and representational spaces in television, film, or architecture. The book also offers contributions by Michael Asher and Dara Birnbaum, as well as an annex with a biography and bibliography.
Author: Jessica Vaughn
Publisher:
ISBN: 9780894390999
Category : Architecture
Languages : en
Pages : 0
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Book Description
With a new lens to artist Jessica Vaughn's multidisciplinary practice, Depreciating Assets investigates labor, diversity politics, and the material environment of the American workplace. The project examines how affirmative action and other office equity measures are intersected by corporate infrastructure and, specifically, the physical layout of office space.Across four interwoven sections and related appendices, Vaughn assembles her photographs and critical writings alongside xeroxed images, diversity training video stills, and manipulated open source documents of the US Government. The project considers and distills the symptoms of late 20th and 21st century work culture produced by open office plans and modular architecture's promise of malleability, compliance, and universality - provisions that bid for increased efficiency and productivity at the expense of visibility for Black workers and workers of color. The project also includes an interview between Vaughn and curator Magdalyn Asimakis, in which the two draw connections between the operations of the corporate environment to the structural failings of arts and cultural institutions to practice equitable inclusion of artists of color, or to develop a language and praxis in support of diverse programming that extends beyond compliance, optics, and concerns of the market. In its design, Depreciating Assets replicates the style, materials, and colors outlined by the US Government Publishing Office-standards set to ensure design efficiency and the economical production of their internal documents. The book draws from a familiar copyshop color palette and uses varied paper stocks in accordance with Paper Standard specifications. In doing so the project takes on and examines the homogeneity imposed by so-called 'corporate efficiency measures,' and the fundamental tension between diversity initiatives and one-size-fits-all approaches to office resources.The publication concludes with an afterword by the author contextualizing the project's themes within the contemporary reality of global pandemic, economic precarity, and protests against racist state violence, noting how in the absence of an adequate governmental response to structural problems, workplaces implement ad-hoc solutions (such as plexi-dividers) that still leave workers vulnerable and at risk - most acutely, Black workers who are often underinsured.
Author: Mark Wigley
Publisher: Lars Muller Publishers
ISBN: 9783037784273
Category : Architecture
Languages : en
Pages : 527
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Book Description
Of the many shows at the fabled 112 Greene Street gallery - an artistic epicenter of New York's downtown scene in the 1970s - the Anarchitecture group show of March 1974 has been the subject of the most enduring discussion, despite a complete lack of documentation about it. Anarchitecture has become a foundational myth, but one that remains to be properly understood. Stemming from a series of meetings organised by Gordon Matta-Clark and refl ecting his long-standing interest in architecture, the Anarchitecture exhibition was conceived as an anonymous group statement in photographs about the intersection of art and building. But did it actually happen? It exists only through oblique archival traces and the memories of the participants. Cutting Matta-Clark investigates the Anarchitecture group as a kind of collective research seminar, through extensive interviews with the protagonists and a dossier of all the available evidence. The dossier includes a collection of Matta-Clark's aphoristic "art cards," the 96 photographs that were produced by the various participants for possible inclusion in the exhibition, and images from a recently unearthed video of Matta-Clark's now famous bus trip to see Splitting in Englewood, New Jersey. 150 illustrations
