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Author: Gary Panter
Publisher: Fantagraphics Books
ISBN: 1560978864
Category : Comics & Graphic Novels
Languages : en
Pages : 222
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Book Description
Gary Panter began imagining Dal Tokyo, a future Mars that is terraformed by Texan and Japanese workers, as far back as 1972, appropriating a friend’s idea about “cultural and temporal collision” (The “Dal” is short for Dallas).Why Texan and Japanese? Panter says, “Because they are trapped in Texas, Texans are self-mythologizing. Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I’ll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas.”In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade.But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter’s famous “ratty line” collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn't read Dal Tokyo; one is absorbed into it and spit out the other side.
Author: Gary Panter
Publisher: Fantagraphics Books
ISBN: 1560978864
Category : Comics & Graphic Novels
Languages : en
Pages : 222
Get Book Here
Book Description
Gary Panter began imagining Dal Tokyo, a future Mars that is terraformed by Texan and Japanese workers, as far back as 1972, appropriating a friend’s idea about “cultural and temporal collision” (The “Dal” is short for Dallas).Why Texan and Japanese? Panter says, “Because they are trapped in Texas, Texans are self-mythologizing. Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I’ll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas.”In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade.But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter’s famous “ratty line” collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn't read Dal Tokyo; one is absorbed into it and spit out the other side.
Author: Gary Panter
Publisher: New York Review of Books
ISBN: 1681375265
Category : Comics & Graphic Novels
Languages : en
Pages : 105
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Book Description
A futuristic punk ventures through a madcap, dystopian fantasia in this astounding work of comics literature by a celebrated artist and illustrator. Gary Panter is one of America’s great creative forces: the illustrator for the trailblazing punk magazine Slash, set designer for the legendary TV show Pee-wee’s Playhouse, and one of the wildest, most innovative comics artists of all time. Jimbo: Adventures in Paradise is a leap into the uproarious life of Panter’s ever-cheerful punk everyman, Jimbo, and a perfect introduction to Panter’s ever-shifting style. Amid a jumbled cityscape of rundown New York City streets and futuristic Los Angeles freeways, Jimbo crowd-surfs at a riot, makes amends with Ernie Bushmiller’s Nancy, and rescues his pal Smoggo’s sister from giant cockroaches, all while the world teeters between extravagance and apocalypse. Veering from the crude to the elegant, the wise to the funny, Jimbo: Adventures in Paradise proves Panter is a master of cartooning, and still way ahead of the rest of us.
Author: Boris Slavinsky
Publisher: Routledge
ISBN: 1134351364
Category : Political Science
Languages : en
Pages : 264
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Book Description
The neutrality pact between Japan and the Soviet Union, signed in April 1941, lapsed only nine months before its expiry date of April 1946 when the Soviet Union attacked Japan. Japan's neutrality had enabled Stalin to move Far Eastern forces to the German front where they contributed significantly to Soviet victories from Moscow to Berlin. Slavinsky suggests that Stalin's agreement with Churchill and Roosevelt to attack Japan after Germany's surrender allowed him to keep Japan in the war until he was ready to attack and thus avenge Russia's defeat in the war of 1904-1905. The Soviet Union's violation of the pact and the detention of Japanese prisoners for up to ten years after the end of the war created a sense of victimization in Japan to the extent that there is still no formal Peace Treaty between the two countries to this day. Slavinsky draws on recently opened Russian archival material to demonstrate that the Soviet Union was passing information about the Allies to Japan during the Second World War. He also persuasively argues that vengeance and the (re)acquistion of land were the primary motives for the attack on Japan. The book contains empirical data previously unavailable in English and will fascinate anyone with an interest in the history of Japan, the Soviet Union and the events of the Second World War.
Author: Brandon Palmer
Publisher: University of Washington Press
ISBN: 0295804602
Category : History
Languages : en
Pages : 253
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Book Description
Fighting for the Enemy explores the participation of Koreans in the Japanese military and supporting industries before and during World War II, first through voluntary enlistment and eventually through conscription. Contrary to popular belief among Korean nationalists, this involvement was not entirely coerced. Brandon Palmer examines this ambiguous situation in the context of Japan's long-term colonial effort to assimilate Koreans into Japanese sociopolitical life and documents the many ways Koreans-short of openly resisting-avoided full cooperation with Japanese war efforts. Much media attention has been given to Japan's exploitation of "comfort women" in Korea and elsewhere in East Asia during the colonial period, but, until now, there has been no extended, objective analysis of the exploitation of the thousands of young Korean men who served in Japan's military and auxiliary occupations.
Author: Peter Duus
Publisher: Univ of California Press
ISBN: 9780520920903
Category : History
Languages : en
Pages : 516
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Book Description
What forces were behind Japan's emergence as the first non-Western colonial power at the turn of the twentieth century? Peter Duus brings a new perspective to Meiji expansionism in this pathbreaking study of Japan's acquisition of Korea, the largest of its colonial possessions. He shows how Japan's drive for empire was part of a larger goal to become the economic, diplomatic, and strategic equal of the Western countries who had imposed a humiliating treaty settlement on the country in the 1850s. Duus maintains that two separate but interlinked processes, one political/military and the other economic, propelled Japan's imperialism. Every attempt at increasing Japanese political influence licensed new opportunities for trade, and each new push for Japanese economic interests buttressed, and sometimes justified, further political advances. The sword was the servant of the abacus, the abacus the agent of the sword. While suggesting that Meiji imperialism shared much with the Western colonial expansion that provided both model and context, Duus also argues that it was "backward imperialism" shaped by a sense of inferiority vis-à-vis the West. Along with his detailed diplomatic and economic history, Duus offers a unique social history that illuminates the motivations and lifestyles of the overseas Japanese of the time, as well as the views that contemporary Japanese had of themselves and their fellow Asians.
Author: M. Kim
Publisher: Springer
ISBN: 1137304332
Category : Political Science
Languages : en
Pages : 299
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Book Description
Mass Dictatorship and Modernity is the second volume in the 'Mass Dictatorship' series. A transnational, academic research venture, it interrogates mass dictatorship in a broad historical context, focusing on the emergence of modernity through interactions of center and periphery, empire and colony, and democracy and dictatorship on a global scale.
Author: Mely Caballero-Anthony
Publisher: Brookings Institution Press
ISBN: 4889071458
Category : Political Science
Languages : en
Pages : 210
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Book Description
Globalization has led to a surge in crossborder migration, and the population of international migrants in East Asia has more than doubled over the past two decades. Today, governments in the region are grappling with these expanding and increasingly complex flows of people as well as the human security challenges that they bring, but as a result, they too often overlook the potential opportunities that accompany skillfully managed migration. In this volume, experts from "sending" and "receiving" countries in Asia outline current trends in China, Japan, Korea, and Southeast Asia; analyze existing government efforts to manage migration; and explore the unique role that nongovernmental organizations can play in helping to protect migrants and to harness migration to the benefit of the region.
Author:
Publisher: Routledge
ISBN: 1134092091
Category :
Languages : en
Pages : 193
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Book Description
Author: Adam Geczy
Publisher: Rutgers University Press
ISBN: 1978828675
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
Critical studies of the graphic novel have often employed methodologies taken from film theory and art criticism. Yet, as graphic novels from Maus to Watchmen have entered the literary canon, perhaps the time has come to develop theories for interpreting and evaluating graphic novels that are drawn from classic models of literary theory and criticism. Using the methodology of Georg Lukács and his detailed defense of literary realism as a socially embedded practice, Litcomix tackles difficult questions about reading graphic novels as literature. What critical standards should we use to measure the quality of a graphic novel? How does the genre contribute to our understanding of ourselves and the world? What qualities distinguish it from other forms of literature? LitComix hones its theoretical approach through case studies taken from across the diverse world of comics, from Yoshihiro Tatsumi’s groundbreaking manga to the Hernandez Brothers’ influential alt-comix. Whether looking at graphic novel adaptations of Proust or considering how Jack Kirby’s use of intertextuality makes him the Balzac of comics, this study offers fresh perspectives on how we might appreciate graphic novels as literature.
Author: Glenn Bray
Publisher: Fantagraphics Books
ISBN: 1606996959
Category : Antiques & Collectibles
Languages : en
Pages : 409
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Book Description
The Blighted Eye is the most copious, the most diverse, and the most lavish compilation of original comic art ever published ― all from the mind-boggling collection of Glenn Bray. Bray was an enthusiast of marginal or outsider American pop culture when he started to collect original comic art in 1965 ― a time when very few people, including the artists themselves, truly valued the original art. Bray has, over the last nearly 50 years, amassed the most eclectic collection of original comic art in private hands. The book features work by a pantheon of cartooning masters, including Charles Addams, Carl Barks, Charles Burns, Al Capp, Dan Clowes, Jack Cole, R. Crumb, Jack Davis, Kim Deitch, Will Elder, Al Feldstein, Virgil Finlay, Drew Friedman, Chester Gould, Justin Green, Rick Griffin, Bill Griffith, Matt Groening, George Grosz, V.T. Hamlin, Jaime Hernandez, George Herriman, Al Hirshfeld, Graham Ingels, Bernard Krigstein, Harvey Kurtzman, Gary Panter, Virgil Partch, Savage Pencil, Peter Pontiac, Charles Rodrigues, Spain Rodriguez, Charles Schulz, Gilbert Shelton, Joost Swarte, Stanislav Szukalski, Irving Tripp, Chris Ware, S. Clay Wilson, Basil Wolverton, Wallace Wood, Jim Woodring, Art Young, and ― it should go without saying ― many more.
